The History of Armour 1100 - 1700 offers a detailed account of how armour developed through the Medieval, Tudor, Elizabethan and Civil War eras, carefully itemizing the subtle changes over a six hundred year period. Each chapter focuses on an individual area of body protection, charting the evolution of each piece over time, from helmets and chest protection to arm guards, gauntlets, leg guards and sabatons. The book also encompasses the use of weaponry and its evolution, including protection for the horse.With the aid of the author's superb photographs and illustrations, the book looks at how fashions, as well as its protective qualities, influenced the style of armour. Valuable information has been acquired through the study of effigies over a number of years, and using these existing artifacts, supplemented by the author's meticulous illustrations and practical knowlege of armour construction, it has been possible to reconstruct the design and appearance of a wide range of armour. A meticulous study of the development of the knight's protective armour and weaponry over a six hundred year period. Through the study of effigies over a number of years, the author has been able to reconstruct the design of a wide range of armour. An invaluable resource for historians, re-enactors, collectors and all those with an interest in miltiary or medieval history. Superbly illustrated with 275 colour photographs and illustrations. Paul Walker gives lectures in armour and weapons for English Heritage and has a lifelong interest in historical warfare.

"The armourer and his craft from the XIth to the XVIth century" by Charles John Ffoulkes. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Jousting is the most iconic form of mounted combat. For more than five hundred years, the sport itself, and the chivalric culture that surrounded it, took on almost mythical qualities. Here, Tobias Capwell explains the glitz and glamour of a sport that attracted enormous popular audiences throughout the Middle Ages and the Renaissance. Though he deals almost exclusively with weapons and warriors, Capwell tells a story not of war and destruction, but of pageantry and valor. This is the story of the armor of peace.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.