Examines Iran's Armenian community, shedding light on Muslim-Christian relations in Iran since the 1979 revolution.

"As part of the Gorgias Handbook Series, this book provides a political and military history of the Sasanian Empire in Late Antiquity (220s to 651 CE). The book takes the form of a narrative, which situates Sasanian Iran as a continental power between Rome and the world of the steppe nomad"--

This book explores the Christian caliphal provinces of Armenia and Caucasian Albania as part of the larger Iranian cultural sphere.

Eliz Sanasarian's book explores the political and ideological relationship between non-Muslim religious minorities in Iran and the state during the formative years of the Islamic Republic to the present day. Her analysis is based on a detailed examination of the history and experiences of the Armenians, Assyrians, Chaldeans, Jews, Zoroastrians, Bahais and Iranian Christians, and describes how these communities have responded to state policies regarding minorities. Many of her findings are constructed out of personal interviews with members of these communities. While the book is essentially an empirical study, it also highlights more general questions associated with exclusion and marginalization and the role of the state in defining these boundaries. This is an important and original book which will make a significant contribution to the literature on minorities and to the workings of the Islamic Republic.

A Financial Times Book of the Year A Foreign Affairs Book of the Year A Spectator Book of the Year “A landmark contribution to the study of these epochal events.” —Times Literary Supplement “Brilliantly researched and written...casts a careful eye upon the ghastly events that took place in the final decades of the Ottoman empire, when its rulers decided to annihilate their Christian subjects...Hitler and the Nazis gleaned lessons from this genocide that they then applied to their own efforts to extirpate Jews.” —Jacob Heilbrun, The Spectator Between 1894 and 1924, three waves of violence swept across Anatolia, targeting the region’s Christian minorities. By 1924, the Armenians, Assyrians, and Greeks, once nearly a quarter of the population, had been reduced to 2 percent. Most historians have treated these waves as distinct, isolated events, and successive Turkish governments presented them as an unfortunate sequence of accidents. The Thirty-Year Genocide is the first account to show that all three were actually part of a single, continuing, and intentional effort to wipe out Anatolia’s Christian population. Despite the dramatic swing from the Islamizing autocracy of the sultan to the secularizing republicanism of the post–World War I period, the nation’s annihilationist policies were remarkably constant, with continual recourse to premeditated mass killing, homicidal deportation, forced conversion, and mass rape. And one thing more was a constant: the rallying cry of jihad. While not justified under the teachings of Islam, the killing of two million Christians was effected through the calculated exhortation of the Turks to create a pure Muslim nation. “A subtle diagnosis of why, at particular moments over a span of three decades, Ottoman rulers and their successors unleashed torrents of suffering.” —Bruce Clark, New York Times Book Review

The book "Christ in the Night of Glory" is about Ayatullah Ali Khamenei's visits with the families of Armenian and Assyrian martyrs from among these two small communities in Iran, who fought in defense of their patriotic country and in the path of God. Ayatullah Khamenei's visits to these latter groups usually took place around Christmas and the Christian New Year. He makes a very warm and kind atmosphere in their home and they feel a greater pride for their sons who fought and died in a rightful cause.

The text's elaborate illumination also brings to life a vibrant artistic center, the Monastery of Gladzor, which long ago disappeared." "The Armenian Gospels of Gladzor includes sixty color reproductions of the manuscript's illuminated pages, ten black-and-white illustrations, and two maps along with an essay that explores the book's artistic richness and theological complexity."--BOOK JACKET.