This book is a history of public information and personal ideas, specifically ideas about war and the military over the last century. It examines the interplay between popular media coverage of the nation’s wars and the perceptions of ordinary Americans regarding military issues. Armchair Warriors begins with the premise that the press provided most Americans with their primary source of insight into the practical military problems confronting the United States. In a nation where military service was the exception rather than the rule, the public relied on news outlets to make sense of what war “really” was. Such articles and editorials not only celebrated the country’s successes in war, but also attempted to explain its setbacks, as well as the perils and opportunities that lay ahead.The American people responded to this abundance of information by taking an active role in the intellectual aspects of the nation’s military effort.Often encouraged by various media sources, ordinary citizens produced a wealth of proposals aimed at solving particular tactical or strategic conundrums.These armchair warriors often sidestepped the press, and sought to bring their ideas directly before those entrusted with directing U.S. armed forces.Together, the media accounts of military issues and the practical-minded suggestions from the masses constitute a heretofore unexamined nationaldialogue about one of the most important aspects of U.S. history.

"The book makes use of hundreds of letters from average Americans to explore a previously unexamined aspect of popular participation in America's rise to global dominance. These letters provide a unique window into the minds of patriotic citizens grappling with issues ranging from grand strategy to the deadly imperatives of individual combat.".

If you're a first-time reader of the Cuchara series, you might want to take a few minutes to read this short section and get caught up on the characters and their stories. Better yet, read The Cuchara Chronicles, the first novel of the series, and Out of Purgatory: the Chronicles Continue. If you're a faithful reader and just want to be reminded of who's who and their parts in the continuing story, I hope that the next few pages will whet your appetite for what comes next.

An examination of telepresence technologies through the lens of contemporary artistic experiments, from early video art through current “drone vision” works. "Telepresence” allows us to feel present—through vision, hearing, and even touch—at a remote location by means of real-time communication technology. Networked devices such as video cameras and telerobots extend our corporeal agency into distant spaces. In Here/There, Kris Paulsen examines telepresence technologies through the lens of contemporary artistic experiments, from early video art through current “drone vision” works. Paulsen traces an arc of increasing interactivity, as video screens became spaces for communication and physical, tactile intervention. She explores the work of artists who took up these technological tools and questioned the aesthetic, social, and ethical stakes of media that allow us to manipulate and affect far-off environments and other people—to touch, metaphorically and literally, those who cannot touch us back. Paulsen examines 1970s video artworks by Vito Acconci and Joan Jonas, live satellite performance projects by Kit Galloway and Sherrie Rabinowitz, and CCTV installations by Chris Burden. These early works, she argues, can help us make sense of the expansion of our senses by technologies that privilege real time over real space and model strategies for engagement and interaction with mediated others. They establish a political, aesthetic, and technological history for later works using cable TV infrastructures and the World Wide Web, including telerobotic works by Ken Goldberg and Wafaa Bilal and artworks about military drones by Trevor Paglen, Omar Fast, Hito Steyerl, and others. These works become a meeting place for here and there.

Here is the new, hip, high-tech military-industrial complex--an omnipresent, hidden-in-plain-sight system of systems that penetrates all our lives. From iPods to Starbucks to Oakley sunglasses, historian Nick Turse explores the Pentagon's little-noticed contacts (and contracts) with the products and companies that now form the fabric of America. Turse investigates the remarkable range of military incursions into the civilian world: the Pentagon's collaborations with Hollywood filmmakers; its outlandish schemes to weaponize the wild kingdom; its joint ventures with the World Wrestling Federation and NASCAR. He shows the inventive ways the military, desperate for new recruits, now targets children and young adults, tapping into the "culture of cool" by making "friends" on MySpace. We are a long way from Eisenhower's military-industrial complex: this is its twenty-first-century progeny.--From publisher description.

A true life account covering the career of a soldier from Pvt to 1SG . Each book covers a span of ten years with three books planned . Laugh and cry as you understand more about a soldiers life . Go to foreign countries and see how a young soldier grows up the hard way while facing real life and death .

Freedom fighters. Guerrilla warriors. Soldiers of fortune. The many civil wars and rebellions against communist governments drew heavily from this cast of characters. Yet from Nicaragua to Afghanistan, Vietnam to Angola, Cuba to the Congo, the connections between these anticommunist groups have remained hazy and their coordination obscure. Yet as Kyle Burke reveals, these conflicts were the product of a rising movement that sought paramilitary action against communism worldwide. Tacking between the United States and many other countries, Burke offers an international history not only of the paramilitaries who started and waged small wars in the second half of the twentieth century but of conservatism in the Cold War era. From the start of the Cold War, Burke shows, leading U.S. conservatives and their allies abroad dreamed of an international anticommunist revolution. They pinned their hopes to armed men, freedom fighters who could unravel communist states from within. And so they fashioned a global network of activists and state officials, guerrillas and mercenaries, ex-spies and ex-soldiers to sponsor paramilitary campaigns in Asia, Africa, and Latin America. Blurring the line between state-sanctioned and vigilante violence, this armed crusade helped radicalize right-wing groups in the United States while also generating new forms of privatized warfare abroad.