An adult science-fiction epic of boundless imagination and audacious vision, The Adventures of Luther Arkwright and Heart of Empire are brought together for the first time in one essential hardcover volume, including bonus material and an afterword by Warren Ellis.

Beware the Badger! The acclaimed steampunk series from graphic-novel pioneer Bryan Talbot explores an alternate art-nouveau world populated by intelligent animals, a human underclass, and wondrous technology. Within this rich fantastical milieu, the relentless Detective-Inspector LeBrock of Scotland Yard pursues shadowy death squads, psychotic killers, dark political conspiracies, ruthless crime lords, and bloodthirsty cults through the streets of London and the Belle Epoque Paris known as Grandville, the center of the greatest empire on earth. Grandville Integral collects all five Grandville novels in one deluxe digital volume accompanied by voluminous author notes never before in print. Collects Grandville, Grandville Mon Amour, Grandville Noël, Grandville Bete Noire, and Grandville Force Majeure.

From acclaimed writer Mary M. Talbot and graphic-novel pioneer Bryan Talbot comes The Red Virgin and the Vision of Utopia, a portrait of revolutionary feminist Louise Michel, who took up arms against a French regime that executed thousands. Deported to a penal colony, Michel joined the cause of the indigenous population against colonial oppression. * Mary M. Talbot, writer of Dotter of Her Father’s Eyes and Sally heathcote Suffragette is a scholar of international acclaim who has published widely on language, gender, and power, particularly in relation to media and consumer culture. * Artist Bryan Talbot is one of the pioneers of the graphic novel, whose works include The Adventures of Luther Arkwright, The Tale of One Bad Rat, Alice in Sunderland, and the Grandvilleseries.

Contributions by Paul Fisher Davies, Lisa DeTora, Yasemin J. Erden, Adam Gearey, Thomas Giddens, Peter Goodrich, Maggie Gray, Matthew J. A. Green, Vladislav Maksimov, Timothy D. Peters, Christopher Pizzino, Nicola Streeten, and Lydia Wysocki Recent decades have seen comics studies blossom, but within the ecosystems of this growth, dominant assumptions have taken root—assumptions around the particular methods used to approach the comics form, the ways we should read comics, how its “system” works, and the disciplinary relationships that surround this evolving area of study. But other perspectives have also begun to flourish. These approaches question the reliance on structural linguistics and the tools of English and cultural studies in the examination and understanding of comics. In this edited collection, scholars from a variety of disciplines examine comics by addressing materiality and form as well as the wider economic and political contexts of comics’ creation and reception. Through this lens, influenced by poststructuralist theories, contributors explore and elaborate other possibilities for working with comics as a critical resource, consolidating the emergence of these alternative modes of engagement in a single text. This opens comics studies to a wider array of resources, perspectives, and modes of engagement. Included in this volume are essays on a range of comics and illustrations as well as considerations of such popular comics as Deadpool, Daredevil, and V for Vendetta, and analyses of comics production, medical illustrations, and original comics. Some contributions even unfold in the form of comics panels.

Bryan Talbot’s groundbreaking science-fiction epics The Adventures of Luther Arkwright and its sequel Heart of Empire have been acclaimed by Alan Moore, Neil Gaiman, Michael Moorcock, and more. Talbot now launches a third Arkwright saga, The Legend of Luther Arkwright, another milestone in graphic literature. Luther Arkwright, a being of vast psychic power capable of traversing the swirling multiverse of infinite existences, is pursued by a far superior adversary across multiple historically divergent parallel worlds, both utopian and dystopian, and only Arkwright’s experience and force of will provide any hope to avert humanity’s annihilation.

From its first episode in 1973, Open All Hours was an instant hit. Audiences around Britain loved its familiar setting, good natured humour, and the hilarious partnership of Ronnie Barker and David Jason. Whilst it only ran for 26 episodes, it firmly cemented itself as a British comedy classic. To celebrate the 40th anniversary of the show in 2014, the BBC revived it for a one-off Christmas Special. Still Open All Hours was swamped by a tsunami of audience affection and the BBC promptly commissioned a full series. The first episode of the fifth series is expected to air in late 2014. With recollections from David Jason, his fellow cast members, and from the scriptwriter Roy Clarke, plus never before seen BBC archive material, acclaimed popular TV historian Graham McCann tells the inside story of this very British sitcom, with wit, insight and affection.