In this anthology, Rubert (author and advertising executive who became editor of Arkham House in 1997) probes into the firm's history and its controversial founder, August Derleth. In the 21 essays, he explores some of the myths that have surfaced since Derleth's death in 1971, the Lovecraft legacy, the circumstances surrounding the Donald Wandrei litigation, key Arkham House writers of horror and fantasy fiction, and new biographical and historical information about legendary pulp writers. He also includes 21 unusual stories by each writer that are either unpublished or have never been published in a previous Arkham House collection. The volume is not indexed. Annotation c. Book News, Inc., Portland, OR

A mad surrealist’s art threatens to rip open the fabric of reality, in this twisted tale of eldritch horror and conspiracy, from the wildly popular world of Arkham Horror. Aspiring painter Alden Oakes is invited to join a mysterious art commune in Arkham: the New Colony. When celebrated Spanish surrealist Juan Hugo Balthazarr visits the colony, Alden and the other artists quickly fall under his charismatic spell. Balthazarr throws a string of decadent parties for Arkham’s social elite, conjuring arcane illusions which blur the boundaries between nightmare and reality. Only slowly does Alden come to suspect that Balthazarr’s mock rituals are intended to break through those walls and free what lies beyond. Alden must act, but it might already be too late to save himself, let alone Arkham.

The first in a new range of novels of eldritch adventure from the wildly popular Arkham Horror; an international thief of esoteric artifacts stumbles onto a nightmarish cult in 1920s New England. Countess Alessandra Zorzi, international adventurer and thief, arrives in Arkham pursuing an ancient body freshly exhumed from a mound in Oklahoma, of curious provenance and peculiar characteristics. But before she can steal it, another party beats her to it. During the resulting gunfight at the Miskatonic Museum, the countess makes eye contact with the petrified corpse and begins an adventure of discovery outside her wildest experiences. Now, caught between her mysterious client, the police, and a society of necrophagic connoisseurs, she finds herself on the trail of a resurrected mummy as well as the star-born terror gestating within it.

The Masters of Horror for Halloween is a meticulously curated anthology that weaves together the rich tapestries of horror literature from the pens of Edgar Allan Poe, Ambrose Bierce, Arthur Machen, and H.P. Lovecraft. Within its pages, readers will find an eclectic mix of gothic horror, supernatural fiction, and cosmic dread, illustrating the evolution and breadth of the horror genre. This collection not only showcases the distinct literary styles of its contributorsranging from Poes intricate and macabre narratives to Lovecrafts expansive mythos of ancient and unspeakable horrorsbut also underscores the thematic undercurrents of existential dread, the fragility of the human psyche, and the inexplicable forces that lie just beyond the veil of our understanding. The anthology stands as a testament to the genres complexity and its capacity to explore the darker aspects of the human condition. The backgrounds of Poe, Bierce, Machen, and Lovecraft present a fascinating mosaic of the late 19th and early 20th centuries, a period rife with innovation, existential questioning, and a deepening interest in the psychological and the supernatural. Together, these authors have significantly shaped the horror genre, each bringing their unique perspectives and literary craftsmanship to stories that delve into mankinds deepest fears and societal anxieties. Their collective works encapsulate key moments in horror literature, resonating with various cultural and literary movements from romanticism to modernism. By exploring themes of madness, decay, and the unknown, this collection offers a comprehensive look into the foundational elements of horror and its enduring appeal. The Masters of Horror for Halloween is an indispensable volume for aficionados of horror and literature alike. It presents an unparalleled opportunity to engage with the masters of the genre, offering a diverse array of stories that are sure to haunt and enchant. Readers are invited to traverse the shadowy paths laid by these iconic authors, gaining insights into the human psyche and the art of storytelling. This anthology is not only an exploration of fear and the supernatural but a celebration of the imaginative richness that horror, as a genre, provides. It beckons to those eager to explore the depths of their own fears, through the lens of literary greatness.

The bold investigators of Arkham Horror are humanity’s best hope against monstrous terrors from beyond the void, in this second collection of extraordinary eldritch novellas To Fight the Black Wind by Jennifer Brozek – psychologist Carolyn Fern’s treatment of a patient’s terrifying nightmares tears open a doorway into the Dreamlands and the Elder Gods. The Blood of Baalshandor by Richard Lee Byers – the arcane tomes of Miskatonic University are an irresistible lure for stage magician, Dexter Drake and his assistant Molly Maxwell, where they soon fall prey to dark forces. Dark Revelations by Amanda Downum – when author Gloria Goldberg visits Arkham to complete the unfinished novel of her fellow author, its words escape the page and transform Arkham. Also featuring the essential Investigator Origins stories, drawn from deep in the Arkham Horror archives.

This reference work covers the supernatural and speculative fiction published by Arkham House Publishers, Inc., of Sauk City, Wisconsin. In 1937, promising Wisconsin writer August Derleth decided to publish a collection of the stories of his recently deceased friend, H. P. Lovecraft. After two years of failed attempts, Derleth and another Lovecraft fan, Donald Wandrei, published the collection themselves under the name of Arkham. In the years that followed, Arkham House published the works of many of the foremost American and British writers of weird fiction, including Basil Copper, Lord Dunsany, Robert E. Howard, and Robert Bloch. Arkham published Ray Bradbury's first book, Dark Carnival, in 1947. The work begins with a history of the house and biography of August Derleth; it also includes a chapter on H. P. Lovecraft's connection to Arkham. The main body of the text consists of chronologically listed descriptions and current values of the more than 230 titles published by Arkham House and its two imprints, Mycroft & Moran and Stanton & Lee. These entries detail editions, reprints, special points, restoration, care, buying and selling, investment, and future trends. Other features include alphabetical indeces of titles and authors, lists of scarcity and value ranking, a list of annual stock lists and catalogs, and a bibliography of reference literature. The book is illustrated throughout with dust jacket reproductions and photographs.