Janet Stewart's overview of Arizona ranch houses not only recounts the development of a popular architectural form, ir also offers a practical guide for modern homebuilders who wish to recapture this famous style. Photographs and floor plans accompany the text.

My Side of the Mountain is a favorite middle-grade novel. This companion gives background on the author, including an interview, questions to guide reading, clues to the story's themes, plot, characters, and setting, a glossary, writing and other activities, and more. If you loved My Side of the Mountain, you need this reading companion.

Experience southwestern heritage, culture and cuisine while learning to rope and herd cattle, trail ride through the wilderness or make prickly pear syrup. With roots dating back to the mid-1800s, southern Arizona's historic guest ranches and farm stays include Spain's first mission in the continental United States, a former World War II prison camp and boys' boarding school and a Butterfield Stagecoach stop. Intimately connected to Arizona's land and legacy, these unparalleled retreats have hosted countless artists, movie stars and politicians and continue to enrich their present-day communities through food, education and conservation. Pack your bags and join travel writer Lili DeBarbieri for a journey into the rural west south of the Gila River.

This volume analyzes the extraordinary patronage of modern architecture that the Tremaine family sustained for nearly four decades in the mid-twentieth century. From the late 1930s to the early 1970s, two brothers, Burton G. Tremaine and Warren D. Tremaine, and their respective wives, Emily Hall Tremaine and Katharine Williams Tremaine, commissioned approximately thirty architecture and design projects. Richard Neutra and Oscar Niemeyer designed the best-known Tremaine houses; Philip Johnson and Frank Lloyd Wright also created designs and buildings for the family that achieved iconic status in the modern movement. Focusing on the Tremaines’ houses and other projects, such as a visitor center at the meteor crater in Arizona, this volume explores the Tremaines’ architectural patronage in terms of the family’s motivations and values, exposing patterns in what may appear as an eclectic collection of modern architecture. Architectural historian Volker M. Welter argues that the Tremaines’ patronage was not driven by any single factor; rather, it stemmed from a network of motives comprising the clients’ practical requirements, their private and public lives, and their ideas about architecture and art.