"The book tells the story of how an upstart planetary laboratory in Tucson, the Lunar and Planetary Laboratory (LPL), would help create the field of planetary science, breaking free from traditional astronomical techniques to embrace a wide range of disciplines necessary to study planets"--Provided by publisher.

Since the beginning of civilization, the origins of the Earth and Moon have been the subjects of continuing interest, speculation, and enquiry. These are also among the most challenging of all scientific problems. They are, perhaps to a unique degree, interdisciplinary, having attracted the attention of philosophers, astronomers, mathematicians, geologists, chemists, and physicists. A large and diverse literature has developed, far beyond the capacity of individuals to assimilate adequately. Consequently, most of those who attempt to present review-syntheses in the area tend to reflect the perspectives of their own particular disciplines. The present author's approach is that of a geochemist, strongly influenced by the basic phil osophy of Harold Urey. Whereas most astronomical phenomena are controlled by gravitational and magnetic fields, and by nuclear interactions, Urey (1952) emphasized that the formation of the solar system occurred in a pressure-temperature regime wherein the chemical properties of matter were at least as important as those of gravitational and magnetic fields. This was the principal theme of his 1952 book, "The Planets," which revolutionized our approach to this subject. In many subsequent papers, Urey strongly emphasized the importance of meteorites in providing critical evidence of chemical conditions in the primordial solar nebula, and of the chemical fractionation processes which occurred during formation of the terrestrial planets. This approach has been followed by most subsequent geochemists and cosmochemists.

With active geysers coating its surface with dazzlingly bright ice crystals, Saturn’s large moon Enceladus is one of the most enigmatic worlds in our solar system. Underlying this activity are numerous further discoveries by the Cassini spacecraft, tantalizing us with evidence that Enceladus harbors a subsurface ocean of liquid water. Enceladus is thus newly realized as a forefront candidate among potentially habitable ocean worlds in our own solar system, although it is only one of a family of icy moons orbiting the giant ringed planet, each with its own story. As a new volume in the Space Science Series, Enceladus and the Icy Moons of Saturn brings together nearly eighty of the world’s top experts writing more than twenty chapters to set the foundation for what we currently understand, while building the framework for the highest-priority questions to be addressed through ongoing spacecraft exploration. Topics include the physics and processes driving the geologic and geophysical phenomena of icy worlds, including, but not limited to, ring-moon interactions, interior melting due to tidal heating, ejection and reaccretion of vapor and particulates, ice tectonics, and cryovolcanism. By contextualizing each topic within the profusion of puzzles beckoning from among Saturn’s many dozen moons, Enceladus and the Icy Moons of Saturn synthesizes planetary processes on a broad scale to inform and propel both seasoned researchers and students toward achieving new advances in the coming decade and beyond.

In 1967, the infamous Arizona Territory of Vietnam’s An Hoa basin was a crucible that forged the souls of men. Through the booby-trapped trails of one of the conflict’s most hotly contested free-fire zones, thousands of Vietnamese and Americans fought and died while others learned what it means to finally live. Arizona Moon binds together the fates of three men who went to war to find meaning, but found only Vietnam. Cpl. Raymond Strader is a Marine Corps squad leader and designated platoon sniper who is counting down the days before he can return to Pennsylvania. LCpl. Noche Gonshayee is an Apache Indian feared by his fellow Marines and who sees any non-Apache as a potential enemy. Truong Nghi is a North Vietnamese Army (NVA) student volunteer caught up in patriotic fervor and is helping an NVA unit move munitions south in anticipation of the Tet Offensive.Blood is shed when Nghi’s NVA unit silently eliminates a listening post lead by Gonshayee and disappears into the night. What the Marine platoon finds in the morning doesn’t look like an NVA action, but murder. The comatose Gonshayee is the only suspect. Fresh from the Arizona Territory, Corporal Strader has only two days and a wakeup remaining of his time in country when bureaucratic expedience rips him away from finalizing his departure paperwork and throws him back into the line of fire. His assignment was supposed to be a simple escort mission to bring a prisoner back to An Hoa. But when the NVA shoot down the helicopter carrying Strader and Gonshayee, a deadly game of cat and mouse breaks out across the face of the Ong Tu Mountains as the NVA desperately try to protect their cargo and the Marines try to save their comrades. Through blood, bullets, and brotherhood, the characters of Arizona Moon are cast into the fire of conflict, transforming into the men they were destined to become. Compelling and relentless, Arizona Moon presents two sides of a conflict that epitomizes esprit de corps and leaves no one unscathed.

Anita Endrezze has deep memories. Her father was a Yaqui Indian. Her mother traced her heritage to Slovenia, Germany, Romania, and Italy. And her stories seem to bubble up from this ancestral cauldron. Butterfly Moon is a collection of short stories based on folk tales from around the world. But its stories are set in the contemporary, everyday world. Or are they? Endrezze tells these stories in a distinctive and poetic voice. Fantasy often intrudes into reality. Alternate “realities” and shifting perspectives lead us to question our own perceptions. Endrezze is especially interested in how humans hide feelings or repress thoughts by developing shadow selves. In “Raven’s Moon,” she introduces the shadow concept with a Black Moon, the “unseen reflection of the known.” (Of course the story is about a witch couple who seem very much in love.) The title character in “The Wife Who Lived on Wind” is an ogress who lives in a world somewhat similar to our own, but only somewhat. “The Vampire and the Moth Woman” reveals shape-shifters living among us. Not surprisingly, Trickster appears in these tales. As in Native American stories, Trickster might be a fox or a coyote or a raven or a human—or something in between. “White Butterflies” and “Where the Bones Are” both deal with devastating diseases that swept through Yaqui country in the 1530s. Underneath their surfaces are old Yaqui folktales that feature the greatest Trickster of all: Death (and his little brother Fate). Enjoyably disturbing, these stories linger—deep in our memory.

Perhaps you know them for their deer dances or for their rich Easter ceremonies, or perhaps only from the writings of anthropologists or of Carlos Castaneda. But now you can come to know the Yaqui Indians in a whole new way. Anita Endrezze, born in California of a Yaqui father and a European mother, has written a multilayered work that interweaves personal, mythical, and historical views of the Yaqui people. Throwing Fire at the Sun, Water at the Moon is a blend of ancient myths, poetry, journal extracts, short stories, and essays that tell her people's story from the early 1500s to the present, and her family's story over the past five generations. Reproductions of Endrezze's paintings add an additional dimension to her story and illuminate it with striking visual imagery. Endrezze has combed history and legend to gather stories of her immediate family and her mythical ancient family, the two converging in the spirit of storytelling. She tells Aztec and Yaqui creation stories, tales of witches and seductresses, with recurring motifs from both Yaqui and Chicano culture. She shows how Christianity has deeply infused Yaqui beliefs, sharing poems about the Flood and stories of a Yaqui Jesus. She re-creates the coming of the Spaniards through the works of such historical personages as AndrŽs PŽrez de Ribas. And finally she tells of those individuals who carry the Yaqui spirit into the present day. People like the Esperanza sisters, her grandmothers, and others balance characters like Coyote Woman and the Virgin of Guadalupe to show that Yaqui women are especially important as carriers of their culture. Greater than the sum of its parts, Endrezze's work is a new kind of family history that features a startling use of language to invoke a people and their past--a time capsule with a female soul. Written to enable her to understand more about her ancestors and to pass this understanding on to her own children, Throwing Fire at the Sun, Water at the Moon helps us gain insight not only into Yaqui culture but into ourselves as well.

The Moon is at once a face with a thousand expressions and the archetypal planet. Throughout history it has been gazed upon by people of every culture in every walk of life. From early perceptions of the Moon as an abode of divine forces, humanity has in turn accepted the mathematized Moon of the Greeks, the naturalistic lunar portrait of Jan van Eyck, and the telescopic view of Galileo. Scott Montgomery has produced a richly detailed analysis of how the Moon has been visualized in Western culture through the ages, revealing the faces it has presented to philosophers, writers, artists, and scientists for nearly three millennia. To do this, he has drawn on a wide array of sources that illustrate mankind's changing concept of the nature and significance of heavenly bodies from classical antiquity to the dawn of modern science. Montgomery especially focuses on the seventeenth century, when the Moon was first mapped and its features named. From literary explorations such as Francis Godwin's Man in the Moone and Cyrano de Bergerac's L'autre monde to Michael Van Langren's textual lunar map and Giambattista Riccioli's Almagestum novum, he shows how Renaissance man was moved by the lunar orb, how he battled to claim its surface, and how he in turn elevated the Moon to a new level in human awareness. The effect on human imagination has been cumulative: our idea of the Moon, and therefore the planets, is multilayered and complex, having been enriched by associations played out in increasingly complicated harmonies over time. We have shifted the way we think about the lunar face from a "perfect" body to an earthlike one, with corresponding changes in verbal and visual expression. Ultimately, Montgomery suggests, our concept of the Moon has never wandered too far from the world we know best—the Earth itself. And when we finally establish lunar bases and take up some form of residence on the Moon's surface, we will not be conquering a New World, fresh and mostly unknown, but a much older one, ripe with history.