A full account of the Italian nobility in the period after national unification.

This investigation offers new perspectives on Giuseppe Verdi’s attitudes to women and the functions which they fulfilled for him. The book explores Verdi’s professional and personal relationship with women who were exceptional within the traditional socio-sexual structure of patria potestà, in the context of women’s changing status in nineteenth-century Italian society. It focusses on two women; the singers Giuseppina Strepponi, who supported and enhanced Verdi’s creativity at the beginning of his professional life and Teresa Stolz, who sustained his sense of self-worth at its end. Each was an essential emotional benefactor without whom Verdi’s career would not have been the same. The subject of the Strepponi-Verdi marriage and the impact of Strepponi’s past deserve further detailed and nuanced discussion. This book demonstrates Verdi’s shifting power-balance with Strepponi as she sought to retain intellectual self-respect while his success and control increased. The negative stereotypes concerning operatic ‘divas’ do not withstand scrutiny when applied either to Strepponi or to Stolz. This book presents a revisionist appraisal of Stolz through close examination of her letters. Revealing Stolz’s value to Verdi, they also provide contemporary operatic criticism and behind-the-scenes comment, some excerpts of which are published here in English for the first time.

In the 19th century, both Italy and the US were young countries pursuing liberal nationalism even as unity was threatened by a recalcitrant southern population. This nuanced analysis of abolitionism and Italian democratic nationalism, Lincoln and Cavour, and the nation's two civil wars provides powerful new insights into their histories.

Germany's and Italy's belated national unifications continue to loom large in contemporary debates. Often regarded as Europe's paradigmatic instances of failed modernization, the two countries form the basis of many of our most prized theories of social science. Structuring the State undertakes one of the first systematic comparisons of the two cases, putting the origins of these nation-states and the nature of European political development in new light. Daniel Ziblatt begins his analysis with a striking puzzle: Upon national unification, why was Germany formed as a federal nation-state and Italy as a unitary nation-state? He traces the diplomatic maneuverings and high political drama of national unification in nineteenth-century Germany and Italy to refute the widely accepted notion that the two states' structure stemmed exclusively from Machiavellian farsightedness on the part of militarily powerful political leaders. Instead, he demonstrates that Germany's and Italy's "founding fathers" were constrained by two very different pre-unification patterns of institutional development. In Germany, a legacy of well-developed sub-national institutions provided the key building blocks of federalism. In Italy, these institutions' absence doomed federalism. This crucial difference in the organization of local power still shapes debates about federalism in Italy and Germany today. By exposing the source of this enduring contrast, Structuring the State offers a broader theory of federalism's origins that will interest scholars and students of comparative politics, state-building, international relations, and European political history.

Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Champagne seeks to evaluate how the aesthetic analysis of the artifacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something - like masculinity - is rendered as being an element of world politics, and how such an understanding differs from more orthodox 'cultural' analyses common to international relations.

Civil society has become central to the historian's understanding of class, cultural and political power in the nineteenth century town and city. This volume brings together essays by an international group of urban historians who examine the construction of civil society from associational activity in the urban place. The volume shows that a deep and interlocking civil society does not automatically lead to a rise in democratic activity.

Ellis Wasson offers one of the first comprehensive studies of the European ruling class during the 19th and 20th centuries. Distilling a wealth of recent research, Wasson analyses the role of aristocracy in modern times, focusing on the tensions that exist between egalitarian values and the way elites shape society. Wasson explodes myths and jettisons stereotypes in sweeping coverage that takes the story from the Congress of Vienna to Stalingrad. The study recounts the change from the genteel world of court balls to Café Society and finally on to Eurotrash. It also contrasts the paradox of continued aristocratic social power and cultural leadership with the gradual decline in their political authority. Aristocracy and the Modern World covers key topics, such as: - The fabulous wealth of the great magnates - The relationship between servants and masters - Interaction with the middle classes - Concepts of honour - Culture, recreation and gender - Local authority and national power. Lively and authoritative, the book reviews developments in Scandinavia, the Austro-Hungarian Empire, France, Italy and Spain as well as in Britain, Germany and Russia. It is essential reading for all those with an interest in modern European history.