As in her Tony Award–winning Metamorphoses, Mary Zimmerman transforms Greek mythology—here the story of Jason and the Argonauts—into a mesmerizing piece of theater. Encountering an array of daunting challenges in their “first voyage of the world,” Jason and his crew illustrate the essence of all such journeys to follow—their unpredictability, their inspiring and overwhelming breadth of emotion, their lessons in the inevitability of failure and loss. Bursts of humor and fantastical creatures enrich a story whose characters reveal remarkable complexity. Medea is profoundly sympathetic even as the seeds are sown for the monstrous life ahead of her, and the brute strength of Hercules leaves him no less vulnerable to the vicissitudes of love. Zimmerman brings to Argonautika her trademark ability to encompass the full range of human experience in a work as entertaining as it is enlightening.

The Argonautika, the only surviving epic of the Hellenistic era, is a retelling of the tale of Jason and the Golden Fleece, probably the oldest extant Greek myth. Jason, a young prince, is sent on a perilous expedition but comes through various ordeals with the aid of the king's daughter, Medeia, winning the golden fleece and carrying off Medeia herself. He is a very modern figure, not at all Achillean: almost an anti-hero. Along the way, the story incorporates vivid accounts of early exploration and colonizing ventures. Peter Green's lively, readable verse translation captures the swift narrative movement of Apollonios's epic Greek. Apollonios Rhodios (c. 305-235 B.C.), the author of the Argonautika, was appointed Chief Librarian in the legendary library at Alexandria around 265 B.C. His first draft of this poem, composed when he was a very young man, drew scornful reactions from the literati of the day, Kallimachos in particular, who thought epic passé and long poems vulgar. Apollonios withdrew to the maritime island of Rhodes (his work is notable for its nautical expertise), where he hammered out the text as we know it today, returning to eventual success in the city that had rejected him. The compromise that resulted is a fascinating combination of age-old myth and modern treatment that produces a gripping and unforgettable narrative. Peter Green has translated this renowned poem with skill and wit, offering a refreshing interpretation of a timeless story. The cloth edition of the Argonautika includes Peter Green's lively and incisive commentary, the first on all four books since Mooney's in 1912. While clarifying text and background, the commentary takes full advantage throughout of the recent upsurge of scholarly interest in Apollonios. Alternate spelling: Argonautica, Apollonius Rhodius

This book analyses Apollonuis' epic poem about the quest for the Golden Fleece.

This play is based on David R. Slavitt's translation of The Metamorphoses of Ovid - Monologues.

The Odyssey is vividly captured and beautifully paced in this swift and lucid new translation by acclaimed scholar and translator Peter Green. Accompanied by an illuminating introduction, maps, chapter summaries, a glossary, and explanatory notes, this is the ideal translation for both general readers and students to experience The Odyssey in all its glory. Green’s version, with its lyrical mastery and superb command of Greek, offers readers the opportunity to enjoy Homer’s epic tale of survival, temptation, betrayal, and vengeance with all of the verve and pathos of the original oral tradition.

Although Apollonius of Rhodes' extraordinary epic poem on the Argonauts' quest for the Golden Fleece has begun to get the attention it deserves, it still is not well known to many readers and scholars. This book explores the poem's relation to the conditions of its writing in third century BCE Alexandria, where a multicultural environment transformed the Greeks' understanding of themselves and the world. Apollonius uses the resources of the imagination - the myth of the Argonauts' voyage and their encounters with other peoples - to probe the expanded possibilities and the anxieties opened up when definitions of Hellenism and boundaries between Greeks and others were exposed to question. Central to this concern with definitions is the poem's representation of space. Thalmann uses spatial theories from cultural geography and anthropology to argue that the Argo's itinerary defines space from a Greek perspective that is at the same time qualified. Its limits are exposed, and the signs with which the Argonauts mark space by their passage preserve the stories of their complex interactions with non-Greeks. The book closely considers many episodes in the narrative with regard to the Argonauts' redefinition of space and the implications of their actions for the Greeks' situation in Egypt, and it ends by considering Alexandria itself as a space that accommodated both Greek and Egyptian cultures.