I had gone on many vacations, mostly in the southeastern United States, but I wanted to try to "see it all." I found out that there were people who went on vacation and never came back. I wanted to be one of those people. I wanted to become a "Professional Tourist" and I did! I have described some of the things that happened along the way and some how to tips for those who share in the spirit of adventure in wanting to know what is over the next hill and around the next curve in the road and for those who have heard the immortal question while heading up the highway, "Are we there yet?"

It’s been 50 years since the United States attempted a conservation revolution with the passing of the Endangered Species Act in 1973. Now, fifty years later, the Fish and Wildlife Service finds itself at a crossroads: some recovery efforts are succeeding, but too many are either failing or stuck in neutral, even after decades of work. Take, for example, the story of two cranes, the whoopingcrane of southeastern Texas and the red-crowned crane of northern Japan. Both were pushed to the brink of extinction by the early 1900s, with surviving populations numbering as few as 20 to 40 individuals, and are now the subjects of concerted recovery efforts led by advanced national governments. The U.S. Fish and Wildlife Service has focused mainly on habitat protection, while at Japan’s Ministry of the Environment, conservation authorities have leaned most heavily on direct population survival via a long-standing winter feeding program. These two case studies provide a template for comparing different approaches towards endangered species: habitat management vs. population management. Thus far the Japanese approach has proved more successful, but the story isn’t over yet. What can these lessons teach us about managing other endangered species? Can species rehabilitation be standardized, or must each effort be designed and implemented on a case-by-case basis? A Tale of Two Cranes will serve as a launching pad for better understanding the progress and pitfalls inherent in endangered species management, through 50 years of lessons learned since the landmark Endangered Species Act was enacted by the United States Congress in December 1973. Also considering its success stories like the Attwater’s prairie chicken, the ESA has had an enormous impact on conservation theory and practice throughout the world, from Tasmanian devils in Australia to the vaquita porpoises of Mexico. But, worsening government budget constraints, public inattention, and a continuous string of setbacks experienced within numerous rehabilitation initiatives will all eventually conspire to challenge the conventional thinking on endangered species management like never before. Author Nathanial Gronewold explains how we got here, where things stand today, and what lessons conservationists must take to heart as the world continues to struggle to put a halt to an ongoing global extinction crisis.

Go on the road with your favorite WWE Superstars! Your favorite WWE Superstars have more road trip stories to tell than they have frequent flier miles. Travel more than a million miles with The Big Show, Triple H, Lita, Stone Cold, and the rest of the WWE roster. Read all about their crazy and hilarious misadventures—Big Show being too large to fit into the shower, Triple H’s hilarious run-in with over-enthusiastic fans, and many more. Also telling their stories are John Cena, Mark Henry, Teddy Long, Shannon Moore, Matt Hardy, The Hurricane, Dr. Tom Prichard, Molly Holly, Dave Hebner, Rico, Brooklyn Brawler, Kane, Jim “J.R.” Ross, Ivory, Victoria, Goldberg, Tommy Dreamer, Al Snow, Steve Richards, Ric Flair, A-Train, Dean Malenko, Sgt. Slaughter, Chris Jericho, Edge, Chavo Guerrero, Coach, Rey Mysterio, D-Von Dudley, and Jackie Gayda.

The author shares her adventures of traveling by train throughout the world.

This book contains a broad overview of time travel in science fiction, along with a detailed examination of the philosophical implications of time travel. The emphasis of this book is now on the philosophical and on science fiction, rather than on physics, as in the author's earlier books on the subject. In that spirit there are, for example, no Tech Notes filled with algebra, integrals, and differential equations, as there are in the first and second editions of TIME MACHINES. Writing about time travel is, today, a respectable business. It hasn’t always been so. After all, time travel, prima facie, appears to violate a fundamental law of nature; every effect has a cause, with the cause occurring before the effect. Time travel to the past, however, seems to allow, indeed to demand, backwards causation, with an effect (the time traveler emerging into the past as he exits from his time machine) occurring before its cause (the time traveler pushing the start button on his machine’s control panel to start his trip backward through time). Time Machine Tales includes new discussions of the advances by physicists and philosophers that have appeared since the publication of TIME MACHINES in 1999, examples of which are the chapters on time travel paradoxes. Those chapters have been brought up-to-date with the latest philosophical thinking on the paradoxes.

Whether you want to become a full time storyteller, expand your storytelling repertoire, or simply hire a storyteller, this guide is for you. Everything you want to know about the profession of storytelling can be found in the book. It will help you sell yourself as a freelance storyteller to schools, libraries, museums, festivals, and other events and organizations. It covers the importance of learning from others; how to organize your time, office, and research; and how to use brochures, business cards, press releases, flyers, mailings, showcases, performer lists, and giveaways to get bookings. She also offers advice on dealing with the competition; preparing yourself for your audience, bookers, and performance area; and problem prevention and solution. Prejudice, censorship, and other issues related to storytelling are highlighted in the final chapter, and an appendix contains How to Host a Freelance Storyteller at Your School or Library. Teachers, librarians, clowns, actors, puppeteers, homemakers, and anyone else interested in storytelling professionally will want this book.

NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE WINNER • With music pulsing on every page, this startling, exhilarating novel of self-destruction and redemption “features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human” (The Chicago Tribune). One of the New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. “Pitch perfect.... Darkly, rippingly funny.... Egan possesses a satirist’s eye and a romance novelist’s heart.” —The New York Times Book Review