Moving between Cuba and the U.S., the stories in Are We Ever Our Own trace the paths of the women of the far-flung Armando Castell family. Related but unknown to each other, these women are exiles, immigrants, artists, outsiders, all in search of a sense of self and belonging. The owner of a professional mourning service investigates the disappearance of her employees. On the eve of the Cuban revolution, a young woman breaks into the mansion where she was once a servant to help the rebels and free herself. A musician in a traveling troupe recounts the last day she saw her father. Linked by theme and complex familial bonds, these stories shift across genres and forms to excavate the violence wreaked on women's bodies and document the attempt to create something meaningful in the face of loss. They ask: who do we belong to? What, if anything, belongs to us?

A “canny, funny, impressively detailed debut novel” (The New York Times) that blurs the lines between life and art with the story of a film director’s unthinkable experiment in the Amazon jungle. When a nameless, struggling actor in 1970s New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he doesn’t hesitate: he flies to South America, no questions asked. He quickly realizes he’s made a mistake. He’s replacing another actor who quit after seeing the script—a script the director now claims doesn’t exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates. But what the actor doesn’t realize is that the greatest threat might be the town itself, and the mysterious shadow economy that powers this remote jungle outpost. Entrepreneurial Americans, international drug traffickers, and M-19 guerillas are all fighting for South America’s future—and the groups aren’t as distinct as you might think. The actor thought this would be a role that would change his life. Now he’s worried if he’ll survive it. This “gripping, ambitious…vivid, scary novel” (Publishers Weekly) is a thrilling journey behind the scenes of a shocking film and a thoughtful commentary on violence and its repercussions.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

"Praत्यय" reminds us that the first step toward reaching your goals is to believe that life is worth living. Without this belief, life would be futile. It is the belief that makes the difference at all. "Praत्यय" is a sum-up of several short stories, poems, and essays, put into words, magically by our remarkable co-authors. The collection has been anthologized, with much effort and dedication, by the compiler Lavanya Singh. Enjoy reading!

Gabrielle Lucille Fuentes's award-winning short story collection traces the Cuban diaspora through the struggles and triumphs of the Castell family's women.

In walked a handsome young man, sized up Giaand Ron. His Dad said Gia's beautiful he's crazyshe's damn gorgeous! He's been sent to keep an eyeout for the two, can't tell them yet. His Dad said, takeit nice and easy. This is a big favor to the big guy, Matteo De Ventino, seeing Gia it will be easy.a double wow and him a confirmed bachelor.Then went into his act, "May I ask what the hell you're doing in my lodge?"Whew! What a grouch thought Gia, answeredhonestly. "We have permission from Scott Curtis-Jones, Sr.! Here's his key! May I ask who the hellare you?"He grinned, she's a spunky one, dangled his key, "I'm Scott Curtis-Jones, Jr.!""Ron lets get our bags, hit the road quick! He's trouble seeing he doesn't know about us!"Scott stopped them. "Wait a minute! Not RonRonchetti and Gia DeVentino?""Let's get the hell out of here Ron, quick!" Gia yelled."Stop this minute!" Scot shouted. "I won't harm you. Dad and Matt told me about

This collection of essays is an interdisciplinary work bringing together an internationally acclaimed group of transgender writers. Informed by both academic and street experiences, it considers the practical issues faced in changing the world view of gender as well as the limitations of queer, feminism and post-modernism. In a wide-ranging set of contributions, it addresses our engendered places now and what we can aim for in the future. It evaluates the mechanisms we can use to galvanize both the micro theories of gender as a personal experience of oppression and the macro theories of gender as a site of social regulation. The collection aims to take identity politics and reclaim identity for the self.