Discusses crowds at rock concerts, specifically in regard to the concert given by The Who at Riverfront Stadium in Cincinnati, Ohio in 1979.

The first book to examine Ryan McGinley’s early photographs and Polaroids—raw, visceral portraits of his coterie of friends and artists in downtown New York City. Published to accompany an exhibition at Museum of Contemporary Art Denver, Ryan McGinley: The Kids Were Alright focuses on the photographer’s early work from 1998 to 2003, the year of his solo exhibition at the Whitney Museum of American Art. These early photographs and Polaroids—many of which have never been exhibited or published— document his friends and collaborators in downtown New York City. In the process, McGinley created a powerful portrait of his generation and their often debauched lifestyle: gritty, daring, and focused on moments of both pleasure and tedium. McGinley’s singular ability to capture the mood and emotional depth of a moment is evident even from the earliest years of his career. Curator Nora Burnett Abrams offers the most comprehensive consideration to date of this important work in her essay, and other contributions— including an interview with McGinley and artist Dan Colen and several short reminiscences from many of his subjects and social circle at the time— will provide context and commentary on the more than 100 works in the volume.

During the pandemic, the focus has been on how education and social interaction with peers were integral to children' s functioning. However, very little regard was given to another very important question- how do our children feel about the pandemic and how do they process this experience? Why is it assumed that cognitive functioning and social interaction are the most significant areas of child development? What emotional factors are at play? Are the children alright? How are their families coping and does this have an impact on the children? What I hope to achieve by compiling this edited collection is to bring awareness to the child' s perspective, within the family unit, in addition to addressing other contributing factors that had an impact on their coping mechanisms. This collection will hopefully inform whether the choices, that were made and should be made related to children, have been sound ones and perhaps should be re-examined as a result of this book' s findings, conclusions and speculations

"The first extensive survey of English-language children's literature that features lesbian, gay, bisexual, transgender, or otherwise queer characters. Written in an accessible style, it uses queer theory, literary studies, and sociology to explore how LGBTQ characters are portrayed and what this says about contemporary society. Epstein passionately demonstrates that the information children get from literature matters, and that supposedly difficult or taboo topics can be communicated in entertaining and informative ways"--P. [4] of cover.

I thought my place in the world was gone, but the world is so much bigger than I ever realized. Evan Townshend is just one of many who lost everything during Meteorfall two years ago, and like the others, he has had to rebuild his life. In his case, this means working for Mireille's Investigative Services, a small company that tracks down missing friends and family. But when a case of mistaken identity drags him into a run-in with the Shinra Company's intimidating Administrative Research Department (better known as the Turks), Evan and his fellow investigator Kyrie Canaan begin ajourney to discover the truth-about both the world around them and themselves. And the truths they uncover may run deeper than they expect... Experience another side of the world of FINAL FANTASY VII with this prequel to Advent Children!

A blisteringly funny, heart-scorching tale of remarkable kids shattered by tragedy and finally brought back together by love."—People Somehow, between their father’s mysterious death, their glamorous soap-opera-star mother’s cancer diagnosis, and a phalanx of lawyers intent on bankruptcy proceedings, the four Welch siblings managed to handle each new heartbreaking misfortune together. All that changed with the death of their mother. While nineteen-year-old Amanda was legally on her own, the three younger siblings–Liz, sixteen; Dan, fourteen; and Diana, eight–were each dispatched to a different set of family friends. Quick-witted and sharp-tongued, Amanda headed for college in New York City and immersed herself in an ’80s world of alternative music and drugs. Liz, living with the couple for whom she babysat, followed in Amanda’s footsteps until high school graduation when she took a job in Norway as a nanny. Mischievous, rebellious Dan, bounced from guardian to boarding school and back again, getting deeper into trouble and drugs. And Diana, the red-haired baby of the family, was given a new life and identity and told to forget her past. But Diana’s siblings refused to forget her--or let her go. Told in the alternating voices of the four siblings, their poignant, harrowing story of un­breakable bonds unfolds with ferocious emotion. Despite the Welch children’s wrenching loss and subsequent separation, they retained the resilience and humor that both their mother and father endowed them with--growing up as lost souls, taking disastrous turns along the way, but eventually coming out right side up. The kids are not only all right; they’re back together.

Enriched with anecdotes from ethnography and the daily media, this revised edition examines family structure, reproduction, profiles of children's caretakers, their treatment at different ages, their play, work, schooling, and transition to adulthood. The result is a nuanced and credible picture of childhood in different cultures, past and present.