Today, governmental archivists and manuscript collectors--both private collectors and collecting repositories--are in conflict and competition for government documents that come out of private hands and onto the market. This book presents both sides of the issue and examines them dispassionately. It includes a historical review of institutional and state-sponsored collecting of documents, an evaluation of state and federal statutes on public documents in private hands, a careful look at the perspectives of the various parties involved in the conflict, and tales of theft and neglect as well as helpful case studies.

"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.

The Encyclopedia of Library and Information Sciences, comprising of seven volumes, now in its fourth edition, compiles the contributions of major researchers and practitioners and explores the cultural institutions of more than 30 countries. This major reference presents over 550 entries extensively reviewed for accuracy in seven print volumes or online. The new fourth edition, which includes 55 new entires and 60 revised entries, continues to reflect the growing convergence among the disciplines that influence information and the cultural record, with coverage of the latest topics as well as classic articles of historical and theoretical importance.

Here is the first-ever comprehensive guide to archival concepts, principles, and practices. Encyclopedia of Archival Science features 154 entries, which address every aspect of archival professional knowledge. These entries range from traditional ideas (like appraisal and provenance) to today’s challenges (digitization and digital preservation). They present the thoughts of leading luminaries like Ernst Posner, Margaret Cross-Norton, and Philip Brooks as well as those of contemporary authors and rising scholars. Historical and ethical components of practice are infused throughout the work. Edited by Luciana Duranti from the University of British Columbia and Patricia C. Franks from San José State University, this landmark work was overseen by an editorial board comprised of leading archivists and archival educators from every continent: Adrian Cunningham (Queensland State Archives, Australia), Fiorella Foscarini (University of Toronto and University of Amsterdam), Pat Galloway (University of Texas at Austin), Shadrack Katuu (International Atomic Energy Agency), Giovanni Michetti (University of Rome La Sapienza), Ken Thibodeau (National Archives and Records Administration, US), and Geoffrey Yeo (University College London, UK).

Today, government archivists and manuscript collectors are often in conflict over government-created documents that come up for sale out of private hands. Such manuscripts are often archival material that escaped government control, and government archivists want that missing material back to complete the historic record. Collectors and dealers, however, assert that since the government didn’t take care of their documents properly at the time of their creation, they lost the right to claim them now. This divide between government archivists and collectors has become especially acute for “trophy” documents written by a person of note or about a well-known person or event. Archivists, Collectors, Dealers, and Replevin does not serve as a legal guide to the issues that arise in this divide; instead, it presents both sides of the conflict and examines them dispassionately. The book begins with an historical review of institutional and state-sponsored collecting and the care of historical documents in the United States. The review is followed by a selection of tales of theft and neglect in the past. The third chapter examines the origins and maturation of the archival profession in the United States, and the next discusses the phenomenon of collecting, both as a hobby and as an institutional activity. The fifth chapter provides a general summary of state and federal statutes on public documents in private hands, and with that background in place, the sixth chapter distills the perspectives of the various parties in the struggle. The seventh presents a series of case studies developed to evoke the complexity of these conflicts. The book concludes with steps that holders of public documents can take to avoid conflicts, as well as steps an archive can take to protect its collection.

How to Weed Your Attic: Getting Rid of Junk without Destroying History provides answers to the question: when someone dies or it’s time to move --- or just clean out the attic, garage, or basement, what papers and other things should we save for the sake of history and what can we safely toss? After reading this clearly written book by a retired archivist and a retired museum curator, you can comfortably clean out your attic – or office, garage, basement, cupboards – with confidence that you’re not tossing out historically valuable (or invaluable) things, and that you will not ask your local museum to take things that really belong in a thrift store, junk yard, or recycle center. The book first describes how to identify historically important documents and artifacts. The authors explain a few simple rules: 1) a complete or long collection has more value than a partial one; 2) emotive material provides a richer picture than factual material; 3) unique usually has more value than mass produced; 4) documents and objects carry more information than they intend to; and 5) a 25-year rule exists without our consciously recognizing it. They then apply the rules and assess the probable historical value of four different types of materials: mass produced (from books to vehicles), individually created (from art work to toys), business materials (from governance documents to uniforms), and commemorative materials (from awards to wedding dresses). The book includes a brief description of the basics for preserving materials the reader wants to keep and references sources for more detail. It also recognizes that the reader may not want to keep stuff that clearly has historical value. For those readers, the authors describe how to donate materials to a cultural repository. In broad strokes, they explain how repositories differ, what the repository will want to know about the stuff you're offering, where an appraiser and/or tax advisor fits into the process, and what the reader can expect the repository to do and not do. Finally, the book addresses unexpected issues that may arise around questions of legal ownership and privacy. Throughout the book, the authors illustrate their points using photographs and vignettes.

A passionately urgent call for all of us to unlearn imperialism and repair the violent world we share, from one of our most compelling political theorists In this theoretical tour-de-force, renowned scholar Ariella Aïsha Azoulay calls on us to recognize the imperial foundations of knowledge and to refuse its strictures and its many violences. Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasized the possibility of progress while it tries to destroy what came before, and voraciously seeks out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums. By practicing what she calls potential history, Azoulay argues that we can still refuse the original imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas at the moment of conquest to the Congo ruled by Belgium's brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day. In Potential History, Azoulay travels alongside historical companions—an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums—to chart the ways imperialism has sought to order time, space, and politics. Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as “past” and making the repair of torn worlds the substance of politics.