With the amount of data a business accumulates now doubling every 12 to 18 months, IT professionals need to know how to develop a system for archiving important database data, in a way that both satisfies regulatory requirements and is durable and secure. This important and timely new book explains how to solve these challenges without compromising the operation of current systems. It shows how to do all this as part of a standardized archival process that requires modest contributions from team members throughout an organization, rather than the superhuman effort of a dedicated team. - Exhaustively considers the diverse set of issues—legal, technological, and financial—affecting organizations faced with major database archiving requirements - Shows how to design and implement a database archival process that is integral to existing procedures and systems - Explores the role of players at every level of the organization—in terms of the skills they need and the contributions they can make. - Presents its ideas from a vendor-neutral perspective that can benefit any organization, regardless of its current technological investments - Provides detailed information on building the business case for all types of archiving projects

With new technologies and additional goals driving their institutions, archives are changing drastically. This book shows how the foundations of archival practice can be brought forward to adapt to new environments—while adhering to the key principles of preservation and access. Archives of all types are experiencing a resurgence, evolving to meet new environments (digital and physical) and new priorities. To meet those changes, professional archivist education programs—now one of the more active segments of LIS schools—are proliferating as well. This book identifies core archival theories and approaches and how those interact with major issues and trends in the field. The essays explore the progression of archival thinking today, discussing the nature of archives in light of present-day roles for archivists and archival institutions in the preservation of documentary heritage. Examining new conceptualizations and emerging frameworks through the lenses of core archival practice and theory, the book covers core foundational topics, such as the nature of archives, the ruling concept of provenance, and the principal functions of archivists, discussing each in the context of current and future environments and priorities. Several new essays on topics of central importance not treated in the first edition are included, such as digital preservation and the influence of new technologies on institutional programs that facilitate archival access, advocacy, and outreach; the changing legal context of archives and archival work; and the archival collections of private persons and organizations. Readers will also learn how communities of various kinds intersect with the archival mission and how other disciplines' perspectives on archives can open new avenues.

John Stezaker has been collecting photographic city views from the 1920s and 1930s for 30 years. His interest lies in the people that were usually photographed by chance. In his The 3rd Person Archive, he records hundreds of mostly stamp-size details. He describes the archive as a possibility to travel in time. For the viewer, these "miniatures", four-colour reproductions of the black-and-white originals, unfold an enormous imaginative power. One feels like a voyeur observing, in an uninvolved way, the fates and encounters of people in urban labyrinths, a surreal situation that is as disconcerting as it is fascinating. No text.

The book is a collection of high-quality peer-reviewed research papers presented in International Conference on Soft Computing Systems (ICSCS 2015) held at Noorul Islam Centre for Higher Education, Chennai, India. These research papers provide the latest developments in the emerging areas of Soft Computing in Engineering and Technology. The book is organized in two volumes and discusses a wide variety of industrial, engineering and scientific applications of the emerging techniques. It presents invited papers from the inventors/originators of new applications and advanced technologies.

On a summer morning in 1833, Thomas Cole, a British-born, American landscape painter climbed to the top of Mount Holyoke in central Massachusetts and made a sketch of the Connecticut River where it bends and resembles an ox yoke. Three years later the sketch he made that morning became View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow). The four by six foot painting, now a key work of American art has been described as Coles attempt to create a moving time/space panorama within a single frame the passage of time is represented by the ongoing fury of the storm on the mountain as sunshine returns to the meadow below. Cole was skeptical about progress and the painting may represent a warning about the clearing of wilderness to make open land for farms and factories. Nearly two hundred years after Cole painted The Oxbow, the American photographic artist, Joel Sternfeld, walked into the mile square field depicted in the lower right quadrant of Coles painting. Sternfeld had first photographed this field in 1978 while traveling on American Prospects andby the time he returned in 2006, the Oxbow in the river was crossed by an interstate highway and the destructive effects of progress that Cole had feared were making themselves apparent globally as climate change. Sternfeld spent the next year and a half walking that field, commuting to it on an almost daily basis from his home in southern Vermont. His archive is a record of classic New England seasonality, a nature study unlike any other as it is made with the foreknowledge that because of global warming it will never be the same again. His choice of subject matter, a flat unremarkable corn and potato field (archetypal new world crops), signals a conceptual stance away from previous nature depictions: his field is neither Beautiful, nor Sublime, nor Picturesque. The flatness of the field, an unusual stretch of visual freedom in the New England highlands offers an eloquent emptiness and a vessel for the true subject his work: iconic seasonal effect as manifestation of the orbiting Earth.

The book is grouped under five main sub-themes as: Theme 1: Planning Development and Management of Digital Libraries; Theme 2: Collection Development in Digital Environment; Theme 3: Resource Sharing and Networking; Theme 4: New Technologies and Adaptability; Theme 5: Change Management Issues and Strategies.