A complete survey of European architecture during the 18th and 19th centuries.

Biografie van de Duitse architect en architectuurtheoreticus (1803-1879)

Cover -- Title -- Copyright -- Contents -- Acknowledgments -- A note on the text -- List of figures -- 1 The first brick -- Prologue -- Modernity, distorted -- The inception of modernity in Iran -- The research odyssey -- A cross section through the book -- Notes -- References -- 2 Modernity in a suitcase -- Innocents abroad -- Abolhasan -- Mirza Saleh -- Rezaqoli -- Farrokh-Khan -- Modernity as a souvenir -- Notes -- References -- 3 When worlds collide -- Verbalizing space -- Quantifying space -- Journey from the center of the earth -- Farangestan as a wonderland -- Virtual realities -- Representing the representation -- The reincarnated image -- Notes -- References -- 4 Imagining the modern -- Mapping modernity -- A kucheh-bagh to progress -- Refashioning the Farangi house -- Rediscovering Eram -- Reflecting a different sky -- The kingly palace -- The bridal chamber -- The nightless city -- Space that belongs to nobody -- Touching the Milky Way -- Constructing the magical -- Aesthetics of rationality -- Spatial lacunae -- Notes -- References -- 5 Tajaddod as a discourse -- League of extraordinary gentlemen -- Building the future -- Epilogue -- Notes -- References -- Appendix A: Abolhasan's itinerary -- Appendix B: Mirza Saleh's itinerary -- Appendix C: Rezaqoli's itinerary -- Appendix D: Farrokh-Khan's itinerary -- Glossary -- Bibliography -- Index

Architectural conservation and national narratives -- Styles for the nation and state -- Appropriation of heritage(s).

Style-Architecture and Building-Art is Hermann Muthesius’s classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to notions of realism and simplicity. Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century’s artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius’s thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.

Mudejarismo and Moorish Revival in Europe offers a critical examination of the reception of Ibero-Islamic architecture in medieval Iberia and 19th-century Europe. Taking selected case studies as a starting point, the volume challenges prevalent readings of interconnected cultural and artistic phenomena.