Architecture for the Commons dives into an analysis of how the tectonics of a building is fundamentally linked to the economic organizations that allow them to exist. By tracing the origins and promises of current technological practices in design, the book provides an alternative path, one that reconsiders the means of achieving complexity through combinatorial strategies. This move requires reconsidering serial production with crowdsourcing and user content in mind. The ideas presented will be explored through the design research developed within Plethora Project, a design practice that explores the use of video game interfaces as a mechanism for participation and user design. The research work presented throughout the book seeks to align with a larger project that is currently taking place in many different fields: The Construction of the Commons. By developing both the ideological and physical infrastructure, the project of the Commons has become an antidote to current economic practices that perpetuate inequality. The mechanisms of the production and governance of the Commons are discussed, inviting the reader to get involved and participate in the discussion. The current political and economic landscape calls for a reformulation of our current economic practices and alternative value systems that challenge the current market monopolies. This book will be of great interest not only to architects and designers studying the impact of digital technologies in the field of design but also to researchers studying novel techniques for social participation and cooperating of communities through digital networks. The book connects principles of architecture, economics and social sciences to provide alternatives to the current production trends.

This book provides an urgent framework and collective reflection on understanding ways to reconsider and recast architecture within ideas and politics of the commons and practices of commoning. Architecture from Public to Commons opens with Institutions the dialogue with the scales of the commons, the limits of language for fluid identities, the practices and challenges of architecture as an institution, the design of objects with apparent shared value in Chile, land protocols that explore alternatives to profit-seeking of property in New York, and spirited conversations about revolting against architectural labor from Latin America. Continuing chapters explore, under Territories, the boundaries of Blackness across the Atlantic between Ethiopia and Atlanta, the underground woven network with conflicting grounds of ipê wood between Brazil and the US, water cycles in depleted territories in Chile, indigenous women-led territorial and human rights struggles in Guatemala, climate change accidental commons in California, and the active search for racial justice between design and place in New Orleans. Contributions range from theoretical and historical essays to current case studies of on-the-ground practices in the US, the Middle East, Europe, and Central and South America. Bringing together architects, scholars, artists, historians, sociologists, curators, and activists, this book instils an urgent framework and renewed set of tools to pivot from architecture’s traditional public to a politicized commons. It will greatly interest students, academics, and researchers in architecture, urban design, architectural theory, landscape architecture, political economy, and sociology.

"This book provides an urgent framework and collective reflection on how to understand the multiple ways to reconsider and recast architecture within ideas and politics of the commons and practices of commoning. Architecture from Public to Commons opens a dialogue with the scales of the commons, the limits of language for fluid identities, the practices of architecture as an institution, the design of objects for shared value, land protocols that explore alternatives to profit-seeking, and spirited conversations about revolting against architectural labor. Specific chapters also explore the boundaries of Blackness across the Atlantic, water cycles in depleted territories, indigenous women-led territorial and human rights cases, climate change accidental commons, and the active search for racial justice with design and place. Contributions range from theoretical and historical essays to current case studies of on-the-ground practices in the US, the Middle East, Europe, and Central and South America. Bringing together architects and landscape architects, scholars, artists, historians, sociologists, curators, and activists, this book instils an urgent framework and renewed set of tools to pivot from Architecture's traditional public to a politicized commons. It will greatly interest students, academics, and researchers in Architecture, Urban Design, Architectural Theory, Landscape Architecture, Political Economy, and Sociology"--

One of the nation’s chief architecture critics reveals how the environments we build profoundly shape our feelings, memories, and well-being, and argues that we must harness this knowledge to construct a world better suited to human experience Taking us on a fascinating journey through some of the world’s best and worst landscapes, buildings, and cityscapes, Sarah Williams Goldhagen draws from recent research in cognitive neuroscience and psychology to demonstrate how people’s experiences of the places they build are central to their well-being, their physical health, their communal and social lives, and even their very sense of themselves. From this foundation, Goldhagen presents a powerful case that societies must use this knowledge to rethink what and how they build: the world needs better-designed, healthier environments that address the complex range of human individual and social needs. By 2050 America’s population is projected to increase by nearly seventy million people. This will necessitate a vast amount of new construction—almost all in urban areas—that will dramatically transform our existing landscapes, infrastructure, and urban areas. Going forward, we must do everything we can to prevent the construction of exhausting, overstimulating environments and enervating, understimulating ones. Buildings, landscapes, and cities must both contain and spark associations of natural light, greenery, and other ways of being in landscapes that humans have evolved to need and expect. Fancy exteriors and dramatic forms are never enough, and may not even be necessary; authentic textures and surfaces, and careful, well-executed construction details are just as important. Erudite, wise, lucidly written, and beautifully illustrated with more than one hundred color photographs, Welcome to Your World is a vital, eye-opening guide to the spaces we inhabit, physically and mentally, and a clarion call to design for human experience.

Space is both a product and a prerequisite of social relations, it has the potential to block and encourage certain forms of encounter. In Common Space, activist and architect Stavros Stavrides calls for us to conceive of space-as-commons – first, to think beyond the notions of public and private space, and then to understand common space not only as space that is governed by all and remains open to all, but that explicitly expresses, encourages and exemplifies new forms of social relations and of life in common. Through a fascinating, global examination of social housing, self-built urban settlements, street trade and art, occupied space, liberated space and graffiti, Stavrides carefully shows how spaces for commoning are created. Moreover, he explores the connections between processes of spatial transformation and the formation of politicised subjects to reveal the hidden emancipatory potential of contemporary, metropolitan life.

An Introduction to the History of Architecture, Art & Design chronicles the times in which major works of architecture, art and design were created, and is compact with features and images of major artworks from each art and design period. The best examples from each period are illustrated together with their famous creators, alongside timelines that track the evolution of the artistic disciplines throughout history.