Architecture for the Poor describes Hassan Fathy's plan for building the village of New Gourna, near Luxor, Egypt, without the use of more modern and expensive materials such as steel and concrete. Using mud bricks, the native technique that Fathy learned in Nubia, and such traditional Egyptian architectural designs as enclosed courtyards and vaulted roofing, Fathy worked with the villagers to tailor his designs to their needs. He taught them how to work with the bricks, supervised the erection of the buildings, and encouraged the revival of such ancient crafts as claustra (lattice designs in the mudwork) to adorn the buildings.

Egyptian architect Hassan Fathy's reputation for a modern & humane architecture has grown to cult status. Architects worldwide are recognizing that his revival of ancient mud-brick building techniques has begun to revolutionize modern thinking, not just in Egypt & in the 3rd World, but throughout the developed world -- where sustainability, energy conserv'n. & the responsible use of natural resources have all become vital concerns. Fathy's buildings are found all over the world. Steele's research in Cairo & in Greece uncovered many previously undocumented projects. New material -- photos, plans & Fathy's gouaches -- is included, along with a comprehensive illustrated chronology of his work.

Hassan Fathy is Egypt's best-known 20th-century architect. He was also a man of contradictions. He came from a wealthy background and had a western-style training. Yet he embraced traditional, vernacular forms, techniques, and materials and throughout his career promoted their use as part of a campaign to improve the conditions of Egypt's rural poor. Earth & Utopia chronicles this lifelong commitment through personal interviews conducted by the author, photographs, and drawings from the Hassan Fathy archives, and Fathy's own writings on the subject, many of which are published for the first time. This beautiful, fascinating, and scholarly book will be essential reading for students, academics, and general readers interested in Fathy, and the development of Arab and vernacular architecture, earth construction, architecture for the poor, and sustainability.

This fully illustrated volume represents the most comprehensive examination yet of the life and work of the great Egyptian architect Hassan Fathy (1900-89), and the regional and international significance of his contribution to the lived environment. Generously illustrated with archival and color photographs and the architect's own distinctive and beautifully decorated gouache plans and elevations, many never previously published.

Illustrated with more than 175 photos and renderings, this book shows how the spaces we inhabit, from our public streets to our homes, can transform us. An award-winning architect identifies the fundamental design forms that have evoked a spiritual response throughout time, and relates these patterns to the elemental patterns of human awareness. Each chapter offers exercises and practical suggestions.

The expansion of cities in the late C19th and middle part of the C20th in the developing and the emerging economies of the world has one major urban corollary: it caused the proliferation of unplanned parts of the cities that are identified by a plethora of terminologies such as bidonville, favela, ghetto, informal settlements, and shantytown. Often, the dwellings in such settlements are described as shacks, architecture of necessity, and architecture of everyday experience in the modern and the contemporary metropolis. This volume argues that the types of structures and settlements built by people who do not have access to architectural services in many cities in the developing parts of the world evolved simultaneously with the types of buildings that are celebrated in architecture textbooks as 'modernism.' It not only shows how architects can learn from traditional or vernacular dwellings in order to create habitations for the people of low-income groups in public housing scenarios, but also demonstrates how the architecture of the economically underprivileged classes goes beyond culturally-inspired tectonic interpretations of vernacular traditions by architects for high profile clients. Moreover, the essays explore how the resourceful dwellings of the underprivileged inhabitants of the great cities in developing parts of the world pioneered certain concepts of modernism and contemporary design practices such as sustainable and de-constructivist design. Using projects from Africa, Asia, South and Central America, as well as Austria and the USA, this volume interrogates and brings to the attention of academics, students, and practitioners of architecture, the deliberate disqualification of the modern architecture produced by the urban poor in different parts of the world.