Architecture and Ideology consists of twenty-two essays arranged in four thematic units: Ideological Context of Architecture, City and Power, Morphology and Ideological Patterns, and Designers and Ideology. The subjects that are investigated and elaborated are connected with the influences of different 20th century political and social ideologies on urban development and the architecture of various European cities, from the east and the west. The authors are professors and scientific researchers from various European universities and institutions and theoreticians of architecture, architectural historians and aestheticians, and architecture practitioners. The majority are from Serbia and other countries from the former Yugoslav Republic, namely Croatia, Macedonia, and Bosnia and Herzegovina, though countries such as Hungary, Russia, Italy, Austria, Germany, Netherlands and the UK are also represented. The essays will be of interest to university professors and students, researchers in the history and theory of architecture and city, and professionals in art and architecture, as well as sociologists, historians, and philosophers.

In analyzing the early medieval architecture of Christian and Islamic Spain, Jerrilynn Dodds explores the principles of artistic response to social and cultural tension, offering an account of that unique artistic experience that set Spain apart from the rest of Europe and established a visual identity born of the confrontation of cultures that perceived one another as alien. Architecture and Ideology in Early Medieval Spain covers the Spanish medieval experience from the Visigothic oligarchy to the year 1000, addressing a variety of cases of cultural interchange. It examines the embattled reactive stance of Hispano-Romans to their Visigothic rulers and the Asturian search for a new language of forms to support a political position dissociated from the struggles of a peninsula caught in the grip of a foreign and infidel rule. Dodds then examines the symbolic meaning of the Mozarabic churches of the tenth century and their reflection of the Mozarabs' threatened cultural identity. The final chapter focuses on two cases of artistic interchange between Islamic and Christian builders with a view toward understanding the dynamics of such interchange between conflicting cultures. Dodds concludes with a short account of the beginning of Romanesque architecture in Spain and an analysis of some of the ways in which artistic expression can reveal the subconscious of a culture.

In contrast to his enormous political influence, Thomas Jefferson's vast cultural contributions, especially in the realm of American architecture, remain relatively unknown to mainstream Americans. Among architectural professionals, however, Jefferson is immediately recognized as one of the most influential architects of all time. Although he was considered a "gentleman architect," Jefferson honed his skills as well as any professional. His three most notable visionary works at the Virginia State Capitol, the educational complex at the University of Virginia, and his own home at Monticello remain monumental in the field of American architecture and society. This volume reveals how Jefferson's politics and architecture coexisted and explains how he marked his political maturation through corresponding architectural monuments that reflected his ideals. Consequently, Jefferson provided America with a combined architectural and political ideology with the intention of safeguarding the future of liberty and democracy in America.

This richly illustrated book details the wide-ranging construction and urban planning projects launched across Germany after the Nazi Party seized power. The authors show that it was an intentional program to thoroughly reorganize the country's economic, cultural, and political landscapes in order to create a dramatically new Germany, saturated with Nazi ideology.

Critique of Architecture offers a renewed and radical theorization of the relations between capital and architecture. It explicates the theoretical gymnastics through which architecture legitimates its services to neoliberalism, examines the discipline’s production of platforms for happily compliant consumers, and challenges its entrepreneurial self-image. Critique of Architecture also addresses the discourse of autonomy, questioning its capacity to engage effectively with the terms and conditions of capitalism today, analyses the post-political turns of contemporary architecture theory, and reckons with the legacies and limitations of critical theory.

Drawing on a long philosophical tradition from Kant to Adorno and Deleuze, as well on a series of debates in architectural and artistic discourse from the sixties onward, this book explores the possibility of reframing critical theory in a contemporary theoretical landscape that today seems more difficult to chart than ever.

00 Cheju Island, Korea's historic island of exile, with a harsh natural environment, early developed a negative image as human habitat. The author challenges this perception and shows how Neo-Confucian state ideology during the Yi dynasty (A.D. 1392-1910) created and conserved the island as a viable habitat by using feng-shui--a powerful medieval science of surveying--to shape the island's built environment and quality of life. The outcome, reflecting sustained political commitment to the philosophical concept of enlightened undervelopment, was a sincere landscape inhabited by a virtuous people. Cheju Island, Korea's historic island of exile, with a harsh natural environment, early developed a negative image as human habitat. The author challenges this perception and shows how Neo-Confucian state ideology during the Yi dynasty (A.D. 1392-1910) created and conserved the island as a viable habitat by using feng-shui--a powerful medieval science of surveying--to shape the island's built environment and quality of life. The outcome, reflecting sustained political commitment to the philosophical concept of enlightened undervelopment, was a sincere landscape inhabited by a virtuous people.