First published in 1996. Architecture is one of the most inspired manifestations of Japanese civilization, a pillar of both traditional society and the modern state. The rugged walls of Himeji Castle, the pristine perfection of the Ise Shrine, and the soaring skyscrapers of modern Tokyo are all examples of consummate artistic inspiration harnessed to building technology in the service of religion or the state. These buildings offer a unique opportunity to identify the ideas and institutions of authority, both religious and secular, embodied in built form. William Coaldrake argues that there is a symbiotic relationship between architecture and authority throughout Japanese history. Examination of Nara and Heian palaces, Kamakura temples and Momoyama castles reveals the changing countenance of aristocratic and warrior power. The study also shows how some buildings helped to mould power relations by creating a physical presence to intimidate and subordinate those under imperial and shogunal rule, such as the Palace of Nij o Castle. More recently, Western architectural styles have been used to restructure the way Japan presents itself to the outside world. Relating buildings to the political ambitions and religious beliefs of the age, this book makes a significant contribution to Japanese studies. By examining architecture as an expression of authority, William Coaldrake highlights many defining moments in Japanese history, opening up new avenues for study on both traditional and contemporary Japan.

First published in 1996. Architecture is one of the most inspired manifestations of Japanese civilization, a pillar of both traditional society and the modern state. The rugged walls of Himeji Castle, the pristine perfection of the Ise Shrine, and the soaring skyscrapers of modern Tokyo are all examples of consummate artistic inspiration harnessed to building technology in the service of religion or the state. These buildings offer a unique opportunity to identify the ideas and institutions of authority, both religious and secular, embodied in built form. William Coaldrake argues that there is a symbiotic relationship between architecture and authority throughout Japanese history. Examination of Nara and Heian palaces, Kamakura temples and Momoyama castles reveals the changing countenance of aristocratic and warrior power. The study also shows how some buildings helped to mould power relations by creating a physical presence to intimidate and subordinate those under imperial and shogunal rule, such as the Palace of Nij o Castle. More recently, Western architectural styles have been used to restructure the way Japan presents itself to the outside world. Relating buildings to the political ambitions and religious beliefs of the age, this book makes a significant contribution to Japanese studies. By examining architecture as an expression of authority, William Coaldrake highlights many defining moments in Japanese history, opening up new avenues for study on both traditional and contemporary Japan.

This informative and beautifully illustrated book showcases projects of all types, sizes and budgets from the last decade in Japan, and includes museums, private houses, schools, shops, hospitals, airports and chapels. Both cutting-edge, emerging young practices – such as Sou Fujimoto and Junya Ishigami – and established, internationally known architects – among them Toyo Ito, Tadao Ando, Kengo Kuma and SANAA – are featured, as are international practices working in Japan (such as Rogers Stirk Harbour, Foster + Partners and Herzog & de Meuron). Stunning images by leading architectural photographer Edmund Sumner are accompanied by accessible critical texts and drawings. This illuminating survey is essential not just for architects and designers but also for anyone fascinated by Japan's unique – and increasing – influence on architecture worldwide.

This volume charts the development of the designs of Hiroshi Hara as well as the innovative uses of emerging building technologies. The text also illuminates the question of how to maintain a successful architecture practice.

Kyoto was Japan’s political and cultural capital for more than a millennium before the dawn of the modern era. Until about the fifteenth century, it was also among the world’s largest cities and, as the eastern terminus of the Silk Road, it was a place where the political, artistic, and religious currents of Asia coalesced and flourished. Despite these and many other traits that make Kyoto a place of both Japanese and world historical significance, the physical appearance of the premodern city remains largely unknown. Through a synthesis of textual, pictorial, and archeological sources, this work attempts to shed light on Kyoto’s premodern urban landscape with the aim of opening up new ways of thinking about key aspects of premodern Japanese history. The book begins with an examination of Kyoto’s highly idealized urban plan (adapted from Chinese models in the eighth century) and the reasons behind its eventual failure. The formation of the suburbs of Kamigyō and Shimogyō is compared to the creation of large exurban temple-palace complexes by retired emperors from the late eleventh century. Each, it is argued, was a material manifestation of the advancement of privatized power that inspired a medieval discourse aimed at excluding “outsiders.” By examining this discourse, a case is made that medieval power holders, despite growing autonomy, continued to see the emperor and classical state system as the ultimate sources of political legitimacy. This sentiment was shared by the leaders of the Ashikaga shogunate, who established their headquarters in Kyoto in 1336. The narrative examines how these warrior leaders interacted with the capital’s urban landscape, revealing a surprising degree of deference to classical building protocols and urban codes. Remaining chapters look at the dramatic changes that took place during the Age of Warring States (1467–1580s) and Kyoto’s postwar revitalization under the leadership of Oda Nobunaga and Toyotomi Hideyoshi. Nobunaga’s construction of Nijō Castle in 1569 transformed Kyoto’s fundamental character and, as Japan’s first castle town, it set an example soon replicated throughout the archipelago. In closing, the book explores how Hideyoshi—like so many before him, yet with much greater zeal—used monumentalism to co-opt and leverage the authority of Kyoto’s traditional institutions. Richly illustrated with original maps and diagrams, Kyoto is a panoramic examination of space and architecture spanning eight centuries. It narrates a history of Japan’s premodern capital relevant to the fields of institutional history, material culture, art and architectural history, religion, and urban planning. Students and scholars of Japan will be introduced to new ways of thinking about old historical problems while readers interested in the cities and architecture of East Asia and beyond will benefit from a novel approach that synthesizes a wide variety of sources. For more on Kyoto: An Urban History of Japan’s Premodern Capital, visit www.kyotohistory.com.

Catalog of an exhibition held at the Museum of Fine Arts, Houston, June 20-Sept. 12, 2010.

Learn the elements of the timeless beauty that is Japanese design in this concise reference volume. Japanese design is known throughout the world for its beauty, its simplicity, and its blending of traditional and contemporary effects. This succinct guide describes the influence and importance of 65 key elements that make up Japanese design, detailing their origins--and their impact on fields ranging from architecture and interior design to consumer products and high fashion. Learn, for example, how the wabi sabi style that's so popular today developed from the lifestyle choices made by monks a thousand years ago. And how unexpected influences--like tatami (straw mats) or seijaku (silence)--have contributed to contemporary Japanese design. Elements of Japanese Design offers new insights into the historical and cultural developments at the root of this now international aesthetic movement. From wa (harmony) to kaizen (continuous improvement), from mushin (the empty mind) to mujo (incompleteness), you'll discover how these elements have combined and evolved into a powerful design paradigm that has changed the way the world looks, thinks and acts. Chapters include: Washi, Paper with Character Ikebana, Growing Flowers in a Vase Bukkyo, The Impact of Buddhism Shibui, Eliminating the Unessential Kawaii, The Incredibly "Cute" Syndrome Katana, Swords with Spirit