Celebrates the power of nonviolence in a tribute to seventy-five of the world's peacemakers, including such spiritual leaders, activists, writers, and scientists as Jimmy Carter, Colin Powell, Jane Goodall, Coretta Scott King, and Mother Teresa.

In November 1998, eight recipients of the Nobel Peace Prize gathered for two days at the University of Virginia. Journalist and peace activist Cobban draws from both speeches and conversations to present a vision of global peace. Among the participants were the Dalai Lama, Desmond Tutu, Northern Ireland peace activist Betty Williams, East Timorese independence advocate Jose Ramos-Horta, and a representative of Burmese democratic leader Aung San Suu Kyi. Annotation copyrighted by Book News, Inc., Portland, OR

In this book he unfolds the first eyewitness account of the creation of a landmark building that was functionally and symbolically important in its time, marking the emergence of modern architecture as the dominant language of postwar institutions and cities.

This volume offers an informed and critical analysis of the operationalization and institutionalization of the peace and security architecture by the African Union and Africa's Regional Economic Communities (RECs). It examines the institutions that will carry the mandate forward, raises pertinent research questions for the successful operationalization of the architecture and debates the medium and long-term challenges to implementation.

This extraordinary body of work tells the story of yoga as it's never been told before. With almost 200 images, it traces the photographic journey of Michael O'Neill, the photographer and yogi who spent a decade traversing America and India to capture the essence of yoga and the most influential yogis of our time as a physical, spiritual, and...

This book investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and 1959. The volume gives a fascinating account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank. The famous standoffs between the Stalinist Russia and the Nazi Germany in Paris 1937, or the juxtaposition of the USSR and USA pavilions in Brussels 1958, are examples of very explicit shows of force. The book also discusses some less known - and more subtle - messages, revealed through an examination of several additional pavilions in both Paris and Brussels; of a series of expositions in Moscow; of the Universal Exhibition in Rome that was planned to open in 1942; and of London’s South Bank Exposition of 1951: all of them related, in one way or another, to either an anticipation of the global war or to its horrific aftermaths. A brief discussion of three pre-World War II American expositions that are reviewed in the Epilogue supports this point. It indicates a significant difference in the attitude of American exposition commissioners, who were less attuned to the looming war than their European counterparts. The book provides a novel assessment of modern architecture’s involvement with national representation. Whether in the service of Fascist Italy or of Imperial Japan, of Republican Spain or of the post-war Franquista regime, of the French Popular Front or of socialist Yugoslavia, of the arising FRG or of capitalist USA, of Stalinist Russia or of post-colonial Britain, exposition architecture during the period in question was driven by a deep faith in its ability to represent ideology. The book argues that this widespread confidence in architecture’s ability to act as a propaganda tool was one of the reasons why Modernist architecture lent itself to the service of such different masters.

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