Employing Northrop Frye's system of archetypal literary criticism - the use of romance, tragedy, irony and satire, and comedy - Brian Larsen offers a compelling summary of the essential governing framework and means of exchange between literature and theology. Characters in the Fourth Gospel are examined through a specific archetype, and, reciprocally, these characters illuminate and inform important theological aspects of their respective archetypes: Jesus and romance (hero story); Pilate and tragedy; the Jews and Thomas and irony; and Peter and comedy. This volume further clarifies the understanding of Frye's archetypesand identifies the key variable between each one: the relationship between (1) a belief or ideal and (2) experience or reality. Helping to advance dialogue between literature, biblical studies and theology, and providing insightful readings for a number of Fourth Gospel characters and texts, Larsen's examination will appeal to those seeking a new perspective on the themes of the New Testament or those seeking theological insights into literature.

Employing Northrop Frye's system of archetypal literary criticism - the use of romance, tragedy, irony and satire, and comedy - Brian Larsen offers a compelling summary of the essential governing framework and means of exchange between literature and theology. Characters in the Fourth Gospel are examined through a specific archetype, and, reciprocally, these characters illuminate and inform important theological aspects of their respective archetypes: Jesus and romance (hero story); Pilate and tragedy; the Jews and Thomas and irony; and Peter and comedy. This volume further clarifies the understanding of Frye's archetypesand identifies the key variable between each one: the relationship between (1) a belief or ideal and (2) experience or reality. Helping to advance dialogue between literature, biblical studies and theology, and providing insightful readings for a number of Fourth Gospel characters and texts, Larsen's examination will appeal to those seeking a new perspective on the themes of the New Testament or those seeking theological insights into literature.

Challenging the widely accepted classification of the canonical gospels as biographies or historiographies, the author argues that they should be classified as collections of folk literature from early Christianity. Drawing on comparative register analysis and re-introducing literary and sociolinguistic insights from the twentieth-century form critics, this insightful study challenges readers to rethink the significance of gospels for understanding Jesus’s historical context and relevance for modern readers. The gospels are not merely designed to inform readers about the life of Jesus but also to push readers into accepting or rejecting his teaching. It is a must-read for anyone seeking a deeper understanding of the gospel genre and the intentions of the evangelists who compiled them.

The Gospel of John has long been recognized as being distinct from the Synoptic Gospels. John among the Apocalypses explains John's distinctive narrative of Jesus's life by comparing it to Jewish apocalypses and highlighting the central place of revelation in the Gospel. While some scholars have noted a connection between the Gospel of John and Jewish apocalypses, Reynolds makes the first extensive comparison of the Gospel with the standard definition of the apocalypse genre. Engaging with modern genre theory, this comparison indicates surprising similarities of form, content, and function between John's Gospel and Jewish apocalypses. Even though the Gospel of John reflects similarities with the genre of apocalypse, John is not an apocalypse, but in genre theory terms, John may be described as a gospel in kind and an apocalypse in mode. John's narrative of Jesus's life has been qualified and shaped by the genre of apocalypse, such that it may be called an 'apocalyptic' gospel. In the final two chapters, Reynolds explores the implications of this conclusion for Johannine Studies and New Testament scholarship more broadly. John among the Apocalypses considers how viewing the Fourth Gospel as apocalyptic Gospel aids in the interpretation of John's appeal to Israel's Scriptures and Mosaic authority, and examines the Gospel's relationship with the book of Revelation and the history of reception concerning their writing. An examination of Byzantine iconographic traditions highlights how reception history may offer a possible explanation for reading John as apocalyptic Gospel.

This innovative study attempts a comprehensive reading of the Fourth Gospel so as to make sense of its theology, anthropology and history. The most valuable insights of structuralism and reader-response criticism have been taken up, without ignoring what those methods ignore, namely, questions intrinsically related to the Fourth Gospel itself. Moreover, a just appreciation of the text requires the reader to recognize that particular historical situations affect the nature of any narrative.

John's Gospel is an innovative study which shows how the current plurality of literary methodologies can be used effectively to illuminate the text of the fourth gospel. Dr Stibbe, the well-respected author of three previous volumes on St John, uses the methods of structuralism, deconstructionism and narrative criticism in his interpretation. A detailed introduction makes his book accessible to the non-specialist. The book is an invaluable guide to John's Gospel for all those interested in the Bible as literature. It is important reading for all theologians, students of theology and ministers of religion.