This volume focuses on a formative period in the history and archaeology of northern Greece. The decade following 1912, when Thessaloniki became part of Greece, was a period marked by an extraordinary internationalism as a result of the population movements caused by the shifting of national borders and the troop movements which accompanied the First World War. The papers collected here look primarily at the impact of the discoveries of the Army of the Orient on the archaeological study of the region of Macedonia. Resulting collections of antiquities are now held in Thessaloniki, London, Paris, Edinburgh and Oxford. Various specialists examine each of these collections, bringing the archaeological legacy of the Macedonian Campaign together in one volume for the first time. A key theme of the volume is the emerging dialogue between the archaeological remains of Macedonia and the politics of Hellenism. A number of authors consider how archaeological interpretation was shaped by the incorporation of Macedonia into Greece. Other authors describe how the politics of the Campaign, in which Greece was initially a neutral partner, had implications both for the administration of archaeological finds and their subsequent dispersal. A particular focus is the historical personalities who were involved and the sites they discovered. The role of the Greek Archaeological Service, particularly in the protection of antiquities, as well as promoting excavation in the aftermath of the 1917 Great Fire of Thessaloniki, is also considered.

Curating the Great War explores the inception and subsequent development of museums of the Great War and the animating spirit which lay behind them. The book approaches museums of the Great War as political entities, some more overtly than others, but all unable to escape from the politics of the war, its profound legacies and its enduring memory. Their changing configurations and content are explored as reflections of the social and political context in which they exist. Curating of the Great War has expanded beyond the walls of museum buildings, seeking public engagement, both direct and digital, and taking in whole landscapes. Recognizing this fact, the book examines these museums as standing at the nexus of historiography, museology, anthropology, archaeology, sociology and politics as well as being a lieux de mémoire. Their multi-vocal nature makes them a compelling subject for research and above all the book highlights that it is in these museums that we see the most complete fusion of the material culture of conflict with its historical, political and experiential context. This book is an essential read for researchers of the reception of the Great War through material culture and museums.

Life-writing is a vital part of the history of archaeology, and a growing field of scholarship within the discipline. The lives of archaeologists are entangled with histories of museums and collections, developments in science and scholarship, and narratives of nationalism and colonialism into the present. In recent years life-writing has played an important role in the surge of new research in the history of archaeology, including ground-breaking studies of discipline formation, institutionalisation, and social and intellectual networks. Sources such as diaries, wills, film, and the growing body of digital records are powerful tools for highlighting the contributions of hitherto marginalised archaeological lives including many pioneering women, hired labourers and other ‘hidden hands’. This book brings together critical perspectives on life-writing in the history of archaeology from leading figures in the field. These include studies of archive formation and use, the concept of ‘dig-writing’ as a distinctive genre of archaeological creativity, and reviews of new sources for already well-known lives. Several chapters reflect on the experience of life-writing, review the historiography of the field, and assess the intellectual value and significance of life-writing as a genre. Together, they work to problematise underlying assumptions about this genre, foregrounding methodology, social theory, ethics and other practice-focused frameworks in conscious tension with previous practices.

30 papers explore a wide range of topics such as women’s voices in archaeological discourse; researching race and ethnicity across time; use of diversified science methods in archaeology; critical ethnographic studies; diversity in the archaeology of death, heritage studies, and archaeology of ‘scapes’.

It introduces a religious dimension to the study of ethnic identity and globalization in the provinces of the Roman Empire.

Tumuli and megaliths mark the landscape of Eurasia and are rich in data, mystery, and legends. Books about them are often monographic or have a local range. This collection of essays highlights and brings together 74 authors from 16 countries, from Portugal to Japan and Indonesia. They offer a diversity of regional backgrounds, theoretical perspectives, and scientific approaches relevant to anyone working in history, archaeology, anthropology, and heritage. Densely illustrated and written in a way that is understandable to anyone, it is easily accessible to students, professors, researchers, and cultural or heritage managers. It will also attract anyone interested in past cultures, early religions, and ancient architecture. Its content makes it a mandatory book for the central and specialized libraries of any university, I&D centre, museum or visiting centre about this and other related issues.

This unique archaeological account from Nicholas Saunders tells the story of the origins of modern guerrilla warfare during the Arab Revolt of 1916-18. The discovery of an unknown conflict landscape reveals the dramatic exploits of T. E. Lawrence, Emir Feisal, Bedouin warriors, and their attacks on the Hejaz Railway during the First World War.