Memory can be both a horrifying trauma and an empowering resource. From the Ancient Greeks to Nietzsche and Derrida, the dilemma about the relationship between history and memory has filled many pages, with one important question singled out: is the writing of history to memory a remedy or a poison? Recently, a growing interest in and preoccupation with the issue of memory, remembering and forgetting has resulted in a proliferation of published works, in various disciplines, that have memory as their focus. This trend, to which the present volume contributes, has started to occupy the dominant discourses of disciplines such as sociology, philosophy, history, anthropology and archaeology, and has also disseminated into the wider public discourse of society and culture today. Such a condition may perhaps echo the phenomenon of a melancholic experience at the turn of the millennium. Archaeology and Memory seeks to examine the diversity of mnemonic systems and their significance in different past contexts as well as the epistemological and ontological importance of archaeological practice and narratives in constituting the human historical condition. The twelve substantial contributions in this volume cover a diverse set of regional examples and focus on a range of prehistoric and classical case studies in Eurasian regional contexts as well as on the predicaments of memory in examples of the archaeologies of 'contemporary past'. From the Mesolithic and Neolithic burial chambers to the trenches of World War I and the role of materiality in international criminal courts, a number of contributors examine how people in the past have thought about their own pasts, while others reflect on our own present-day sensibilities in dealing with the material testimonies of recent history. Both kinds of papers offer wider theoretical reflections on materiality, archaeological methodologies and the ethical responsibilities of archaeological narration about the past.

A unique collection of newly written essays by archaeologistsworking in a variety of contexts and geographical areas,Archaeologies of Memory is a groundbreaking text thatpresents a coherent framework for the study of memory in pastsocieties. Serves as an accessible introduction to central issues in thestudy of memory, including authority and identity, and the rolememory plays in their creation and transformation. Presents a collection of newly commissioned essays that providea coherent framework for the study of memory in pastsocieties. Brings together essays from both anthropological and classicalarchaeologists. Includes contributions drawn from a variety of cultures andtime periods, including New Kingdom Egypt and the prehistoricAmerican Southwest.

The field of archaeology continues to face a major crisis of interpretation. The traditional view is that the basic business of archaeology is to reconstruct the history of cultures and civilizations through their material productions. Olivier challenges this view with a new approach to archaeological remains based on the works of French theorists such as Foucault, de Certeaux, and Derrida, with insight from Darwin and Freud. His thesis is that archaeology does not study the past itself but rather what materially remains of the past in our present. Olivier also develops an interpretation of material culture based on Aby Warburg’s and Walter Benjamin’s work in the anthropology of art. With wider implications for history and all social sciences, The Dark Abyss of Time is a major contribution to the theory of time, memory, heritage, and archaeology. This flawless translation makes Olivier’s elegantly written work available in English for the first time.

Place, Memory, and Healing: An Archaeology of Anatolian Rock Monuments investigates the complex and deep histories of places, how they served as sites of memory and belonging for local communities over the centuries, and how they were appropriated and monumentalized in the hands of the political elites. Focusing on Anatolian rock monuments carved into the living rock at watery landscapes during the Late Bronze and Early Iron Ages, this book develops an archaeology of place as a theory of cultural landscapes and as an engaged methodology of fieldwork in order to excavate the genealogies of places. Advocating that archaeology can contribute substantively to the study of places in many fields of research and engagement within the humanities and the social sciences, this book seeks to move beyond the oft-conceived notion of places as fixed and unchanging, and argues that places are always unfinished, emergent, and hybrid. Rock cut monuments of Anatolian antiquity are discussed in the historical and micro-regional context of their making at the time of the Hittite Empire and its aftermath, while the book also investigates how such rock-cut places, springs, and caves are associated with new forms of storytelling, holy figures, miracles, and healing in their post-antique life. Anybody wishing to understand places of cultural significance both archaeologically as well as through current theoretical lenses such as heritage studies, ethnography of landscapes, social memory, embodied and sensory experience of the world, post-colonialism, political ecology, cultural geography, sustainability, and globalization will find the case studies and research within this book a doorway to exploring places in new and rewarding ways.

This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of the past, archaeology has mostly neglected multi-sensory experience, instead prioritising isolated vision and relying on the Western hierarchy of the five senses. In place of this limited view of experience, Hamilakis proposes a sensorial archaeology that can unearth the lost, suppressed, and forgotten sensory and affective modalities of humans. Using Bronze Age Crete as a case study, Hamilakis shows how sensorial memory can help us rethink questions ranging from the production of ancestral heritage to large-scale social change, and the cultural significance of monuments. Hamilakis points the way to reconstituting archaeology as a sensorial and affective multi-temporal practice.

The Cambridge Companion to Historical Archaeology provides an overview of the international field of historical archaeology (c.AD 1500 to the present) through seventeen specially-commissioned essays from leading researchers in the field. The volume explores key themes in historical archaeology including documentary archaeology, the writing of historical archaeology, colonialism, capitalism, industrial archaeology, maritime archaeology, cultural resource management and urban archaeology. Three special sections explore the distinctive contributions of material culture studies, landscape archaeology and the archaeology of buildings and the household. Drawing on case studies from North America, Europe, Australasia, Africa and around the world, the volume captures the breadth and diversity of contemporary historical archaeology, considers archaeology's relationship with history, cultural anthropology and other periods of archaeological study, and provides clear introductions to alternative conceptions of the field. This book is essential reading for anyone studying or researching the material remains of the recent past.

Memory making is a social practice that links people and things together across time and space and ultimately has material consequences. The intersection of matter and social practice becomes archaeologically visible through the deposits created during social activities. The contributors to this volume share a common goal to map out the different ways in which to study social memories in past societies programmatically and tangibly.