Archaeological practice is currently shifting in response to feminist, indigenous, activist, community-based, and anarchic critiques of how archaeology is practiced and how science is used to interpret the past lives of people. Inspired by the calls for a different way of doing archaeology, this volume presents a case here for a heart-centered archaeological practice. Heart-centered practice emerged in care-based disciplines, such as nursing and various forms of therapy, as a way to recognize the importance of caring for those on whom we work, and as an avenue to explore how our interactions with others impacts our own emotions and heart. Archaeologists are disciplined to separate mind and heart, a division which harkens back to the origins of western thought. The dualism between the mental and the physical is fundamental to the concept that humans can objectively study the world without being immersed in it. Scientific approaches to understanding the world assume there is an objective world to be studied and that humans must remove themselves from that world in order to find the truth. An archaeology of the heart rejects this dualism; rather, we see mind, body, heart, and spirit as inextricable. An archaeology of the heart provides a new space for thinking through an integrated, responsible, and grounded archaeology, where there is care for the living and the dead, acknowledges the need to build responsible relationships with communities, and with the archaeological record, and emphasize the role of rigor in how work and research is conducted. The contributions bring together archaeological practitioners from across the globe in different contexts to explore how heart-centered practice can impact archaeological theory, methodology, and research throughout the discipline.

Grounded in decades of research, this book covers contemporary matters such as the entanglement of race and nationalism with archaeology.

With case studies from North America to Australia and South Africa and covering topics from archaeological ethics to the repatriation of human remains, this book charts the development of a new form of archaeology that is informed by indigenous values and agendas. This involves fundamental changes in archaeological theory and practice as well as substantive changes in the power relations between archaeologists and indigenous peoples. Questions concerning the development of ethical archaeological practices are at the heart of this process.

"Much needed. Fills an existing gap in the historical period with a wide range of examples from all over the world."--Margarita Díaz-Andreu, author of A World History of Nineteenth-Century Archaeology: Nationalism, Colonialism, and the Past "Provides new, nuanced perspectives that will inspire studies in the materiality of identity creation and transformation in the past and its role in heritage creation in the present."--Stephen A. Brighton, author of Historical Archaeology of the Irish Diaspora: A Transnational Approach "Thoughtful, challenging, and original. Expands the spatial and temporal parameters of the growing literature on nationalism and national identity."--Philip L. Kohl, coeditor of Selective Remembrances: Archaeology in the Construction, Commemoration, and Consecration of National Pasts The Country Where My Heart Is explores the archaeology of the period during which modern nationalism developed. While much of the previous research has focused on how governments and other institutions manipulate the archaeology of the distant past for ideological reasons, the contributors to this volume articulate what material artifacts of the modern world can reveal about the rise and fall of modern nationalism and national identities. They explore themes of colonialism, religion, political power and struggle, mythmaking, and the formation of heritage and memory not only in modern nation-states but also in places where the geographical boundaries of a "homeland" are harder to draw. Featuring case studies from northwestern and Central Europe, the Mediterranean, and the Americas, the essays examine how historical archaeology informs the concept of national identity and the formation of the modern nation and how this identity is intimately and inseparably entangled with, yet still distinct from, ethnicity and race. Alasdair Brooks, honorary visiting fellow at the University of Leicester, is the editor of The Importance of British Material Culture to Historical Archaeologies of the Nineteenth Century. Natascha Mehler, senior researcher at the German Maritime Museum and honorary reader at the University of the Highlands and Islands, Scotland, is the editor of Historical Archaeology in Central Europe.

Recently, complex interpretations of socio-cultural change in the ancientMediterranean world have emerged that challenge earlier models. Influenced bytoday’s hyper-connected age, scholars no longer perceive the Mediterranean as astatic place where “Greco-Roman” culture was dominant, but rather see it as adynamic and connected sea where fragmentation and uncertainty, along with mobilityand networking, were the norm. Hence, a current theoretical approach to studyingancient culture has been that of globalization. Certain eras of Mediterranean history (e.g., the Roman empire) known for their increased connectivity have thus beenanalyzed from a globalized perspective that examines rhizomal networking, culturaldiversity, and multiple processes of social change. Archaeology has proven a usefuldiscipline for investigating ancient “globalization” because of its recent focus on howidentity is expressed through material culture negotiated between both local andglobal influences when levels of connectivity are altered. One form of identity that has been inadequately explored in relation to globalizationtheory is insularity. Insularity, or the socially recognized differences expressed bypeople living on islands, is a form of self-identification created within a particularspace and time. Insularity, as a unique social identity affected by “global” forces,should be viewed as an important research paradigm for archaeologies concerned with re-examining cultural change. The purpose of this volume is to explore how comparative archaeologies of insularitycan contribute to discourse on ancient Mediterranean “globalization.” The volume’s theme stems from a colloquium session that was chaired by the volume’s co-editors atthe Annual Meeting of the Archaeological Institute of America in January 2017. Given the current state of the field for globalization studies in Mediterranean archaeology,this volume aims to bring together for the first time archaeologists working ondifferent islands and a range of material culture types to examine diachronically how Mediterranean insularities changed during eras when connectivity increased, such asthe Late Bronze Age, the era of Greek and Phoenician colonization, the Classicalperiod, and during the High and Late Roman imperial eras. Each chapter aims tosituate a specific island or island group within the context of the globalizing forces and networks that conditioned a particular period, and utilizes archaeological material toreveal how islanders shaped their insular identities, or notions of insularity, at thenexus of local and global influences.

This book provides a fresh and bold look at how archaeologists and heritage managers may enhance their capacity to interpret and understand material culture and heritage values. Drawing on the founding principles of anthropology, Archaeologies of Listening demonstrates the value of cultural apprenticeship, an almost forgotten part of archaeological practice.