In this book, Lee A. Newsom offers an overview of wood in archaeology --how and where it is preserved and analyzed, its relevance to paleoecological and paleoenvironmental questions, as well as its role as an important source of information in modern archaeological science and related historical disciplines. Her book addresses a range of questions about wood reliance practices, sustainability, and the overall relevance of forest ecosystems to past cultures and cultural evolution. Newsom provides a step-by-step treatment of archaeological analysis with clear explanations and examples from various corners of the world. She also shows how the study of archaeological wood is relevant to modern restoration ecology and conservation biology that tracks long-term ancient ecosystems, including questions of global change. Demonstrating the vital role of wood and timber resources to past human societies, her book will interest scholars and students of archaeology, historical ecology, paleoecology, and wood science.

Combining chemistry with techniques of preserving archaeological wood, these 17 essays are based on current understanding of the structure of wood and the mechanisms of its degradation. Topics include the chemical composition of wood and changes brought about by the decay process, biopredators, curing and preservation techniques, museum environments, and the ethics of conservation. For conservators and wood-oriented scientists. Annotation copyrighted by Book News, Inc., Portland, OR

It considers research involving archaeological wood in all forms, ranging from fuelwood to ships' timbers, from sites around the globe.

The impetus for this book was the desire to systematically organize the extant literature on the conservation of cultural property made of wood, from its beginnings before the Christian Era to the year 2000. Various published reviews and monographs, including Holzkonservierung (Wood Conserva tion) published by the senior author in 1988, have appeared over the years, especially in English and in German. They have provided exemplary treat merit of individual areas or aspects of wood conservation, but a comprehen sive, up-to-date exposition of historic and current developments has been lacking. The diverse professional fields of the authors, as well as their insights into methods of conservation and restoration of wood artifacts in Europe, North America, and Asia provided a solid basis for the success of this under taking. One of the goals during the examination of the literature was that not only well-known conservators and scientists from countries that are leaders in wood conservation should be represented, but that less well-known, often not as readily accessible contributions should also be included. Only in this manner was it possible to draw a comprehensive picture of the national and international state of wood conservation. The Art and Archaeology Technical Abstracts (AATA) of the Getty Institute were very helpful in our efforts to evaluate as many publications as possible.

This synthesis of Great Plains archaeology brings together what is currently known about the inhabitants of the ancient Plains. The essays review the Paleo-Indian, Archaic, Woodland, and Plains Village peoples, providing information on technology, diet, settlement and adaptive patterns.

This volume highlights recent research efforts in the conservation and investigation of works of art on wood. Through eleven case studies it showcases different experimental methods ranging from X-ray analysis of objects to the study of cross-sections made from micro-samples. New research focusing on the technical study, treatment and assessment of works of art on wood in its many forms is featured in this edited volume. Technical studies include the attribution and investigations of a triptych by Hans Memling and a sculpture from workshop of Michel and Gregor Erhart, decorated Syrian rooms, and investigations of finely carved Gothic wooden objects. Synchrotron-based methods are presented for studying the alteration of 19th c. verdigris in Norway, and multi-analytical methods are employed for the investigations of 16th to 19th c. East Asian lacquer from the Kunsthistorisches Museum in Vienna. Novel methods for the cleaning of gilded surfaces using gels and emulsions are shown, as are innovative strategies for the consolidation for waterlogged wood, providing key data for the assessment of risks and benefits of new methods, and the short and long-term effects on gilding layers and archaeological wood. The book clearly shows how collaboration between engineers, physicists, biologists and chemists and conservators of different types of materials can lead to new research in conservation science. This book is crucial reading for conservators and conservation scientists, as well as for technical art historians, providing key methodological case studies of polychromy from different temporal and geographical contexts.

Over the years, archaeologists have developed a number of techniques for conserving historical artifacts for future generations. Along with these techniques, researchers have developed a series of ethical principles for treating materials in a way that allows them to be not only observed and analyzed for the present, but also in re-studied in the future. Conservation techniques used up to now, however, have provided artifacts only a limited lifespan, and in some cases they do not work well with water-logged materials. Within the past few years, archaeological chemistry and concerns of longevity testing have become central issues in the development of conservation treatment strategies. This problem became particularly acute when members of the Texas A&M Nautical Archaeology Program were called on to conserve artifacts from La Belle, the sunken ship of La Salle excavated in the 1990s off the coast of Texas by the Texas Historical Commission. "Entombed in the mud that sealed it from decay for over three centuries," C. Wayne Smith writes in his introduction, "the waterlogged hull and hundreds of thousands of fragile artifacts, including brain matter in the skull of one unfortunate sailor, would have been a futile conservation effort without new preservation technologies."Working with Dow Corning Corporation, Texas A&M’s Archaeological Preservation Research Lab (APRL), and the Conservation Research Lab (CRL), Smith and his colleagues in A&M’s Nautical Archaeology Program set out to develop a series of chemistries and techniques that would provide successful and affordable treatment strategies for organic materials. In this ground-breaking description of the processes and materials that were developed, Smith explains these techniques in ways that will allow museums and historical societies to conserve more stable artifacts for traveling exhibits and interactive displays and will allow researchers to conserve new discoveries without sacrificing important information. Beyond the advantages offered by polymer replacement (Passivation Polymer) technologies, Smith considers a concept seldom addressed in conservation: artistry. Variance in equipment, relative humidity, laboratory layout, intended results, and level of expertise all affect researchers’ ability to obtain consistent and aesthetically correct samples and require a willingness to explore treatment parameters and combinations of polymers. Smith prescribes an effective layout for day-to-day conservation of small organic artifacts and then examines some of the mechanical techniques used to process various organic materials from marine and land sites. He concludes with an exploration of new tools and technologies that can help conservators devise more effective conservation strategies, including CT scans and Computer Aided Design images and stereolithography. All archaeologists, conservators, and museologists working with perishable artifacts will benefit from the careful explication of these new processes, and those wishing to incorporate some or all of them will find the step-by-step instructions for doing so.