Beautifully illustrated in color with many rare and unique photographs, prints, and drawings, "The Cambridge Illustrated History of Prehistoric Art" presents the first balanced and truly worldwide survey of prehistoric art. A fascinating study of an often neglected area, the book is a powerful combination of illustration and analysis. 164 color plates. Copyright © Libri GmbH. All rights reserved.

This is an up-to-date account of the different kinds of information that can be obtained through the archaeological study of pottery.

An accessible and wide-ranging introduction to the exciting and expanding field of archaeological science, for students, professionals and academics.

This volume, originally published in 1989, is intended as a practical guide to archaeological illustration, from drawing finds in the field to technical studio drawing for publication. It is also an invaluable reference tool for the interpretation of illustrations and their status as archaeological evidence. The book's ten chapters start from first principles and guide the illustrator through the historical development of archaeological illustration and basic skills. Each chapter then deals with a different illustrative technique - drawing in the field during survey work and excavation, drawing artefacts, buildings and reconstructions, producing artwork for publication and the early uses of computer graphics. Information about appropriate equipment, as well as a guide to manufacturers, is also supplied. An obvious and important feature of Archaeological Illustration is the 120 line drawings and half-tones which show the right - and the wrong - way of producing drawings. This volume will therefore be of interest to amateur and professional archaeologists alike.

The first overview of sampling for archaeologists for over twenty years, this manual offers a comprehensive account of the applications of statistical sampling theory which are essential to modern archaeological practice at a range of scales, from the regional to the microscopic. Bringing archaeologists up to date with an aspect of their work which is often misunderstood, it includes a discussion of the relevance of sampling theory to archaeological interpretation, and considers its fundamental place in fieldwork and post-excavation study. It demonstrates the vast range of techniques that are available, only some of which are widely used by archaeologists. A section on statistical theory also reviews latest developments in the field, and the formal mathematics is available in an appendix, cross-referenced with the main text.

This book explores the diverse understandings of the archaeological record in both historical and contemporary perspective, while also serving as a guide to reassessing current views. Gavin Lucas argues that archaeological theory has become both too fragmented and disconnected from the particular nature of archaeological evidence. The book examines three ways of understanding the archaeological record - as historical sources, through formation theory, and as material culture - then reveals ways to connect these three domains through a reconsideration of archaeological entities and archaeological practice. Ultimately, Lucas calls for a rethinking of the nature of the archaeological record and the kind of history and narratives written from it.