More than any other category of evidence, ceramics ofters archaeologists their most abundant and potentially enlightening source of information on the past. Being made primarily of day, a relatively inexpensive material that is available in every region, ceramics became essential in virtually every society in the world during the past ten thousand years. The straightfor ward technology of preparing, forming, and firing day into hard, durable shapes has meant that societies at various levels of complexity have come to rely on it for a wide variety of tasks. Ceramic vessels quickly became essential for many household and productive tasks. Food preparation, cooking, and storage-the very basis of settled village life-could not exist as we know them without the use of ceramic vessels. Often these vessels broke into pieces, but the virtually indestructible quality of the ceramic material itself meant that these pieces would be preserved for centuries, waiting to be recovered by modem archaeologists. The ability to create ceramic material with diverse physical properties, to form vessels into so many different shapes, and to decorate them in limitless manners, led to their use in far more than utilitarian contexts. Some vessels were especially made to be used in trade, manufacturing activities, or rituals, while ceramic material was also used to make other items such as figurines, models, and architectural ornaments.

This is an up-to-date account of the different kinds of information that can be obtained through the archaeological study of pottery.

Pottery is the most ubiquitous find in most historical archaeological excavations and serves as the basis for much research in the discipline. But it is not only its frequency that makes it a prime dataset for such research, it is also that pottery embeds many dimensions of the human experience, ranging from the purely technical to the eminently symbolic. The aim of this book is to provide a cutting-edge theoretical and methodological framework, as well as a practical guide, for archaeologists, students and researchers to study ceramic assemblages. As opposed to the conventional typological approach, which focuses on vessel shape and assumed function with the main goal of establishing a chronological sequence, the proposed framework is based on the technological approach. Such an approach utilizes the concept of chaîne opératoire, which is geared to an anthropological interpretation of archaeological objects. The author offers a sound theoretical background accompanied by an original research strategy whose presentation is at the heart of this book. This research strategy is presented in successive chapters that are geared to explain not only how to study archaeological assemblages, but also why the proposed methods are essential for achieving ambitious interpretive goals. In the heated debate on the equation stating that “pots equal people”, which is a rather fuzzy reference to assumed relationships between (mostly) ethnic groups and pottery, technology enables us to propose with conviction the equation “pots equal potters”. In this way, a well-founded history of potters is able to achieve a much better cultural and anthropological understanding of ancient societies.​

This publication originated during a session organized for the 15th European Archaeologist Conference, held in Riva del Garda (Trento - Italy) in September 2009, on the 'The chaîne opératoire approach to ceramics studies'. It was focused on the concept of the chaîne opératoire as applied in contemporary ceramics studies. Particular attention was given to experimental and archaeometrical approaches that allow for a better understanding of the technological aspects of a culture.

This volume draws together topics and methodologies essential for the socio-cultural, mineralogical, and geochemical analysis of archaeological ceramic, one of the most complex and ubiquitous archaeomaterials in the archaeological record. It provides an invaluable resource for archaeologists, anthropologists, and archaeological materials scientists.

More than any other category of evidence, ceramics ofters archaeologists their most abundant and potentially enlightening source of information on the past. Being made primarily of day, a relatively inexpensive material that is available in every region, ceramics became essential in virtually every society in the world during the past ten thousand years. The straightfor ward technology of preparing, forming, and firing day into hard, durable shapes has meant that societies at various levels of complexity have come to rely on it for a wide variety of tasks. Ceramic vessels quickly became essential for many household and productive tasks. Food preparation, cooking, and storage-the very basis of settled village life-could not exist as we know them without the use of ceramic vessels. Often these vessels broke into pieces, but the virtually indestructible quality of the ceramic material itself meant that these pieces would be preserved for centuries, waiting to be recovered by modem archaeologists. The ability to create ceramic material with diverse physical properties, to form vessels into so many different shapes, and to decorate them in limitless manners, led to their use in far more than utilitarian contexts. Some vessels were especially made to be used in trade, manufacturing activities, or rituals, while ceramic material was also used to make other items such as figurines, models, and architectural ornaments.

The aim of this book is to introduce students in archaeology -and others interested- to the materials that form ancient ceramics, their nature and function. It is by studying the ceramic materials, the minerals, rocks, clays, and ways they have been modified for the production of ceramics that their use by potters through the ages can be explained. It allows us a better understanding of the potter's behavior and the influences on his or her craft. The book details clay, mineral and rock formations, basic geology principles, types of analyses conducted to study raw materials, and the different processes involved in making pottery. It describes the different attributes of a ceramic paste, and the different scales one can look at it. This book is conceived as an introduction to the origin of the materials which form ceramics in an archaeological context, their selection and use by potters. It is abundantly illustrated, in color, and with many case studies.