This beautifully produced volume includes over 150 artworks by 50 contemporary Arab artists whose groundbreaking works reflect the pulse of region.

From the first centuries of Islam to well into the Middle Ages, Jews and Christians produced hundreds of manuscripts containing portions of the Bible in Arabic. Until recently, however, these translations remained largely neglected by Biblical scholars and historians. In telling the story of the Bible in Arabic, this book casts light on a crucial transition in the cultural and religious life of Jews and Christians in Arabic-speaking lands. In pre-Islamic times, Jewish and Christian scriptures circulated orally in the Arabic-speaking milieu. After the rise of Islam--and the Qur'an's appearance as a scripture in its own right--Jews and Christians translated the Hebrew Bible and the Greek New Testament into Arabic for their own use and as a response to the Qur'an's retelling of Biblical narratives. From the ninth century onward, a steady stream of Jewish and Christian translations of the Hebrew Bible and New Testament crossed communal borders to influence the Islamic world. The Bible in Arabic offers a new frame of reference for the pivotal place of Arabic Bible translations in the religious and cultural interactions between Jews, Christians, and Muslims.

CONTRIBUTIONS TO THE SOCIOLOGY OF LANGUAGE brings to students, researchers and practitioners in all of the social and language-related sciences carefully selected book-length publications dealing with sociolinguistic theory, methods, findings and applications. It approaches the study of language in society in its broadest sense, as a truly international and interdisciplinary field in which various approaches, theoretical and empirical, supplement and complement each other. The series invites the attention of linguists, language teachers of all interests, sociologists, political scientists, anthropologists, historians etc. to the development of the sociology of language.

A vibrant collection of writings about America from its earliest Arab immigrants, as they reflected on and described the United States for the very first time.

To Be an Arab in Israel fills a long-neglected gap in the study of Israel and the contemporary Arab world. Whether for ideological reasons or otherwise, both Israeli and Arab writers have yet to seriously consider Israel's significant minority of non-Jewish citizens, whose existence challenges common assumptions regarding Israel's exclusively Jewish character. Arabs have been a presence at all levels of the Israeli government since the foundation of the state. Laurence Louër begins her history in the 1980s when the Israeli political system began to take the Arab nationalist parties into account for the political negotiations over coalition building. Political parties-especially Labour-sought the votes of Arab citizens by making unusual promises such as ownership and access to land. The continuing rise of nationalist sentiments among Palestinians, however, threw the relationship between the Jewish state and the Arab minority into chaos. But as Louër demonstrates, "Palestinization" did not prompt the Arab citizens of Israel to set aside their Israeli citizenship. Rather, Israel's Arabs have sought to insert themselves into Israeli society while simultaneously celebrating their difference, and these efforts have led to a confrontation between two conceptions of society and two visions of Israel. Louër's fascinating book embraces the complexity of this history, revealing the surprising collusions and compromises that have led to alliances between Arab nationalists and Israeli authorities. She also addresses the current role of Israel's Arab elites, who have been educated at Hebrew-speaking universities, and the continuing absorption of militant Islamists into Israel's bureaucracy. To Be an Arab in Israel is a discerning treatment of an enigmatic, little known, but nevertheless highly influential people. Their effect on the balance of power in the Middle East seems destined to grow in the twenty-first century.

The hero cycles of Arabic belong to the literary tradition of The Arabian Nights and can be seen as the popular epics of their civilisation. Published in three volumes, the first introduces the background to the cycles, while the second analyses their contents and literary formulae. The epitomes surveyed in the final volume provide further insight into their literary nuances.

First published in 1989. An essential reference for researchers, scholars and urban planners this is a reference for all those interested in both the history and future developments of urban design for Arab Islamic cities.