The book presents the first English edition of Hubertine Auclert's Arab Women in Algeria which offers a unique picture of Algerian society in late 19th century. Hubertine Auclert (1848-1914) was one of the foremost militants for women's political rights in France from the mid-1870s. She lived in Algeria from 1888 to 1892, where she investigated the customs and traditions that defined the condition of women. She witnessed both the exploitation of women and that of the colonized people; in doing so, she drew a picture of colonial Algerian society. While women were mistreated by men (sale of prepubescent girls into marriage, forced marriage, repudiation permitted only to men, polygamy), Arab men were mistreated by the colonial administration and excluded from the government of Algeria. She denounced the contradictions and hypocrisy of French justice, which often enforced, for their own interest, the "anomalies" of Muslim law in contradiction with French law. The last chapter of the book comprises of several striking anecdotes that illustrate the author's theoretical views. Jacqueline Grenez Brovender is a freelance translator and a former lecturer in French at Tufts University. Denise Brahimi-Chapuis taught in French and Algerian universities about the relationship between France and the Maghreb and its effect on women.

A comparative study based on extensive fieldwork, and an original database of gender-based reforms in the Middle East and North Africa, Aili Mari Tripp analyzes why autocratic leaders in Morocco, Algeria and Tunisia adopted more extensive women's rights than their Middle Eastern counterparts.

Dissident Writings of Arab Women: Voices Against Violence analyzes the links between creative dissidence and inscriptions of violence in the writings of a selected group of postcolonial Arab women. The female authors destabilize essentialist framings of Arab identity through a series of reflective interrogations and "contesting" literary genres that include novels, short stories, poetry, docudramas, interviews and testimonials. Rejecting a purist "literature for literature’s sake" ethic, they embrace a dissident poetics of feminist critique and creative resistance as they engage in multiple and intergenerational border crossings in terms of geography, subject matter, language and transnationality. This book thus examines the ways in which the women’s writings provide the blueprint for social justice by "voicing" protest and stimulating critical thought, particularly in instances of social oppression, structural violence, and political transition. Providing an interdisciplinary approach which goes beyond narrow definitions of literature as aesthetic praxis to include literature’s added value as a social, historical, political, and cultural palimpsest, this book will be a useful resource for students and scholars of North African Studies, Postcolonial Studies, Francophone Studies, and Feminist Studies.

Cutting-edge scholarship on post-war Arab intellectual history that challenges conventional thinking about authoritarianism, religion and revolution in the modern Middle East.

The book presents the first English edition of Hubertine Auclert's Arab Women in Algeria which offers a unique picture of Algerian society in late 19th century. Hubertine Auclert (1848-1914) was one of the foremost militants for women's political rights in France from the mid-1870s. She lived in Algeria from 1888 to 1892, where she investigated the customs and traditions that defined the condition of women. She witnessed both the exploitation of women and that of the colonized people; in doing so, she drew a picture of colonial Algerian society. While women were mistreated by men (sale of prepubescent girls into marriage, forced marriage, repudiation permitted only to men, polygamy), Arab men were mistreated by the colonial administration and excluded from the government of Algeria. She denounced the contradictions and hypocrisy of French justice, which often enforced, for their own interest, the "anomalies" of Muslim law in contradiction with French law. The last chapter of the book comprises of several striking anecdotes that illustrate the author's theoretical views. Jacqueline Grenez Brovender is a freelance translator and a former lecturer in French at Tufts University. Denise Brahimi-Chapuis taught in French and Algerian universities about the relationship between France and the Maghreb and its effect on women.

Translated for the first time into English, this collection of short fiction by one of the leading writers of North Africa details the plight of Algerian women and raises far-reaching issues that speak to us all. Women of Algiers quickly sold out its first printing of 15,000 in France and was hugely popular in Italy, but the book was denounced in Algeria for its criticism of the postcolonial socialist regime, which denied and subjugated women even as it celebrated the liberation of men. It was the first work to do so openly. These stylistically innovative, lyrical stories address the cloistering of women, the implications of reticence, and the significance of language and its connection to oppression (Djebar calls official Arabic "an authoritarian language that is simultaneously the language of men"). Mixing newly written pieces with older ones, Djebar attempts "to bring the past into a dialogue with the present". The stories raise issues surrounding this passage from colonial to postcolonial culture - national literature, cultural authenticity, and the impact of war on both men and women. The book's title comes from a Delacroix painting that depicts a unique glimpse of the harem, an emblem of the dual violation of Algerian women, both colonial and gendered.

The Eloquence of Silence, first published in 1994, is considered a seminal text in the scholarship of women and North Africa. Marnia Lazreg makes a critical departure from more traditional studies of Algerian women, which usually examine female roles in relation to Islam – and instead takes an interdisciplinary approach, arguing that Algerian women's roles are shaped by a variety of structural and symbolic factors. These include colonial domination, demographic change, nationalism, family formation, the turn to culturalism, and the progressive shift to a capitalist economy. Grounded in archival research supplemented by interviews, and adopting a historico-critical method, the book identifies and examines the significance of an enduring feature of women’s journey: their instrumental use as tropes in struggles between groups of men opposed to one another during political crises. It demonstrates that despite being central to contentious political issues, women’s needs and aspirations were obscured just as their voices have traditionally been silenced. This new edition is thoroughly updated throughout to connect the original material to major political disruptions in the twenty-first century, such as the 9/11 attacks on New York and events around the "Arab Spring." The book foregrounds women’s determination to forge ahead, as well as their activism, which led to progress in fighting rape and other forms of violence made banal in the wake of the civil war (1992–2002). It also calls for a "decolonization" of concepts and theoretical systems used in accounting for women’s lived reality, and a questioning of facile postfeminist discourses in their manifold expressions.