From a gay man secretly mourning his lover's suicide in Morocco to a young woman denied schooling because of religious discrimination in Iran, Arab Spring Dreams spotlights some of the Middle East's most outspoken young dissidents. The essayists cover a wide range of experiences, including premarital sex, the lack of educational opportunities, teenage marriage, and the fight for political freedom. They also highlight how repressive laws and cultural mores snuff out liberty and stifle growth and consider how previous movements - particularly the American civil rights struggle - might be channeled to effect change in their own countries. Beautifully written and profoundly moving, these stories present a decisive call for change at a crucial point in the evolution of the Middle East.

The Arab Spring promised to end dictatorship and bring self-government to people across the Middle East. Yet everywhere except Tunisia it led to either renewed dictatorship, civil war, extremist terror, or all three. In The Arab Winter, Noah Feldman argues that the Arab Spring was nevertheless not an unmitigated failure, much less an inevitable one. Rather, it was a noble, tragic series of events in which, for the first time in recent Middle Eastern history, Arabic-speaking peoples took free, collective political action as they sought to achieve self-determination.

About the separate trajectories of the Levant, the Gulf, Egypt and the Maghreb after the Arab Spring uprisings

This pioneering explanation of the Arab Spring will define a new era of thinking about the Middle East. In this landmark book, Hamid Dabashi argues that the revolutionary uprisings that have engulfed multiple countries and political climes from Morocco to Iran and from Syria to Yemen, were driven by a 'Delayed Defiance' - a point of rebellion against domestic tyranny and globalized disempowerment alike - that signifies no less than the end of Postcolonialism. Sketching a new geography of liberation, Dabashi shows how the Arab Spring has altered the geopolitics of the region so radically that we must begin re-imagining the 'the Middle East'. Ultimately, the 'permanent revolutionary mood' Dabashi brilliantly explains has the potential to liberate not only those societies already ignited, but many others through a universal geopolitics of hope.

This volume offers a new and expanded history of the documentary form across a range of times and contexts, featuring original essays by leading historians in the field In a contemporary media culture suffused with competing truth claims, documentary media have become one of the most significant means through which we think in depth about the past. The most rigorous collection of essays on nonfiction film and media history and historiography currently available, A Companion to Documentary Film History offers an in-depth, global examination of central historical issues and approaches in documentary, and of documentary's engagement with historical and contemporary topics, debates, and themes. The Companion's twenty original essays by prominent nonfiction film and media historians challenge prevalent conceptions of what documentary is and was, and explore its growth, development, and function over time. The authors provide fresh insights on the mode's reception, geographies, authorship, multimedia contexts, and movements, and address documentary's many aesthetic, industrial, historiographical, and social dimensions. This authoritative volume: Offers both historical specificity and conceptual flexibility in approaching nonfiction and documentary media Explores documentary's multiple, complex geographic and geopolitical frameworks Covers a diversity of national and historical contexts, including Revolution-era Soviet Union, post-World War Two Canada and Europe, and contemporary China Establishes new connections and interpretive contexts for key individual films and film movements, using new primary sources Interrogates established assumptions about documentary authorship, audiences, and documentary's historical connection to other media practices. A Companion to Documentary Film History is an ideal text for undergraduate and graduate courses covering documentary or nonfiction film and media, an excellent supplement for courses on national or regional media histories, and an important new resource for all film and media studies scholars, particularly those in nonfiction media.

"Wright has long been one of the best-informed American journalists covering the Middle East, and her reputation is born out here....Her book will be essential reading for anybody who wants to know where it is heading." -The New York Times Book Review The transformation of the Middle East is an issue that will absorb-and challenge-the world for generations to come. Dreams and Shadows is the book to read to understand the sweeping political and cultural changes that have occurred in recent decades. Drawing on thirty-five years of reporting in two dozen countries, including Israel, Palestine, Iran, Egypt, and Syria, through wars, revolutions, and uprisings as well as the birth of new democracy movements and a new generation of activists, award-winning journalist and Middle East expert Robin Wright has created a masterpiece of the reporter's art and a work of profound and enduring insight into one of the most confounding areas of the world.

Call it the year of dreaming dangerously: 2011 caught the world off guard with a series of shattering events. While protesters in New York, Cairo, London, and Athens took to the streets in pursuit of emancipation, obscure destructive fantasies inspired the world’s racist populists in places as far apart as Hungary and Arizona, achieving a horrific consummation in the actions of mass murderer Anders Breivik. The subterranean work of dissatisfaction continues. Rage is building, and a new wave of revolts and disturbances will follow. Why? Because the events of 2011 augur a new political reality. These are limited, distorted—sometimes even perverted—fragments of a utopian future lying dormant in the present