'Outstanding, illuminating, compelling ... a riveting read' Peter Frankopan, Sunday Times Islamic civilization was once the envy of the world. From a succession of glittering, cosmopolitan capitals, Islamic empires lorded it over the Middle East, North Africa, Central Asia and swathes of the Indian subcontinent. For centuries the caliphate was both ascendant on the battlefield and triumphant in the battle of ideas, its cities unrivalled powerhouses of artistic grandeur, commercial power, spiritual sanctity and forward-looking thinking. Islamic Empires is a history of this rich and diverse civilization told through its greatest cities over fifteen centuries, from the beginnings of Islam in Mecca in the seventh century to the astonishing rise of Doha in the twenty-first. It dwells on the most remarkable dynasties ever to lead the Muslim world - the Abbasids of Baghdad, the Umayyads of Damascus and Cordoba, the Merinids of Fez, the Ottomans of Istanbul, the Mughals of India and the Safavids of Isfahan - and some of the most charismatic leaders in Muslim history, from Saladin in Cairo and mighty Tamerlane of Samarkand to the poet-prince Babur in his mountain kingdom of Kabul and the irrepressible Maktoum dynasty of Dubai. It focuses on these fifteen cities at some of the defining moments in Islamic history: from the Prophet Mohammed receiving his divine revelations in Mecca and the First Crusade of 1099 to the conquest of Constantinople in 1453 and the phenomenal creation of the merchant republic of Beirut in the nineteenth century.

Sexual desire has long played a key role in Western judgments about the value of Arab civilization. In the past, Westerners viewed the Arab world as licentious, and Western intolerance of sex led them to brand Arabs as decadent; but as Western society became more sexually open, the supposedly prudish Arabs soon became viewed as backward. Rather than focusing exclusively on how these views developed in the West, in Desiring Arabs Joseph A. Massad reveals the history of how Arabs represented their own sexual desires. To this aim, he assembles a massive and diverse compendium of Arabic writing from the nineteenth century to the present in order to chart the changes in Arab sexual attitudes and their links to Arab notions of cultural heritage and civilization. A work of impressive scope and erudition, Massad’s chronicle of both the history and modern permutations of the debate over representations of sexual desires and practices in the Arab world is a crucial addition to our understanding of a frequently oversimplified and vilified culture. “A pioneering work on a very timely yet frustratingly neglected topic. . . . I know of no other study that can even begin to compare with the detail and scope of [this] work.”—Khaled El-Rouayheb, Middle East Report “In Desiring Arabs, [Edward] Said’s disciple Joseph A. Massad corroborates his mentor’s thesis that orientalist writing was racist and dehumanizing. . . . [Massad] brilliantly goes on to trace the legacy of this racist, internalized, orientalist discourse up to the present.”—Financial Times

This book discusses Arab history, law, philosophy, politics, and literature, analyzing the challenges and responses aroused by the interaction between Western culture and the ancient and modern Arab cultures. It offers a wealth of information on the forces that have shaped Arab civilization and on several of the major figures who have contributed to its development. Some of the outstanding contributions include a comprehensive study of Dr. Zurayk as the advocate of rationalism in modern Arab thought by Hani A. Faris; a sober but challenging look at the use of Islamic history in our time by Muhsin Mahdi; an analysis of the expression of historicity in the Koran by Jacques Berque; an explanation of the concept of equity in Islamic law by Majid Khadduri; and the revelation of a Mamluk Magna Carta by Aziz Sourial Atiya.

Chronicles the history of Arab civilization, looking at the beauty of the great mosques, the importance attached to education, the achievements of Arab science, the role of women, internal conflicts, and the Palestinian question.

Irfan Ahmad makes the far-reaching argument that potent systems and modes for self-critique as well as critique of others are inherent in Islam--indeed, critique is integral to its fundamental tenets and practices. Challenging common views of Islam as hostile to critical thinking, Ahmad delineates thriving traditions of critique in Islamic culture, focusing in large part on South Asian traditions. Ahmad interrogates Greek and Enlightenment notions of reason and critique, and he notes how they are invoked in relation to "others," including Muslims. Drafting an alternative genealogy of critique in Islam, Ahmad reads religious teachings and texts, drawing on sources in Hindi, Urdu, Farsi, and English, and demonstrates how they serve as expressions of critique. Throughout, he depicts Islam as an agent, not an object, of critique. On a broader level, Ahmad expands the idea of critique itself. Drawing on his fieldwork among marketplace hawkers in Delhi and Aligarh, he construes critique anthropologically as a sociocultural activity in the everyday lives of ordinary Muslims, beyond the world of intellectuals. Religion as Critique allows space for new theoretical considerations of modernity and change, taking on such salient issues as nationhood, women's equality, the state, culture, democracy, and secularism.

An Introduction to Modern Arab Culture exposes readers to fundamental characteristics of the Arab people, their culture, and their society. Over the course of 13 chapters, readers learn about the emergence and influence of Islam in Arab culture, religious and ethnic minorities within the Arab world, the critical role of family in Arab life, and the origin and evolution of the Arabic language. Dedicated chapters provide an introduction to the religion of Islam and the Qur'an, and an exploration of Islamic communities throughout the ages. Additional chapters explore Arab poetry, literature, music, values, and thought, revealing the impact of major artworks and their creators on Arab life and tradition. The final chapters address the Arab Spring, the ongoing Syrian refugee crisis, and contemporary challenges and opportunities. An Introduction to Modern Arab Culture introduces readers to aspects of Arab culture while demonstrating how these facets intertwine to create a unique tapestry of identity, experience, and history. The book is well suited to courses in Middle East culture and history, politics, thought, literature, religion, and language, and courses in sociology, anthropology, and cultural studies.