- Showcases the work of internationally acclaimed German artist A.R. Penck (1939-2017). 2019 marks 80 years since his birth; it is also the 30-year-anniversary of the end of the Cold War- The project honors an important artist who emigrated from East to West Germany and whose work addresses issues facing modern man in society- Published to accompany a show at the Ashmolean, Oxford, from 27 June to 3 November, 2019The artistic language of A.R. Penck (1936-2017) - characterised by brusquely and expressively painted signs and 'primitive' symbols - is instantly recognisable. Abiding interests in systems theory and cybernetics, as well as pre-historic cultures and science fiction, guided his art toward an investigation of the relationships between man and society's power systems. His prolific artistic output was primarily driven by his desire to create a universal artistic language that addresses the issues facing modern man. This publication accompanies A.R. Penck's first solo exhibition in Oxford. It features works created between 1970 and 1990 and introduces his art to an audience that might be unfamiliar with it by focussing on the artist's signature motif of the Standart stick figure in its diverse forms. The artist was born as Ralf Winkler in Dresden, East Germany. Rejected by the establishment for the decidedly un-academic style of his works and their political overtones, he persisted as an 'underground' autodidact in what was then the GDR. He adopted the pseudonym A.R. Penck to counter difficulties with East German authorities who banned his works from public exhibition. With the aid of friends, his works were smuggled to West Germany, where they were exhibited for the first time in 1968 in Cologne. In 1980, Penck emigrated to the West, first living outside Cologne, then in London and Ireland, often dividing his time between different locations.

"This is the first full-length monograph on A. R. Penck, one of the leading artists to emerge from postwar Germany...Included in this monograph are extensive biographical information and a selection of Penck's own writings."--book jacket.

The exhibition gives an impression of a period of about forty years of the artist's work.

The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.