Appropriating Gender explores the paradoxical relationship of women to religious politics in India, Pakistan, Sri Lanka, and Bangladesh. Contrary to the hopes of feminists, many women have responded to religious nationalist appeals; contrary to the hopes of religious nationalists, they have also asserted their gender, class, caste, and religious identities; contrary to the hopes of nation states, they have often challenged state policies and practices. Through a comparative South Asia perspective, Appropriating Gender explores the varied meanings and expressions of gender identity through time, by location, and according to political context. The first work to focus on women's agency and activism within the South Asian context, Appropriating Gender is an outstanding contribution to the field of gender studies.

Appropriating Gender explores the paradoxical relationship of women to religious politics in India, Pakistan, Sri Lanka, and Bangladesh. Contrary to the hopes of feminists, many women have responded to religious nationalist appeals; contrary to the hopes of religious nationalists, they have also asserted their gender, class, caste, and religious identities; contrary to the hopes of nation states, they have often challenged state policies and practices. Through a comparative South Asia perspective, Appropriating Gender explores the varied meanings and expressions of gender identity through time, by location, and according to political context. The first work to focus on women's agency and activism within the South Asian context, Appropriating Gender is an outstanding contribution to the field of gender studies.

DIVA consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity./div

This book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts.

Focussing On Women`S Agency And Activism Within The South Asian Contexts This Volume Is An Outstanding Contribution To The Field Of Gender Studies.

"This collection of essays demonstrates vividly how and why the life and writings of Kartini spark different meanings to different people across different continents and times for a wide range of reasons. Truly engaging and enlightening."—Professor Dr Ariel Heryanto, Herb Feith Professor for the Study of Indonesia at Monash University, and author of Identity and Pleasure: The Politics of Indonesian Screen Culture "An icon of colonial Indonesia and a postcolonial intellectual avant la lettre, Kartini straddles the subtle terrain between feminism, politics and memory. This beautifully crafted volume goes beyond the analysis of Kartini’s contested legacy as a national figure. It instead engages in an original way with Kartini as a highly remediated transnational celebrity, who has become a 'floating signifier'. This volume’s timely contribution is to reposition Kartini’s life, legacy and afterlife within the intersectional dynamics of gender, race, class, religion and sexuality that so shaped the origin, interpretation and impact of the 'Javanese princess' across time and space."—Professor Dr Sandra Ponzanesi, Professor of Gender and Postcolonial Studies, Utrecht University, The Netherlands, and author of The Postcolonial Cultural Industry: Icons, Markets, Mythologies "This rich collection of essays on the appropriation of Indonesian national heroine and international feminist icon Kartini provides an incisive insight into the multiple ways her brilliant letters have been read, interpreted and used. Progressive colonial administrators, anti-colonial nationalists, socialist feminists and conservative feminists during the military dictatorship of President Suharto alike appropriated her life and work to further their own divergent causes. I hope this anthology stimulates the (re) reading of the inspiring and still highly relevant words of this gifted, complex, rebellious Javanese woman, who died in childbirth at such a young age."—Professor Dr Saskia E. Wieringa, Professor of Gender and Women’s Same-sex Relations Cross-culturally, University of Amsterdam, author of Sexual Politics in Indonesia, and co-founder of the Kartini Asia Network

From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores: multiple definitions and practices of adaptation and appropriation the cultural and aesthetic politics behind the impulse to adapt the global and local dimensions of adaptation the impact of new digital technologies on ideas of making, originality and customization diverse ways in which contemporary literature, theatre, television and film adapt, revise and reimagine other works of art the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens, and others, but also of literary archetypes such as myth or fairy tale. Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture.