Throughout history philosophers have relentlessly pursued what may be called "inaccessible domains." This book explores how the traditions of existential phenomenology relate to Freudian psychoanalysis. A clear, succinct, and systematic account of the philosophical presuppositions of psychoanalytic theory and practice, this work offers a deeper and richer understanding and appreciation of Freudian thought, as well as its antecedents and influences. With its unique perspective on Freud's work, Apprehending the Inaccessible puts readers in a better position to appreciate his contributions and evaluate the relationship between his and other philosophical world views. The authors, both of whom have extensive backgrounds in philosophy and psychology, present balanced critical analyses of crucial developments in, for example, the evolution of the Freudian notion of the unconscious, and the engagement of existential phenomenology with Freudian psychoanalysis. Askay and Farquhar then consider—often for the first time—individual thinkers' reflections on and interpretations of Freud, ranging from the primary figures in existential phenomenology to the most prominent figures in the existential psychoanalytic movement. Even as their work offers a new approach to Freudian thought, it reasserts the importance of alternative views found in existential phenomenology as those views pertain to psychoanalysis and the question of apprehending the inaccessible.

Time and timelessness are fundamental principles of psychoanalysis yet Freud does not present a consolidated theory of temporality. In this book Kelly Noel-Smith pieces together Freud's scattered 'hints' and 'suspicions' about time and its negative, timelessness. She traces a careful temporal trail through Freud’s published works and his daunting Nachlass, and provides a compelling reason as to why Freud kept his remarkable thoughts about time to himself.

As Jewish writers, artists, and intellectuals made their way into Western European and Anglo-American cultural centers, they encountered a society obsessed with decadence. An avant-garde movement characterized by self-consciously artificial art and literature, philosophic pessimism, and an interest in nonnormative sexualities, decadence was also a smear, whereby Jews were viewed as the source of social and cultural decline. In The Jewish Decadence, Jonathan Freedman argues that Jewish engagement with decadence played a major role in the emergence of modernism and the making of Jewish culture from the 1870s to the present. The first to tell this sweeping story, Freedman demonstrates the centrality of decadence to the aesthetics of modernity and its inextricability from Jewishness. Freedman recounts a series of diverse and surprising episodes that he insists do not belong solely to the past, but instead reveal that the identification of Jewishness with decadence persists today.

Volume XVI Phenomenology of Emotions, Systematical and Historical Perspectives Aim and Scope: The New Yearbook for Phenomenology and Phenomenological Philosophy provides an annual international forum for phenomenological research in the spirit of Husserl's groundbreaking work and the extension of this work by such figures as Scheler, Heidegger, Sartre, Levinas, Merleau-Ponty and Gadamer. Contributors: Esteban Marín Ávila, Thiemo Breyer, Jakub Čapek, Mariano Crespo, Roberta De Monticelli, John J. Drummond, Søren Engelsen, Maria Gyemant, Mirja Hartimo, Elisa Magrì, Ronny Miron, Anthony J. Steinbock, Panos Theodorou, Íngrid Vendrell Ferran, Antonio Zirión Quijano, and Nate Zuckerman. Submissions: Manuscripts, prepared for blind review, should be submitted to the Editors ([email protected] and [email protected]) electronically via e-mail attachments.

Elliot R. Wolfson is Professor of Religious Studies and the Marsha and Jay Glazer Chair of Jewish Studies at the University of California, Santa Barbara. A scholar of Jewish mysticism and philosophy, he uses the textual sources of Judaism to examine universal philosophical topics such as the function and processes of the imagination, the paradoxes of temporality, and the mystery of poetic language. Working at the intersection of disciplines and refusing to reduce texts to their simple historical contexts, Wolfson puts texts spanning diverse temporal, cultural, and religious periods in creative counterpoint. His sensitivity to language reveals its fragility as it simultaneously points to the uncertainty of meaning. The result is a creative reading of both Judaism and philosophy that informs and is informed by poetic sensibility and philosophical hermeneutics.

Preliminary Material -- Introduction -- Cast of Characters -- Play Setting -- Of Philosophers and Madmen -- On the Nature of Humans: Sigmund Freud -- Finding Oneself in Heidegger's Early Philosophy -- Stemming the Tide: Martin Heidegger's Critique of Freudian Psychoanalysis -- A Creative Misunderstanding: Ludwig Binswanger -- In Search of a Humanistic Grounding for Psychoanalysis: Medard Boss -- Toward an Integration of Psychoanalysis and Phenomenological Ontology -- Bibliography.

The problem of the will has long been viewed as central to Heidegger's later thought. Focusing on this problem, this book aims to clarify key issues from the philosopher's later period, and demonstrates how his so-called "turn" is not a simple "turnaround" from voluntarism to passivism.