Apples and Ashes offers the first literary history of the Civil War South. The product of extensive archival research, it tells an expansive story about a nation struggling to write itself into existence. Confederate literature was in intimate conversation with other contemporary literary cultures, especially those of the United States and Britain. Thus, Coleman Hutchison argues, it has profound implications for our understanding of American literary nationalism and the relationship between literature and nationalism more broadly. Apples and Ashes is organized by genre, with each chapter using a single text or a small set of texts to limn a broader aspect of Confederate literary culture. Hutchison discusses an understudied and diverse archive of literary texts including the literary criticism of Edgar Allan Poe; southern responses to Uncle Tom's Cabin; the novels of Augusta Jane Evans; Confederate popular poetry; the de facto Confederate national anthem, “Dixie”; and several postwar southern memoirs. In addition to emphasizing the centrality of slavery to the Confederate literary imagination, the book also considers a series of novel topics: the reprinting of European novels in the Confederate South, including Charles Dickens's Great Expectations and Victor Hugo's Les Misérables; Confederate propaganda in Europe; and postwar Confederate emigration to Latin America. In discussing literary criticism, fiction, poetry, popular song, and memoir, Apples and Ashes reminds us of Confederate literature's once-great expectations. Before their defeat and abjection—before apples turned to ashes in their mouths—many Confederates thought they were in the process of creating a nation and a national literature that would endure.

Since the early 1990s, there has been a proliferation of memoirs by tenured humanities professors. Although the memoir form has been discussed within the flourishing field of life writing, academic memoirs have received little critical scrutiny. Based on close readings of memoirs by such academics as Michael Bérubé, Cathy N. Davidson, Jane Gallop, bell hooks, Edward Said, Eve Sedgwick, Jane Tompkins, and Marianna Torgovnick, Academic Lives considers why so many professors write memoirs and what cultural capital they carry. Cynthia G. Franklin finds that academic memoirs provide unparalleled ways to unmask the workings of the academy at a time when it is dealing with a range of crises, including attacks on intellectual freedom, discontentment with the academic star system, and budget cuts. Franklin considers how academic memoirs have engaged with a core of defining concerns in the humanities: identity politics and the development of whiteness studies in the 1990s; the impact of postcolonial studies; feminism and concurrent anxieties about pedagogy; and disability studies and the struggle to bring together discourses on the humanities and human rights. The turn back toward humanism that Franklin finds in some academic memoirs is surreptitious or frankly nostalgic; others, however, posit a wide-ranging humanism that seeks to create space for advocacy in the academic and other institutions in which we are all unequally located. These memoirs are harbingers for the critical turn to explore interrelations among humanism, the humanities, and human rights struggles.

From Scarlett Dawn comes the stunning, sexy, sensual, surprising, spellbinding conclusion to the first saga in the bestselling Forever Evermore trilogy. Queen Shifter, Lily Ruckler, has found solace in brutal warfare. Her bloodied fists and bared fangs fill the holes left in her memory, the blank spaces that leave her soul aching and empty. Her only pleasure is in blood; her only salvation is the relationship she has with her infant child, the baby of unknown origins who brings her solace and stability. When Elder Harcourt summons Lily and her protector Antonio back to the United States, Lily thinks nothing unusual about the change of location. But a standard reconnaissance mission leaves her trapped inside King Zeller's private quarters, and at his mercy. Surprise attraction rapidly turns to a battle of wills and an intense power struggle that leaves no clear victor but plenty of resentment. They are not allowed to nurse their wounds. In order to win the war against the Commoners, the King Vampire and Queen Shifter must work together. It should be easy. The war is turning, the battle is deadly, and both Lily and Ezra love the cold cleanliness of combat. But their chance meeting has led to more than an unlikely alliance. Secrets have a way of surfacing, especially on a torn-up battlefield, and Lily and Ezra are about to re-learn all they cannot remember. If they can't control their emotions and responses, it will be to their own ruin and the destruction of everything around them.

Paperback edition of the number one best-seller that made Bill Cullen a household name. The Bill Cullen story is an account of incredible poverty and deprivation in the Dublin slums. It highlights the frustration of a mother and father feeling their relationship crumble as they fight to give their children a better life. It's a story of courage, joy and happiness. Of how a mother gave inspiration and values to her children saying, 'The best thing I can give you is the independence to stand on your own feet'.

Death this way comes to souls who break Fae law. So it is written. So carved in blood. Mighty are the Fae who watch us all. I'm screwed. Royally screwed. Of all the ways to mess up, I picked a real gem this time-of the hot shifter sort. Especially because I'm the crowned elven princess.A forbidden soul mating with the cruel King Athon was not why I attended the royal summit of magical races. Our kinds do not mix, as is written in death-blood. And I'll be damned before I let some arrogant alpha tell me what to do, and for once I'm not talking about my father.Now, I'm on the quest of a lifetime.My crew of accomplices-sworn enemies. Including King Athon and my father. Our mission-retrieve ancient artifacts lost forever. Good luck there. And if we fail? No worries. The giants will crush the realm.Between all the secrets and lies, my name is Trixie Towers; and that's the only truth that won't get me dead.

Mirror Mirror on the Wall-because of you, a kingdom falls.When Ember's mother makes a deal with a fae, she betraysher own people and puts a death mark on her daughter's head.Ember has nowhere to hide.Her life falls on the kindness of dwarves.But while she finds sanctuary with the underground folk,her people suffer, and will eventually succumb to the painfuldeath that the price of magic demands-where even the soil of the earth turns to ash.Unless Ember can save them.Armed with only the life lessons from her Dwarven family,Ember must overthrow her own mother and discoverwhere true love and loyalty lies

"A memoir about childhood, relilience, and the trumphant power of storytelling."--From back cover.