By examining some early poetic understandings of what it might have meant to be Vergil, Ovid, and Tibullus, this volume explores what those authors meant to near-contemporaries, and what the construction of authorship they were a part of meant to the later western tradition.

The pseudonymous Appendix Ovidiana--which includes nature, erotic, and religious poetry--reflects different understandings of an admired Classical poet and expands his legacy through the Middle Ages. This is the first comprehensive collection and English translation of these medieval Latin verses ascribed to Ovid.

The use of ordeals and sworn oaths to prove one's innocence invites trickery. The guilty trickster cannot influence the judgment of the divine powers, but he can--by disguise or by equivocation in wording the oath--create a presumption of innocence. Ralph Hexter surveys the varieties of such stories in a number of folk literatures and looks at the use of this motif in three important medieval story cycles, with special attention to the way Christian writers handled story material based on a pre-Christian act of truth.

This book explores the extraordinary influence of Ovid upon the culture - learned, literary, artistic and popular - of medieval Europe.

Comprising fifteen books and over two hundred and fifty myths, Ovid's Metamorphoses is one of the longest extant Latin poems from the ancient world and one of the most influential works in Western culture. It is an epic on desire and transgression that became a gateway to the entire world of pagan mythology and visual imagination. This, the first complete commentary in English, covers all aspects of the text – from textual interpretation to poetics, imagination, and ideology – and will be useful as a teaching aid and an orientation for those who are interested in the text and its reception. Historically, the poem's audience includes readers interested in opera and ballet, psychology and sexuality, myth and painting, feminism and posthumanism, vegetarianism and metempsychosis (to name just a few outside the area of Classical Studies).

An NPR Best Book of 2022 One of The Millions' Most Anticipated Books of 2022 A CrimeReads Most Anticipated Crime Fiction of 2022 Selection "Ingenious.…a superb literary suspense novel that calls to mind an earlier such debut, Donna Tartt’s The Secret History." —Maureen Corrigan, Washington Post A contemporary reimagining of the Daphne and Apollo myth, The Latinist is a page-turning exploration of power, ambition, and the intertwining of love and obsession. Tessa Templeton has thrived at Oxford University under the tutelage and praise of esteemed classics professor Christopher Eccles. And now, his support is the one thing she can rely on: her job search has yielded nothing, and her devotion to her work has just cost her her boyfriend, Ben. Yet shortly before her thesis defense, Tessa learns that Chris has sabotaged her career—and realizes their relationship is not at all what she believed. Driven by what he mistakes as love for Tessa, Chris has ensured that no other institution will offer her a position, keeping her at Oxford with him. His tactics grow more invasive as he determines to prove he has her best interests at heart. Meanwhile, Tessa scrambles to undo the damage—and in the process makes a startling discovery about an obscure second-century Latin poet that could launch her into academic stardom, finally freeing her from Chris’s influence. A contemporary reimagining of the Daphne and Apollo myth, The Latinist is a page-turning exploration of power, ambition, and the intertwining of love and obsession.

What do forgeries do? Forgery Beyond Deceit: Fabrication, Value, and the Desire for Ancient Rome explores that question with a focus on forgery in ancient Rome and of ancient Rome. Its chapters reach from antiquity to the twentieth century and cover literature and art, the two areas thatpredominate in forgery studies, as well as the forgery of physical books, coins, and religious relics. The book examines the cultural, historical, and rhetorical functions of forgery that extend beyond the desire to deceive and profit. It analyses forgery in connection with related phenomena likepseudepigraphy, fakes, and copies; and it investigates the aesthetic and historical value that forgeries possess when scholarship takes seriously their form, content, and varied uses within and across cultures. Of particular interest is the way that forgeries embody a desire for the ancient and forthe recovery of the fragmentary past of ancient Rome.