Appalachian Mountain Girl is a sensitive and beautifully written autobiographical account of a childhood in the coalmine district of Depression-era Kentucky. With humor and warmth—but without sentimentality—Rhoda Warren recounts the lives of these mining people whose religion and family values buttressed and sustained them. As a young girl, Rhoda began to catch glimpses of the world outside her narrow mountain community through the stories in True Confessions magazine and the pictures in the Montgomery Ward catalog—which to her seemed like “visions of a fairy world.” When Rhoda married and moved to a small town in New York State, it seemed that her dreams of a better life had been realized. Yet scenes of Letcher always “hovered in the back roads of her memory.” When she revisited her homeland, this time as a New Yorker, Rhoda found that Letcher was no longer the place of her memories.

In the compelling memoir, Rhoda Warren, whose father was a miner, introduces us to Letcher, KY in 1930. She takes us inside this isolated community, whose denizens lived difficult, poverty-stricken lives. This is the story of the Bailey family's escape from the grueling Corbin Glow mines to find a better life in Letcher--"The prettiest place in the world." Rhoda Warren's account is three-dimensional: with humor and warmth, but without sentimentality. She recounts the lives of these mining people whose religion and "family values" buttressed and sustained them.

"The Mountain Girl" by Payne Erskine follows David Thryng, the third son of a British family. Unwilling to marry into money without love, and unwilling to spill blood on the battlefield as a soldier, he decides to become a doctor. He travels to Canada to study, but when he becomes ill, his mentor sends him to recuperate at his cabin, perched high in the mountains of North Carolina. That's where the mystery of the Mountain Girl comes to find him.

Introduction: Dolly mythology -- "Backwoods Barbie": Dolly Parton's gender performance -- My Tennessee mountain home: early Parton and authenticity narratives -- Parton's crossover and film stardom: the "hillbilly Mae West"--Hungry again: reclaiming country authenticity narratives -- "Digital Dolly" and new media fandoms -- Conclusion: brand evolution and Dollywood

Most Americans know Appalachia through stereotyped images: moonshine and handicrafts, poverty and illiteracy, rugged terrain and isolated mountaineers. Historian David Hsiung maintains that in order to understand the origins of such stereotypes, we must look critically at their underlying concepts, especially those of isolation and community. Hsiung focuses on the mountainous area of upper East Tennessee, tracing this area's development from the first settlementin the eighteenth century to the eve of the Civil War. Through his examination, he identifies the different ways in which the region's inhabitants were connected to or separated from other peoples and places. Using an interdisciplinary framework, he analyzes geographical and sociocultural isolation from a number of perspectives, including transportation networks, changing economy, population movement, and topography. This provocative work will stimulate future studies of early Appalachia and serve as a model for the analysis of regional cultures.

Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender has shaped the way that music is made and heard. In addition to shedding new light on such legends as Wells, Parton, Loretta Lynn, and Charley Pride, it traces more recent shifts in gender politics through the performances of such contemporary luminaries as Swift, Gretchen Wilson, and Blake Shelton. The book also explores the intersections of gender, race, class, and nationality in a host of less expected contexts, including the prisons of WWII-era Texas, where the members of the Goree All-Girl String Band became the unlikeliest of radio stars; the studios and offices of Plantation Records, where Jeannie C. Riley and Linda Martell challenged the social hierarchies of a changing South in the 1960s; and the burgeoning cities of present-day Brazil, where "college country" has become one way of negotiating masculinity in an age of economic and social instability.

Appalachian women have been the subject of song, story, and report for nearly two centuries. Now for the first time a fully annotated bibliography makes accessible this large body of literature. Works covered include novels, short stories, magazine articles, manuscripts, dissertations, surveys, and oral history tapes—altogether over 1,200 items. The annotated listings are grouped under broad subject headings, including biography, coal mining, education, fiction, health care, industry, migrants, music, poetry, and religion. An author/title/subject index provides easy access to the listings.