The first in a series of books that have taken Europe by storm and are soon to be filmed, featuring a chemist-turned-sleuth who battles ignorance and superstition—as well as killers—in a beautiful setting and in a gripping and mysterious era of historyThe Apothecary Melchior series plunges the reader into 15th-century Tallinn when Estonia is at the edge of Christian lands and the last foothold before the East: a town of foreign merchants and engineers, dominated by the mighty castle of Toompea and the construction of St Olaf's Church, soon to become the tallest building in the world. Apothecary Melchior is a divisive figure in the town: respected for his arcane knowledge and scientific curiosity but also slightly feared for his mystical witch-doctor aura. When a mysterious murder occurs in the castle, Melchior is called in to help find the killer and reveals a talent for detection. But Tallinn has a serial killer in its midst, and Melchior is tested to the limit in a plot with as many twists and turns as the turreted castle itself. Melchior uncovers a mystery surrounding St Olaf's and a secret society that has been controlling the town for years, uncovering truths about the town that may spell danger.

Tallinn, 1419. What links the Keeper of the Tower, a prostitute and a Flemish painter to a haunted house on Rataskaevu Street? All three claim to have seen a ghost near the house, and each is found dead soon afterwards. Melchior Wakenstede, apothecary and assistant bailiff, is charged with unearthing the truth. With a cultivated sense for justice, Melchior investigates the deaths and attempts to find out whether, as the denizens of medieval Tallinn believe, ghosts can reap their revenge upon the living. When a powerful merchant dies, Melchior perceives a corporeal connection between this and the other deaths. As Melchior becomes embroiled in the conflicts and rivalries between religious orders, merchant guilds and Teutonic Knights, all vying with one another for control of the town, what he discovers is more incredible and more terrible than any ghost.

Medievalism and medieval medicine are vibrant subfields of medieval studies, enjoying sustained scholarly attention and popularity among undergraduates. Popular perceptions of medieval medicine, however, remain understudied. This book aims to fill that lacuna by providing a multifaceted study of medical medievalism, defined as modern representations of medieval medicine intended for popular audiences. The volume takes as its starting point the fictional medieval detective Brother Cadfael, whose observations on bodies, herbs, and death have shaped many popular conceptions of medieval medicine in the Anglophone world. The ten contributing authors move beyond Cadfael by exploring global medical medievalisms in a range of genres and cultural contexts. Beyond Cadfael is organized into three sections, the first of which engages with how disease, injury, and the sick are imagined in fictitious medieval worlds. The second, on doctors at work, looks at medieval medical practice in novels, films and television, and public commemorative practice. These essays examine how practitioners are represented and imagined in medieval and pseudo-medieval worlds. The third section discusses medicine designed for and practiced by women in the Middle Ages and today, with a focus on East Asian medical traditions. These essays are guided by the recognition that medieval medical practices are often in dialogue with contemporary medical practices that fall outside the norms of Western biomedicine.

Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer

Timo von Bock's release by the Czar from nine years' incarceration does not spell the end of the Baron's troubles: he is confined to his Livonian estate to live under the constant eye of police informers planted among his own household, and is subjected to endless humiliations. It is claimed that he is a madman and in need of "protection:" a man would need to be insane, after all, to have taken a Czar at his word when asked for a candid appraisal of the state's infirmities. From the year of his release from prison and return to his wife Eeva, a woman of peasant stock to whom, with her brother Jakob, he has given a solid education, the Baron's life is recorded in a secret journal by this same Jakob, a shrewd and observant house-guest. Reconstructing the events leading up to the Baron's incarceration in 1818 and subsequent to his release in 1827, Jakob little by little brings to light mysteries surrounding the "Czar's madman." Was his madness genuine? What was the secret understanding between him and his boon companion Czar Alexander I, who committed him to prison? In The Czar's Madman, Jaan Kross weaves together the elements of intrigue surrounding those historical characters who survived in post-Napoleonic Russia, and by a skillful shifting of chronology and viewpoints, creates a superbly rich and moving narrative.