With his best and craziest days behind him, a Florida call center employee struggles through mind-numbing drudgery day after day--but he just might have a way to reclaim the madness and his former life. The zombie apocalypse is over. The humans have won. Life is back to normal. And Rip is bored as hell. It's not much of a life sitting in a call center in the poor town of Spanish Shanty, Florida, answering emails like a drone and listening to customer complaints. Rip was ruler of a tiny kingdom in the Lazy River waterpark, killing zombies by day and making passionate love at night. He misses the danger, the camaraderie, and the blistering love he once knew. He longs to feel Santana--his trusty machete--in his hand, and Davia--the fiercest woman alive--in his arms once again. He can still picture it-- life on the razor's edge--and he would do anything to get that feeling back. But what if Rip could get it back? He's totally desperate. Not normal desperate--more like ready-to-restart-the-apocalypse desperate. Condemning humanity to a repeat merely for an adrenaline rush is probably not a good idea. But life at the call center is nothing more than a slow death, and Rip might not be able to go on without trying to find out.

To many Christians the Book of Revelations is virtually a closed book. Occasionally a Preacher may borrow a text from it on which to base an address, but systematic exposition of the Apocalypse is rare in the pulpit today. The reason is not far to seek.

2012 was a year of financial crises and ecological disasters, of endings and forebodings. The world did not end on December 21st as the Mayan calendar predicted, but became the stage for new beginnings, utopian communities, protest groups and solidarity movements. The essays in this book form an intertextual space for negotiating meaningful facts and fictions with an aim to understanding the present. Discussions focus on utopia and dystopia from literature and film, not only within the framework of science fiction but also critical theory, gender politics and social sciences. The authors of these essays are international academics whose interest lies in utopian studies and who attended the 13th International Conference of Utopian Studies, “The Shape of Things to Come”, held in Tarragona, Spain, in 2012.

It is the late twenty-first century, and Momo is the most celebrated dermal care technician in all of T City. Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she’s too busy for other relationships: her clients include some of the city’s best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality. First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes—heirloom animals, radiation-proof combat drones, sinister surveillance technologies—into a sensitive portrait of one young woman’s quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stands out for its queer and trans themes. The Membranes reveals the diversity and originality of contemporary speculative fiction in Chinese, exploring gender and sexuality, technological domination, and regimes of capital, all while applying an unflinching self-reflexivity to the reader’s own role. Ari Larissa Heinrich’s translation brings Chi’s hybrid punk sensibility to all readers interested in books that test the limits of where speculative fiction can go.

Despite wars with Iraq and Afghanistan, as well as 9/11, the United States’ dependence on foreign oil has kept the nation tied to the Middle East. A scientist has developed a cure for America’s addiction—a slow-acting virus that feeds on petroleum, turning it solid. But he didn’t consider that his contagion of an Iraqi oil field would spread to infect the fuel supply of the entire world… In Los Angeles, screenwriter Dave Marshall heard this scenario from a retired U.S. Marine and government insider who acted as a consultant on Dave’s last film. It sounded as implausible as many of his scripts, but the reality is much more frightening than anything he can envision. An ordinary guy armed with extraordinary information, Dave hopes his survivor’s instinct will kick in so he can protect his wife and daughter from the coming apocalypse that will alter the future of Earth—and humanity…

Publishers Weekly Top 10 Best of the Year In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague. Praise for Maureen F. McHugh: "Gorgeously crafted stories."—Nancy Pearl, NPR "Hauntingly beautiful."—Booklist "Unpredictable and poetic work."—The Plain Dealer Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.

On October 15 at 2:15 a.m. everyone on Earth vanished. Well, almost everyone. A scattered few woke alone in a world where there are no rules other than survival ... at any cost.