"Apocalypse and Millennium argues that far from being a random sequence of bizarre statements, millennial schemes (including the setting of dates for the second coming of Christ) are more often characterised by highly complex and internally consistent interpretations of scripture. Such interpretations do not always result in positive outcomes. As an example, the work of David Koresh is examined at length. Koresh, styled by some the 'Wacko from Waco', clearly had views which some would find odd. However, his interpretation of scripture did not lack system or context, and to see him in that light is to begin to understand why his message had appeal, particularly to those of the Seventh-day Adventist tradition. The final three chapters in this book outline Koresh's thinking on end-time events and trace the line of his interpretative tradition from nineteenth-century Millerism through Seventh-day Adventism and Davidianism (which began in 1929)."--BOOK JACKET.

In this highly accessible discussion, Bart Ehrman examines the most recent textual and archaeological sources for the life of Jesus, along with the history of first-century Palestine, drawing a fascinating portrait of the man and his teachings. Ehrman shows us what historians have long known about the Gospels and the man who stands behind them. Through a careful evaluation of the New Testament (and other surviving sources, including the more recently discovered Gospels of Thomas and Peter), Ehrman proposes that Jesus can be best understood as an apocalyptic prophet--a man convinced that the world would end dramatically within the lifetime of his apostles and that a new kingdom would be created on earth. According to Ehrman, Jesus' belief in a coming apocalypse and his expectation of an utter reversal in the world's social organization not only underscores the radicalism of his teachings but also sheds light on both the appeal of his message to society's outcasts and the threat he posed to Jerusalem's established leadership.

As we approach the Millennium, apocalyptic expectations are rising in North America and throughout the world. Beyond the symbolic aura of the millennium, this excitation is fed by currents of unsettling social and cultural change. The millennial myth ingrained in American culture is continually generating new movements, which draw upon the myth and also reshape and reconstruct it. Millennium, Messiahs, and Mayhem examines many types of apocalypticism such as economic, racialist, environmental, feminist, as well as those erupting from established churches. Many of these movements are volatile and potentially explosive. Millennium, Messiahs, and Mayhem brings together scholars of apocalyptic and millennial groups to explore aspects of the contemporary apocalyptic fervor in all orginal contributions. Opening with a discussion of various theories of apocalypticism, the editors then analyze how millennialist movements have gained ground in largely secular societal circles. Section three discusses the links between apocalypticism and established churches, while the final part of the book looks at examples of violence and confrontation, from Waco to Solar Temple to the Aum Shinri Kyo subway disaster in Japan. Contributors: James Aho, Dick Anthony, Robert Balch, Michael Barkun, John Bozeman, David Bromley, Michael Cuneo, John Dimitrovich, John Hall, Massimo Introvigne, Philip Lamy, Ronald Lawson, Martha Lee, Barbara Lynn Mahnke, Vanessa Morrison, Mark Mullins, Ansun Shupe, Susan Palmer, Thomas Robbins, Philip Schuyler and Catherine Wessinger.

Deals with one of the most mysterious passages from John’s Revelation, chapter 20, which describes the Millennial Kingdom. The book also features the analysis of the interpretative tradition for this prophesy based on the written sources, some of which are quoted for the first time for the purposes of this research.

The interrelationship of the ideas of apocalypse and millennium is a dominant concern of British Romanticism. The Book of Revelation provides a model of history in which apocalypse is followed by millennium, but in their various ways the major Romantic poets - Blake, Wordsworth, Coleridge, Byron, Keats, and Shelley - question and even at times undermine the possibility of a successful secularization of this model. No matter how confidently the sequence of apocalypse and millennium seems to be affirmed in some of the major works of the period, the issue is always in doubt: the fear that millennium may not ensue emerges as a significant, if often repressed, theme in the great works of the period. Related to it is the tension in Romantic poetry between conflicting models of history itself: history as teleology, developing towards end time and millennium, and history as purposeless cycle. This subject-matter is traced through a selection of works by the major poets, partly throughan exposition of their underlying intellectual traditions, and partly through a close examination of the poems themselves.

Apocalyptic expectations of Armageddon and a New Age have been a fixture of the American cultural landscape for centuries. With the approach of the year 2000, such millennial visions seem once again to be increasing in popularity. Stephen O'Leary sheds new light on the age-old phenomenon of the End of the Age by proposing a rhetorical explanation for the appeal of millennialism. Using examples of apocalyptic argument from ancient to modern times, O'Leary identifies the recurring patterns in apocalyptic texts and movements and shows how and why the Christian Apocalypse has been used to support a variety of political stances and programs. The book concludes with a critical review of the recent appearances of doomsday scenarios in our politics and culture, and a meditation on the significance of the Apocalypse in the nuclear age. Arguing the Apocalypse is the most thorough examination of its subject to date: a study of a neglected chapter of our religious and cultural history, a guide to the politics of Armageddon, and a map of millennial consciousness.

The interrelationship of the ideas of apocalypse and millennium is a dominant concern of British Romanticism. The Book of Revelation provides a model of history in which apocalypse is followed by millennium, but in their various ways the major Romantic poets - Blake, Wordsworth, Coleridge, Byron, Keats, and Shelley - question and even at times undermine the possibility of a successful secularization of this model. No matter how confidently the sequence of apocalypse and millennium seems to be affirmed in some of the major works of the period, the issue is always in doubt: the fear that millennium may not ensue emerges as a significant, if often repressed, theme in the great works of the period. Related to it is the tension in Romantic poetry between conflicting models of history itself: history as teleology, developing towards end time and millennium, and history as purposeless cycle. This subject-matter is traced through a selection of works by the major poets, partly through an exposition of their underlying intellectual traditions, and partly through a close examination of the poems themselves.