Natalie Travers had only just had her house in Brighten converted into flats, and installed five sets of tenants, when her younger brother Julian sent her an appeal for help. Newly deserted by his wife of one year, he was finding it impossible to cope single-handed with his work, with the running of the house and with the care of his baby twins, Rowena and Randall.

John 21 portrays seven disciples fishing all night yet catching nothing. In the morning, a shoreline stranger instructs them to recast their net. Surprisingly, the disciples fail to recognize him. After a miraculous catch and subsequent breakfast, however, there is no doubt as to who this stranger is. Jesus then questions Peter about his love and commissions him to feed Jesus' sheep. Using narrative criticism, Lowdermilk examines this recognition scene, asking, "How would a reader, well acquainted with recognition and deception as portrayed in Genesis, understand John 21?" He discards "trickster" terminology and argues that biblical recognition occurs within a context of "manipulation." After proposing a detailed taxonomy of manipulation, he ventures further and argues for patterns in Genesis where manipulators are "counter-manipulated" in a reciprocal manner, ironically similar to their own behavior, providing a transforming effect on the manipulator. These findings, plus a careful examination of Greek diminutives, inform Lowdermilk's new reading of John 21:1-19. Peter withholds his identity as a disciple in John 18 and later Jesus actively withholds his identity in ironic counter-manipulation, mirroring Peter's denials. Jesus' threefold questioning of Peter continues the haunting echoes of Peter's earlier denials. Will it result in a disciple transformed?

When a copy-cat killer arrives in the small New England town of Edgeport, criminal psychologist Audrey Harte must use all her skill to solve the case. Audrey has been hired by the prosecution to help prepare for the trial of 19-year-old serial killer Ian "Boy Scout" Monroe. His one surviving victim, Tori Scott, is the star witness, but when someone begins killing with Monroe's M.O., the authorities -- and Audrey -- begin to wonder if Monroe had a partner. Keeping Tori safe is the main concern, but Audrey has also attracted the copy-cat's attention. Audrey is drawn into a dangerous game of cat and mouse, and when someone close to her is abducted by the killer, she has no choice but to play. . .