The following sections deal with such themes as the relationship of wit to political and sexual anxiety, the connection of the mobility of signs to an elusive interiority of the subject, and the paradoxically threatening and redemptive mobility of women in relationship to patriarchal control.

Anxious Pleasures takes Franz Kafka's profoundly haunting and sad comic novella, The Metamorphosis, and reanimates it through the vantage points of those who surrounded Gregor Samsa during his plight. All the familiar characters are here, including the hysterical mother, stern father, faithless sister, and the pragmatic household cook. But we are also introduced to, among others, the would–be author downstairs who daydreams of the narrative he may someday compose and a young woman in contemporary London reading Kafka's slim book for the first time. Or do they all comprise a few of the disturbing dreams from which Gregor is about to snap awake one morning to find himself transformed into a monstrous vermin? In the tradition of Michael Cunningham's The Hours and John Gardner's Grendel, Olsen's novel not only represents a collaboration with a ghost, but, too, a celebration, augmentation, complication, and devoted unwriting of a momentously influential text.

Annotation "Good fish get dull but sex is always fun." So say the Mehinaku people of Brazil. But Thomas Gregor shows that sex brings a supreme ambiguity to the villagers' lives. In their elaborate rituals--especially those practiced by the men in their secret societies--the Mehinaku give expression to a system of symbols reminiscent of psychosexual neuroses identified by Freud: castration anxiety, Oedipal conflict, fantasies of loss of strength through sex, and a host of others. "If we look carefully," writes Gregor, "we will see reflections of our own sexual nature in the life ways of an Amazonian people." The book is illustrated with Mehinaku drawings of ritual texts and myths, as well as with photographs of the villagers taking part in both everyday and ceremonial activities.

Anxious Pleasures takes Franz Kafka's profoundly haunting and sad comic novella, The Metamorphosis, and reanimates it through the vantage points of those who surrounded Gregor Samsa during his plight. All the familiar characters are here, including the hysterical mother, stern father, faithless sister, and the pragmatic household cook. But we are also introduced to, among others, the would–be author downstairs who daydreams of the narrative he may someday compose and a young woman in contemporary London reading Kafka's slim book for the first time. Or do they all comprise a few of the disturbing dreams from which Gregor is about to snap awake one morning to find himself transformed into a monstrous vermin? In the tradition of Michael Cunningham's The Hours and John Gardner's Grendel, Olsen's novel not only represents a collaboration with a ghost, but, too, a celebration, augmentation, complication, and devoted unwriting of a momentously influential text.

First published in 2006. Food, Morals and Meaning examines our need to discipline our desires, our appetites and our pleasures at the table. However, instead of seeing this discipline as dominant or oppressive it argues that a rationalisation of pleasure plays a positive role in our lives, allowing us to better understand who we are. The book begins by exploring the way that concerns about food, the body and pleasure were prefigured in antiquity and then how these concerns were recast in early Christianity as problems of 'natural' appetite which had to be curbed. The following chapters discuss how scientific knowledge about food was constructed out of philosophical and religious concerns about indulgence and excess in 18th and 19th Century Europe. Finally, by using research collected from in-depth interviews with families, the last section focuses on the social organisation of food in the modern home to illustrate the ways that the meal table now incorporates the principles of nutrition as a form of moral training, especially for children. Food, Morals and Meaning will be essential reading for those studying nutrition, public health, sociology of health and illness and sociology of the body.

“There's no writer alive like de Botton” (Chicago Tribune), and now this internationally heralded author turns his attention to the insatiable human quest for status—a quest that has less to do with material comfort than love. Anyone who’s ever lost sleep over an unreturned phone call or the neighbor’s Lexus had better read Alain de Botton’s irresistibly clear-headed new book, immediately. For in its pages, a master explicator of our civilization and its discontents explores the notion that our pursuit of status is actually a pursuit of love, ranging through Western history and thought from St. Augustine to Andrew Carnegie and Machiavelli to Anthony Robbins. Whether it’s assessing the class-consciousness of Christianity or the convulsions of consumer capitalism, dueling or home-furnishing, Status Anxiety is infallibly entertaining. And when it examines the virtues of informed misanthropy, art appreciation, or walking a lobster on a leash, it is not only wise but helpful.