Toni Wells is a successful churchgoing career woman with full custody of her son. But her commitments escalate as she deals with defiant behavior from five-year-old Ben and takes a niece into her home. Toni cuts her hours temporarily to part-time, terrified of "losing herself completely" to her family. Then she discovers that Ben has been photographed and molested by a child pornographer. Toni must finally make a choice that's not really a choice: "Whoever wants to save his life will lose it, but whoever loses his life for me will save it" (Mark 8:35, NIV).

The next volume of memoir from the author of the international bestseller A Thousand Days in Venice introduces the extraordinary Antonia, imperious matriach of four generations of strong-willed Tuscan women The renovations to 34 via del Duomo now complete, Marlena de Blasi, the bestselling international author and "the woman with the fairy-tale life" needs to find time and space to finish a book. Lured by the offer of a simple stone cottage in the remote, mountainous region of western Tuscany, distant from the distractions of her everyday life with Fernando in Orvieto, she sets off for some much-needed solitude. But her plans to live simply, in peace and quiet, are overturned when she meets the imperious, tempestuous Antonia, the still-stunning, elderly matriarch of a large, complicated family of four generations of beautiful blue-eyed Italian women, all with stories and ideas of their own. Antonia dislikes tourists and outsiders, and so Marlena at first spars and clashes with her before they reach an understanding. Over feasts and family dinners, walking in the dark before sunrise to harvest wild lettuces, preparing meals and exchanging recipes, the two women joust, joke, exchange confidences, and grow closer and closer until finally Antonia reveals the terrible secrets behind the vivid beauty of Il Castelleto. Evocative, powerful, and haunting, this is a compelling insight into Italy's recent past and a revealing glimpse into one extraordinary woman's story and her kitchen.

"At a time when the forces of administrative despotism are on the march and Winfreyesque rhetoric passes for moral leadership and intellectual sophistication, Brian Danoff and L. Joseph Hebert, Jr., have assembled a compelling collection of timely essays on the political thought of Alexis de Tocqueville, that liberal thinker of the first rank who endeavored to see f̀urther than the parties' without any pretense to post-partisanship, who understood that more democracy is not always the answer to every problem of democracy, and who concerned himself with educating democratic peoples so that they may live together as free citizens rather than exist independently as dependent subjects. This fine collection situates Tocqueville within the history of ideas, ancient and modern, and examines the significance of his observations, predictions, and prescriptions as they pertain to a wide variety of topics with contemporary relevance. The chapters in this volume articulate the proper relationship between political theory, political science, and political practice, emphasizing the necessity for genuine republican statesmanship while honestly wondering about its chances given the trajectory of late modern America."--Travis D. Smith. Concordia University, Montreal.

In a lively exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject. Les Contes d'Hoffmann is also examined as both a continuation and a retraction of tendencies in Offenbach's earlier operettas and opéra-comiques. Hadlock investigates the political climate of the 1870s that influenced the composer's vision and the reception of his last work. Drawing upon insights from feminist, literary, and cultural theory, she considers how the opera's music and libretto took shape within a complex literary and theatrical tradition. Finally, Hadlock ponders the enigmas posed by the score of this unfinished opera, which has been completed many times and by many different hands since its composer's death shortly before the premiere in 1881. In this book, the "mad loves" that drive Les Contes d'Hoffmann--a poet's love, a daughter's love, erotic love, and fatal attraction to music--become figures for the fascination exercised by opera itself.

Queer Italy is the first multi-methodological inquiry into the historical, political and representational contexts behind the current plea for civil unions that queers advocate in Italy. Concerned with the links between identity, subjectivity and sexuality in Italy, this book opens Italian studies to previously neglected discussion of queer and migrant subjectivities. The author applies Lacanian film analysis and auto-ethnographic passages to question the uses of queer politics in Italy. Accessible and comprehensive, this is an ideal text for undergraduate and graduate courses on Italian culture, cultural studies and film studies.

In Sarah Collins’s mind, only one thing stands in the way of her success . . . an unborn baby. Sarah is about to receive a promotion that will give her everything she’s ever wanted: a huge pay increase, a new car, a fabulous apartment, and first-class travel. But then she discovers she’s pregnant. And while she thinks she loves her boyfriend, Matt, she isn’t sure he’s mature enough to be a responsible father. And the job she’s pursuing is open only because the previous employee is out on maternity leave. Sarah would never be able to handle the travel as a single mom. Torn between advice from her coworkers, the insistence of her mother and sister that she keep the baby, her insecurity about her relationship with Matt, and the void where her father should be, Sarah has no idea how to make this decision. A Christmas card from a mysterious old woman is the catalyst for three visions of her future—and just may be the miracle she needs. But can she trust the visions? Are they the yearnings of a conflicted heart? Or are they true visions from the God she thought had turned His back on her? For every woman who has made painful decisions, Sarah’s Choice offers comfort, wisdom and hope. "This story provides a bit of encouragement and hope to those facing a difficult decision." —Romantic Times, 4-star review "A thought-provoking and stirring story of painful choices and their ramifications. For any woman who has had to make a difficult decision, this book . . . will provide inspiration, hope, and solace to battered souls." —Library Journal "Written with deep compassion, gentle humor, and incredible insight." —CBA Retailers + Resources

Ana Clavel is a remarkable contemporary Mexican writer whose literary and multimedia oeuvre is marked by its queerness. The queer is evinced in the manner in which she disturbs conceptions of the normal not only by representing outlaw sexualities and dark desires but also by incorporating into her fictive and multimedia worlds that which is at odds with normalcy as evinced in the presence of the fantastical, the shadow, ghosts, cyborgs, golems and even urinals. Clavels literary trajectory follows a queer path in the sense that she has moved from singular modes of creative expression in the form of literary writing, a traditional print medium, towards other non-literary forms. Some of Clavels works have formed the basis of wider multimedia projects involving collaboration with various artists, photographers, performers and IT experts. Her works embrace an array of hybrid forms including the audiovisual, internet-enabled technology, art installation, (video) performance and photography. By foregrounding the queer heterogeneous narrative themes, techniques and multimedia dimension of Clavels oeuvre, the aim of this monograph is to attest to her particular contribution to Hispanic letters, which arguably is as significant as that of more established Spanish American boom femenino women writers.