Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.

Mildred and Robert Woods Bliss were consummate collectors and patrons. The illustrated essays in this volume reveal how the Blisses' wide-ranging interests in art, music, gardens, architecture, and interior design resulted in the creation of the Dumbarton Oaks Research Library and Collection--what they came to call their "home of the humanities."

Heringman focuses on the illustrators, fieldworkers, and ghostwriters associated with the production of scholarly plate books during the Romantic-era. The volume explores how the expertise acquired by these intellectuals precipitated a major shift in research and forged a broader perception of antiquity, transforming intellectual life.