Selected by American Indian Art Magazine as one of the 40 best publications on Native American Art in the last 40 years This book is a comprehensive guide to the identification of Antique Native American baskets, specifically basket making tribes of western North American. It is not a formal anthropology text, but rather an organized compendium of Native basketry information that blends previous anthropologic studies and the experience of the authors. The text defines how collectors, curators, dealers, auction personnel, and academics can systematically approach tribal identification of Native American basketry. It does this by clarifying the authors' rational for tribal groupings based on basket types and not on language or other cultural traits. It explains multiple Native American basket making materials and techniques and describes how understanding this information can lead to accurate tribal attribution. This knowledge is essential in developing connoisseurship and will enhance an appreciation of this wonderful Native American art form.

This unique book provides a complete study of the exquisite Native American basketry from the San Francisco Bay Area and the Monterey Bay region north to Sonoma, Napa, and Mendocino and eastward across the Sacramento Valley to the crest of the Sierras. Baskets of the Pomo, Ohlone (Costanoan), Coast Miwok, Esselen, Huchnom, Lake Miwok, Maidu, Wappo, and Yuki people are lavishly illustrated and knowledgably and sensitively described. Color photographs and drawings illustrate the rare, fine California Indian baskets from museum and private collections in the United States and Europe. The vast majority of these baskets are illustrated for the first time. Ralph Shanks is vice president of the Miwok Archaeological Preserve of Marin. Lisa Woo Shanks is editor of the Basketry of California and Oregon Series. They are the authors of The North American Indian Travel Guide.

Explore the stunning diversity of North American Indian and Eskimo baskets, from little-known native basketry to the more common forms. This colorful book combines manufacturing techniques, raw materials, forms, and decorations with information on native lifestyles. More than 175 regional and tribal styles are documented in an easy-to-use and beautifully illustrated format, with a newly updated value guide. Readers will be able to identify their own Indian baskets using this guide's standardized terminology, identification keys, glossary, maps, and bibliographies. Hundreds of baskets were photographed for this volume, many from the famous and unparalleled collection of the Peabody Museum of Harvard University where the authors began their basketry research in the 1970s.

The origins of basketry are lost in the mists of prehistory, but making baskets is certainly one of the oldest and most nearly universal crafts of mankind. In the Americas, basket artifacts found in caves in Utah have been dated at 7000 B.C., while twined baskets said to be at least 5,000 years old have been uncovered in Peru. In the American Southwest, an entire Indian culture (ca. 100–700 A.D.) is known as "Basket Maker" because of the distinctive baskets it produced. This exhaustive survey (two volumes in one) of American Indian basketry, perhaps the finest book ever published on the subject, documents basketmaking throughout the Americas — in Eastern North America, Alaska and the Pacific Northwest, Western Canada, Oregon, California and the Interior Basin, as well as Mexico, Central and South America. Spanning a wide range of indigenous cultures (Aleutian, Tlinkit, Shoshonean, Athapascam, etc.), the detailed, carefully researched discussions in this book offer a wealth of information about woven and coiled basketry, watertight basketry, materials, basketmaking techniques and preparation, ornamentation and symbolism, as well as the uses of baskets as receptacles, in preparing and serving food, for gleaning and milling, in mortuary customs, in religion and social life, in trapping, carrying water, and in many other areas of Indian life. An interesting and informative chapter on collectors and collections and the preservation of baskets, followed by a helpful biography, rounds out the book. In addition, the author, once Curator of Ethnology at the U.S. National Museum (part of the Smithsonian Institution), enhanced this encyclopedic study with over 450 excellent photographs and illustrations. For collectors, preservationists, anthropologists, students of crafts and culture, modern basketmakers, this is an indispensable reference — a massively rich source of information about baskets, the peoples who made them, how they were made, and their role in native American life and culture.

The methods of Indian basket weaving explained in this excellent manual are the very ones employed by native practitioners of the craft. members of the Navajo School of Basketry have set down their secrets in clear and simple language, enabling even the beginner to create work that can rival theirs in grace, design, and usefulness. Beginning with basic techniques, choice of materials, preparation of the reed, splicing, the introduction of color, principles and methods of design, shaping the basket and weaves from many cultures, such as Lazy Squaw, Mariposa, Taos, Samoan, Klikitat, and Shilo, each accompanied by specific instructions. There are suggestions for the weaving of shells, beads, feathers, fan palms, date palms, and even pine needles, and recipes for the preparation of dyes. Examples of each type of basket are illustrated by photographs, often taken from more than one angle so that the bottom can be seen as well as the top and sides. Close-up photography of the various types of stitching, especially at the crucial stage of beginning the basket, is an invaluable aid to the weaver. In addition, the authors have provided line drawings which are exceptionally clear magnifications of the various weave patterns. Anyone who follows the lessons contained in this book will have a knowledge of basketry unattainable in any other way. They are so lucid and complete that the amateur as well as the experienced weaver will be able to manufacture baskets distinguishable from authentic native articles only in that they were not woven by Indians. For those who merely seek a broader knowledge of American Indian arts, the book provides a comprehensive introduction to the subject of basketry.

A complex look at California Native ecological practices as a model for environmental sustainability and conservation. John Muir was an early proponent of a view we still hold today—that much of California was pristine, untouched wilderness before the arrival of Europeans. But as this groundbreaking book demonstrates, what Muir was really seeing when he admired the grand vistas of Yosemite and the gold and purple flowers carpeting the Central Valley were the fertile gardens of the Sierra Miwok and Valley Yokuts Indians, modified and made productive by centuries of harvesting, tilling, sowing, pruning, and burning. Marvelously detailed and beautifully written, Tending the Wild is an unparalleled examination of Native American knowledge and uses of California's natural resources that reshapes our understanding of native cultures and shows how we might begin to use their knowledge in our own conservation efforts. M. Kat Anderson presents a wealth of information on native land management practices gleaned in part from interviews and correspondence with Native Americans who recall what their grandparents told them about how and when areas were burned, which plants were eaten and which were used for basketry, and how plants were tended. The complex picture that emerges from this and other historical source material dispels the hunter-gatherer stereotype long perpetuated in anthropological and historical literature. We come to see California's indigenous people as active agents of environmental change and stewardship. Tending the Wild persuasively argues that this traditional ecological knowledge is essential if we are to successfully meet the challenge of living sustainably.