Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue. This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.

Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue. This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.

A burlesque of Richardson's "Pamela", which was generally ascribed to Fielding at the time of its appearance and held by most authorities to be by him.--Cf. W.L. Cross' "The history of Henry Fielding", v. 1, p. 23, 303-308: Notes & queries, 12th ser. v. 1, p. 24-26.

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