This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period to the 1960s, examining the artistic and cultural influences which shaped his films. Asquith's silent films were compared favourably to those of his eminent contemporary Alfred Hitchcock, but his career faltered during the 1930s. However, the success of Pygmalion (1938) and French Without Tears (1939), based on plays by George Bernard Shaw and Terence Rattigan, together with his significant contributions to wartime British cinema, re-established him as a leading British film maker. Asquith's post-war career includes several pictures in collaboration with Terence Rattigan, and the definitive adaptation of Oscar Wilde's The Importance of Being Earnest (1951), but his versatility is demonstrated in a number of modest genre films including The Woman in Question (1950), The Young Lovers (1954) and Orders to Kill (1958).

For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composers—such as Henry Mancini, Randy Newman, and John Williams—have become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includes Biographical material Important dates Career highlights Analysis of the composer’s musical style Complete list of movie credits This book brings recognition to the many men and women who have written music for movies over the past one hundred years. In addition to composers from the United States and Great Britain, artists from dozens of other countries are also represented. A rich resource of movie music history, The Encyclopedia of Film Composers will be of interest to fans of cinema in general as well as those who want to learn more about the many talented individuals who have created memorable scores.

This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs.

Margot Asquith was the wife of Herbert Henry Asquith, the Liberal Prime Minister who led Britain into war in August 1914. Asquith's early war leadership drew praise from all quarters, but in December 1916 he was forced from office in a palace coup, and replaced by Lloyd George, whose career he had done so much to promote. Margot had both the literary gifts and the vantage point to create, in her diary of these years, a compelling record of her husband's fall from grace. An intellectual socialite with the airs, if not the lineage, of an aristocrat, Margot was both a spectator and a participant in the events she describes, and in public affairs could be an ally or an embarrassment - sometimes both. Her diary vividly evokes the wartime milieu as experienced in 10 Downing Street, and describes the great political battles that lay behind the warfare on the Western Front, in which Asquith would himself lose his eldest son. The writing teems with character sketches, including Lloyd George ('a natural adventurer who may make or mar himself any day'), Churchill ('Winston's vanity is septic'), and Kitchener ('a man brutal by nature and by pose'). Never previously published, this candid, witty, and worldly diary gives us a unique insider's view of the centre of power, and an introduction by Michael Brock, in addition to explanatory footnotes and appendices written with his wife Eleanor, provide the context and background information we need to appreciate them to the full.

Aldous Huxley Annual is the official publication of the Aldous Huxley Society at the Center for Aldous Huxley Studies in MÃ?1⁄4nster, Germany. The Society publishes essays on the life, times, and interests of Aldous Huxley and his circle. It aspires to be the sort of periodical that Huxley would have wanted to read and to which he might have contributed. Aldous Huxley Annual celebrates its 10th anniversary with a special double numbered issue. The chief contributor on this momentous occasion is Aldous Huxley himself. Volume 10/11 contains a treasure trove of new Huxley items - such as letters, poems, stories, talks, proposals, introductions, and playlets - all arranged in chronological order. The contributions date from 1916 and run through 1963, the year of Huxley's death. Moreover, for the first time, Huxley is presented as an accomplished painter - the book's editors are proud to have procured reproductions of five Huxley paintings owned by his grandchildren Teresa and Mark Trevenen Huxley. The concluding section of the book consists of several articles on particular aspects of Huxley's work. (Series: Aldous Huxley Annual - Vol. 10)