This anthology brings together over sixty primary texts to offer an ambitious introduction to Spanish American thought and culture.

Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.

Through a collection of critical essays, this work explores twelve keywords central in Latin American and Caribbean Studies: indigenismo, Americanism, colonialism, criollismo, race, transculturation, modernity, nation, gender, sexuality, testimonio, and popular culture. The central question motivating this work is how to think—epistemologically and pedagogically—about Latin American and Caribbean Studies as fields that have had different historical and institutional trajectories across the Caribbean, Latin America, and the United States.

Painting on the Page devises critical strategies that combine psychoanalysis, feminism, semiotics, and philosophy to examine late 19th- and 20th-Century Spanish and Spanish-American literature in relation to painting and to larger questions of art and literary history. The authors widen the theoretical lines to Hispanism, where approaches of this kind are rare. The book raises crucial concerns that relocate the art works and texts in question beyond the historical or aesthetic framework in which they have been traditionally placed.

An intriguing collection of more than 70 Latin American essays, some never before translated into English, gives us the whole spectrum of concerns that have animated some of the greatest writers of our time--from Andres Bello, Pablo Neruda, and Alfonso Reyes to Carlos Fuentes, Gabriel Garcia Marquez, and Rosario Ferre--an assembly confident, ingenious, aware.

This spellbinding literary travel guide gathers poetry, nonfiction, and fiction about Spain by forty English and American writers. Here are letters and memoirs from Lord Byron, Edith Wharton, and Henry James; a poem about Picasso by E. E. Cummings; and a comic tale by Anthony Trollope in which two Englishmen mistake a Spanish duke for a bullfighter. W. H. Auden, George Orwell, and Langston Hughes record their experiences in the Spanish Civil War, Ernest Hemingway takes on bullfighting, Richard Wright is beguiled by gypsy flamenco dancers, and Calvin Trillin pursues an obsession with Spanish peppers. From Chris Stewart’s memoir of his rural retreat in Driving Over Lemons to Barbara Kingsolver’s idyllic portrait of the Canary Islands in “Where the Map Stopped,” the glimpses of another world in Spain in Mind will enchant you. From the Trade Paperback edition.

Authors Rory O'Neill Schmitt and Rosary O'Neill share the NOLA life of Kate Chopin, the first great American woman novelist. In this epic story, Chopin becomes a Phoenix rising amidst the disgrace, death, and abandonment in the romantic desperate setting of post-Civil War Louisiana. This book, a follow up to Edgar Degas in New Orleans, presents Chopin, who lived in the same neighborhood as the Degas family during that time. Chopin celebrated in New Orleans' great homes and mansions up River Road with their wonderland of oaks, columns, balconies. She had lived in the Garden District, watched New Orleans trolleys with their big windows roll past the Gothic mansions and Greco-Roman houses on St. Charles Avenue, strolled languidly through Audubon Park with its oak tree wonderland full of swa mps and lush Louisiana foliage.