From the school yards of the South Bronx to the tops of the "Billboard" charts, rap has emerged as one of the most influential cultural forces of our time. This pioneering anthology brings together more than 300 lyrics written over 30 years, from the "old school" to the present day.

Since publishing its first issue in 1981, The Austin Chronicle has evolved alongside the city's sound to define and give voice to 'The Live Music Capital of the World.' ... In honor of the Chronicle's thirtieth anniversary, this anthology gathers the weekly's best music writing and photography ... Capturing the moments that make music history as they happen ...

Hey Suburbia: A Guide to the Emo/Pop-Punk Rise chronicles the music of the Warped Tour generation that launched bands like Paramore and My Chemical Romance into superstardom. Music journalist Mike Damante covered the genre for one of the largest media companies in North America, and has compiled the stories of 1990s-2000s emo and pop-punk explosion as told by himself, the bands, publicists, and the fans who never stopped listening. Featuring interviews with blink-182, Taking Back Sunday, Descendents, Dashboard Confessional, New Found Glory, Good Charlotte, Alkaline Trio, The Get Up Kids, Motion City Soundtrack, Saves The Day and others. Hey Suburbia: A Guide to the Emo/Pop-Punk Rise is a new anthem for your underground.

Women write about their experiences of loving music that doesn’t love them back – a feminist 'guilty pleasures'.e - a kind of feminist guilty pleasures. In the majority of mainstream writing and discussions on music, women appear purely in relation to men as muses, groupies or fangirls, with our own experiences, ideas and arguments dismissed or ignored. But this hasn’t stopped generations of women from loving, being moved by and critically appreciating music, even – and sometimes especially – when we feel we shouldn’t. Under My Thumb: Songs that Hate Women and the Women Who Love Them is a study of misogyny in music through the eyes of women. It brings together stories from journalists, critics, musicians and fans about artists or songs we love (or used to love) despite their questionable or troubling gender politics, and looks at how these issues interact with race, class and sexuality. As much celebration as critique, this collection explores the joys, tensions, contradictions and complexities of women loving music – however that music may feel about them. Featuring: murder ballads, country, metal, hip hop, emo, indie, Phil Spector, David Bowie, Guns N’ Roses, 2Pac, the Rolling Stones, Bob Dylan, AC/DC, Elvis Costello, Jarvis Cocker, Kanye West, Swans, Eminem, Jay-Z, Taylor Swift, Combichrist and many more.

Inspired by New York Times bestselling author Neal Stephenson, some of today's leading writers, thinkers, and visionaries have come together in this anthology of stories, set in the near future, that reignites the iconic and optimistic visions of the golden age of science fiction Born of an initiative at the Center for Science and the Imagination at Arizona State University, this remarkable collection unites a diverse group of celebrated authors, prominent scientists, and creative visionaries—among them Cory Doctorow, Gregory Benford, Charlie Jane Anders, David Brin, and Neal Stephenson—who contributed works of "techno-optimism" that challenge us to imagine fully, think broadly, and do Big Stuff. Inside this volume you will find marvels of imagination and possibility, including a steel tower so tall that the stratosphere is just an elevator ride away . . . a drone-powered Internet . . . crowdfunded robots descending on the moon . . . cities that work like a single cell of algae powered entirely by the sun . . . and much more. Engaging, mind-bending, provocative, and imaginative, Hieroglyph: Stories and Visions for a Better Future offers a forward-thinking approach to the intersection of art and technology that has the power to change our world.

In the 1990s, punk rock entered its adolescent stage and began reevaluating its own music, politics, and traditions. And before long, the result of this collective soul-searching became clear: If hardcore wanted to remain relevant in the new decade, it was going to have to rebel against itself. This collection documents this transition. From publisher description.