In Ant Farm, former Harvard Lampoon president Simon Rich finds humor in some very surprising places. Armed with a sharp eye for the absurd and an overwhelming sense of doom, Rich explores the ridiculousness of our everyday lives. The world, he concludes, is a hopelessly terrifying place–with endless comic potential. –If your girlfriend gives you some “love coupons” and then breaks up with you, are the coupons still valid? –What kind of performance pressure does an endangered male panda feel when his captors bring the last remaining female panda to his cage? –If murderers can get into heaven by accepting Jesus, just how awkward is it when they run into their victims? Join Simon Rich as he explores the extraordinary and hilarious desperation that resides in ordinary life, from cradle to grave. "Hilarious." –Jon Stewart

This richly illustrated book, created to accompany the traveling exhibition of the same name, provides a fascinating critical overview of Ant Farm, the radical architecture collective that brought us Cadillac Ranch, Media Burn, and The Eternal Frame. Established by several young renegade architects in 1968, Ant Farm was a collaborative art and design group eager to bring to its practice a revolutionary spirit more consistent with the times. Its vision encompassed creations for a nomadic lifestyle, including inflatable structures and radical environments that culminated in projects such as the organically appointed House of the Century and the unrealized aquatic edifice The Dolphin Embassy. Ant Farm 1968-1978 explores the sweeping career of this inspired and inspiring visionary collective as its architectural projects broadened to embrace a range of undertakings that challenged the visual architecture of image, icon, and power. Constance Lewallen provides an in-depth, anecdotally rich interview with founding members Chip Lord, Doug Michels, and Curtis Schreier. An essay by Michael Sorkin gives the multivalent cultural context for Ant Farm's radical architecture. Steve Seid takes a comprehensive look at Ant Farm's influential videotapes. Caroline Maniaque's "Searching for Energy" details the group's inflatable structures in relationship to contemporaneous architects working in a similar vein. The catalog also includes a substantial excerpt from Chip Lord's 1976 meditation on car culture, with a new epilogue; a graphically playful timeline recounting Ant Farm's essential art projects; and a rich montage of images and ephemera capturing the humor, originality, and prescience of this feisty enterprise. A joint publication with the Berkeley Art Museum

Did you know that worker ants--just like the ones in this story--are always girls? Compelling ant facts like these fill mini sidebars in this enterprising and informative text So roll up your sleeves and put on your pink hardhat as you join these industrious ants for a tale of hard work and perseverance. Explore the inner workings of a lively ant colony as these determined laborers construct their underground home. An unexpected plot twist gives these tenacious terraformers in pink a surprising new direction for their community. Dynamic illustrations with humorous details, including tool-filled belts and stylish shoes, fill the pages of this inspiring tale of girl power

Ants are everywhere. They creep, they crawl, they climb, and they fall. But they get up and they keep on working. Ants come in all different shapes, different sizes, and different colors. And they do a lot of different jobs. These hard-working little creatures thrive wherever they go, making whatever adaptations necessary in their ever-changing world.

When Truman sends away for an ant farm, a birthday gift from his favorite aunt, he gets more than he bargained for. A School Library Journal Best Book of 1994. Full color.

Perhaps best known for the iconic desert monolith "Cadillac Ranch" and stunts like "Media Burn," the radical architecture and media art group Ant Farm created an abundance of works across disciplines--including video, publications, built environments and performances. Throughout their career (1968-79), Ant Farm conceived a series of time capsules that focused not on the eternal but rather on the fleeting aspects of postwar American culture: consumer goods, media archives and tchotchkes. For various reasons, all of Ant Farm's time capsules failed to function, that is, to be opened at the allotted future time and the intact contents examined. Ant Farm's successor group, LST, has taken up the project with their contemporary work "Ant Farm Media Van v.08 [Time Capsule]" (2008). This work not only functions but updates the original's line of questioning, exploring notions of the time capsule in the digital age. The Present Is the Form of All Life represents the first comprehensive documentation of these overlooked ephemeral works. Including many previously unpublished images, this publication also boasts essays by Constance M. Lewallen, Steve Seid and Gabriella Giannachi, and a discussion between curator Rudolf Frieling and LST.

Describes how these social insects live and work together in organized communities that are like bustling cities.